I Listened to Megan by Megan Thee Stallion

Another June release I was waiting for was Megan Thee Stallion’s self-title third studio album, Megan. This is her first major release under her independent label (Hot Girl Productions), since leaving her old record label. It was supported by three singles, Boa, Hiss, and Cobra. And with that, welcome back to the music minded corner of Our thoughts Precisely!

If you’ve listened to any of Megan Thee Stallion’s music before, then you pretty much know what to expect. For me, though. Megan was like a palate cleanser after all the other music I listened to and wrote about in June. It was released on the twenty-eighth, so it capped off the month quite nicely. Its solid hip-hop and rap with Megan Thee Stallion’s lightning quick lyric delivery and a creative direction in terms of beats, samples, and pop culture references (for the latter look no further than Boa and it’s video game inspiration as well as and Otaku Hot Girl, which had lyrics about Naruto and Jujutsu Kaisen).

Some of it was introspective—such as the single Cobra, which on the album was preceded by Moody Girl (the two complimented each other tonally). On other avenues, parts of the album showcased Megan Thee Stallion’s interests (Boa and Otaku Hot Girl). Plus it had good mixture of features: Kyle Richh on B.A.S., Yuki Chiba on Mamushi, GloRilla on Accent, Victoria Monet on Spin, UGK on Paper Together, and Big K.R.I.T. with Buddah Bless on Miami Blue.

Megan Thee Stallion knocked it out of the park with Megan. It was creative and just enjoyable to listen to.