Today is October 31st. So before I begin I just have to say Happy Halloween! I hope everyone has a great day.


A carnival rolls in sometime after the midnight hour on a chill Midwestern October eve, ushering in Halloween a week before its time. A calliope's shrill siren song beckons to all with a seductive promise of dreams and youth regained. In this season of dying, Cooger & Dark's Pandemonium Shadow Show has come to Green Town, Illinois, to destroy every life touched by its strange and sinister mystery. And two inquisitive boys standing precariously on the brink of adulthood will soon discover the secret of the satanic raree-show's smoke, mazes, and mirrors, as they learn all too well the heavy cost of wishes - and the stuff of nightmare.Something Wicked This Way Comes is one of those classic books that I’ve been meaning to read for a long time. I wanted to read it before the year was over, and now I can mark it off my TBR list. Something Wicked This Way Comes was good. I liked the story and the characters, especially the friendship between Jim and Will. While it wasn’t exactly a ghost story like Dead Voices by Katherine Arden, it did deal with powerful and mysterious forces, as well as the consequences of what someone would do to remain young forever. There was the carnival, Cooger & Dark’s Pandemonium Shadow Show, so there were some scenes where the characters interacted with the rides and games. However, there was never a moment when there wasn’t something odd about the newcomers to the town, like the carnival and the way it arrived in the middle of the night. As the very first page of Something Wicked This Way Comes says, “One year Halloween came on October 24, three hours after midnight.” It led to the increasingly dangerous and nefarious situations that seemed to touch every corner of the story. I liked what I read. So Something Wicked This Way Comes was the perfect October read.
A carnival rolls in sometime after the midnight hour on a chill Midwestern October eve, ushering in Halloween a week before its time. A calliope's shrill siren song beckons to all with a seductive promise of dreams and youth regained. In this season of dying, Cooger & Dark's Pandemonium Shadow Show has come to Green Town, Illinois, to destroy every life touched by its strange and sinister mystery. And two inquisitive boys standing precariously on the brink of adulthood will soon discover the secret of the satanic raree-show's smoke, mazes, and mirrors, as they learn all too well the heavy cost of wishes - and the stuff of nightmare.
Sussex, England. A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn't thought of Lettie in decades, and yet as he sits by the pond (a pond that she'd claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy. Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what.When I first started reading Neil Gaiman books again, I had a list of stories I really wanted to read. The Ocean at the end of the Lane was one of them. It was good, but it wasn’t my favorite book by this author. So while there were some parts I genuinely liked about the book—like the Hempstock’s and the fantasy elements (namely the duck pond that’s also an ocean)—the story, unfortunately, was one that didn’t click all the way with me.
Sussex, England. A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn't thought of Lettie in decades, and yet as he sits by the pond (a pond that she'd claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy. Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what.
Bestselling author Katherine Arden returns with another creepy, spine-tingling adventure in this follow-up to the critically acclaimed Small Spaces.
Having survived sinister scarecrows and the malevolent smiling man in Small Spaces, newly minted best friends Ollie, Coco, and Brian are ready to spend a relaxing winter break skiing together with their parents at Mount Hemlock Resort. But when a snowstorm sets in, causing the power to flicker out and the cold to creep closer and closer, the three are forced to settle for hot chocolate and board games by the fire. Ollie, Coco, and Brian are determined to make the best of being snowed in, but odd things keep happening. Coco is convinced she has seen a ghost, and Ollie is having nightmares about frostbitten girls pleading for help. Then Mr. Voland, a mysterious ghost hunter, arrives in the midst of the storm to investigate the hauntings at Hemlock Lodge. Ollie, Coco, and Brian want to trust him, but Ollie's watch, which once saved them from the smiling man, has a new cautionary message: BEWARE. With Mr. Voland's help, Ollie, Coco, and Brian reach out to the dead voices at Mount Hemlock. Maybe the ghosts need their help--or maybe not all ghosts can or should be trusted.Earlier this year, I read Small Spaces, Katherine Arden’s first middle grade novel. I was overjoyed when the atmospheric writing that I liked about the Winternight Trilogy was also present in Small Spaces. So I was excited when I first learned that Small Spaces was getting a sequel, and oh man, Dead Voice did not disappoint. With a story full of twists and turns, Dead Voices was delightfully spooky and just as atmospheric as the first book in the series. But it wasn’t so scary that a younger audience wouldn’t be able to enjoy the story.
Dead Voices is a terrifying follow-up to Small Spaces with thrills and chills galore and the captive foreboding of a classic ghost story.
Bestselling author Katherine Arden returns with another creepy, spine-tingling adventure in this follow-up to the critically acclaimed Small Spaces.
Having survived sinister scarecrows and the malevolent smiling man in Small Spaces, newly minted best friends Ollie, Coco, and Brian are ready to spend a relaxing winter break skiing together with their parents at Mount Hemlock Resort. But when a snowstorm sets in, causing the power to flicker out and the cold to creep closer and closer, the three are forced to settle for hot chocolate and board games by the fire. Ollie, Coco, and Brian are determined to make the best of being snowed in, but odd things keep happening. Coco is convinced she has seen a ghost, and Ollie is having nightmares about frostbitten girls pleading for help. Then Mr. Voland, a mysterious ghost hunter, arrives in the midst of the storm to investigate the hauntings at Hemlock Lodge. Ollie, Coco, and Brian want to trust him, but Ollie's watch, which once saved them from the smiling man, has a new cautionary message: BEWARE. With Mr. Voland's help, Ollie, Coco, and Brian reach out to the dead voices at Mount Hemlock. Maybe the ghosts need their help--or maybe not all ghosts can or should be trusted.
Dead Voices is a terrifying follow-up to Small Spaces with thrills and chills galore and the captive foreboding of a classic ghost story.