Showing posts with label Review. Show all posts
Showing posts with label Review. Show all posts

Friday, November 29, 2024

Short Stories: The Wood at Midwinter by Susanna Clarke illustrated by Victoria Sawdon

I'm taking a brief break from the usual format of Short Stories, to take a look at the new Susanna Clarke story, The Wood a Midwinter, illustrated by Victoria Sawdon.


Title: The Wood at Midwinter
Series: n/a
Author/Illustrator: Susanna Clarke; Victoria Sawdon
Source/Format: Purchased; Hardcover
More Details: Fantasy; Short Story
Publisher/Publication Date: Bloomsbury Publishing; October 20, 2024

Goodreads 

Synopsis from Goodreads...

From the internationally bestselling and prize-winning author of Piranesi and Jonathan Strange & Mr Norrell, an enchanting, beautifully illustrated short story set in the Strange universe.

"A church is a sort of wood. A wood is a sort of church. They're the same thing really."

Nineteen-year-old Merowdis Scott is an unusual girl. She can talk to animals and trees - and she is only ever happy when she is walking in the woods. One snowy afternoon, out with her dogs and Apple the pig, Merowdis encounters a blackbird and a fox. As darkness falls, a strange figure enters in their midst - and the path of her life is changed forever.


As my Short Story intro above says, I’m taking a break from the typical format to look at Susanna Clarke’s short story, The Wood at Midwinter, illustrated by Victoria Sawdon. I was very excited to pick this one up, considering how much I adored Piranesi—and I’m slowly working my way through Jonathan Strange and Mr. Norwell, which has, so far, been as entertaining as I’d hoped. But, I digress, this post is about The Wood at Midwinter.

A woman, Merowdis, sits in a forest at midwinter, which was, now that I think about it, very fairy tale-esque of her. She talks to animals, to the bugs, and even to the trees; her loyal animals and, as the title suggests, the wood at midwinter. It’s a conversation between all of them, wherein she laments about her life, what she doesn’t wish to do, and admits to what she desperately wants to have and hold—regardless of the consequences and what she might have to give up to have it. And in a story with a setting like this one, with a quietly magical atmosphere, anything was possible.

The Wood at Midwinter is short but still a delightful little story with an enigmatic character and a wintery backdrop, which featured a nice visual aspect accompanying the prose with Sawdon’s illustrations.

Friday, November 15, 2024

The Raven King by Maggie Stiefvater

Title: The Raven King
Series: The Raven Cycle #4
Author: Maggie Stiefvater
Source/Format: Purchased; Paperback
More Details: Fantasy; Young Adult
Publisher/Publication Date: Scholasic Press; April 26, 2016

Goodreads 

Synopsis from Goodreads...                                                                                                                                             
All her life, Blue has been warned that she will cause her true love's death. She doesn't believe in true love and never thought this would be a problem, but as her life becomes caught up in the strange and sinister world of the Raven Boys, she's not so sure anymore.

Earlier this year, I mentioned one of my blogging related goals was to tackle at least one of the unfinished series that had been on my TBR list for far too long, and one such collection of books was Maggie Stiefvater’s The Raven Cycle. I know there’s a spinoff trilogy, but my goal was to read all of the initial books—or reread, in the case of The Raven Boys. And now, I finally got around to The Raven King.

“Richard Gansey III had forgotten how many times he had been told he was destined for greatness.”—pg.1

Every story has its beginning and its end. And every page of The Raven King felt like another ending. It was, effectively, the culmination of every plot thread, hint, and pivotal moment that occurred from The Raven Boys, The Dream Thieves, and Blue Lily Lily Blue. The Raven Cycle has always also been about its characters—the titular Raven Boys and Blue Sargent—as well as boasting of a colorful secondary cast that were given as much care as the core group. The character arcs came full circle in The Raven King too. And it was exciting—an emotional rollercoaster—to say the least, to see how it would all end: the hunt for Glendower, the prophecy that Blue would kill her true love with a kiss, Noah’s true role in all that had happened, and what would become of the places and characters with the threat of a demon and an unchecked (and horribly misguided) quest for influence.

Let me reiterate: The Raven King is a page turner, and it’s easily one of the best books I’ve read this year.

Friday, October 25, 2024

Sabriel by Garth Nix

Title: Sabriel
Series: The Old Kingdom #1
Author: Garth Nix
Source/Format: Purchased; Paperback
More Details: Fantasy
Publisher/Publication Date: Harper Collins; January 1, 1995

Goodreads

Synopsis from Goodreads...

Enter the Old Kingdom, a world of dark secrets and dangerous magic.

As a child, Sabriel was sent across the Wall to Ancelstierre to safety. Now eighteen years old, she receives a cryptic and desperate message from her father, the Abhorsen—the magical protector whose task it is to bind and send back to Death those who won’t stay Dead. Fiercely determined to help her father, who is perilously trapped in Death, and save him from the sinister Free Magic entity that has somehow ensnared him, Sabriel must prepare to enter Death herself—and find her destiny. To preserve life, the Abhorsen must enter death.


I haven’t picked up a Garth Nix book in many-many years—the last ones I read were The Keys to the Kingdom with Mister Monday and the following novels. However, one series that has persisted on my TBR list (for just as long) has been Nix’s The Old Kingdom. So in the interest of slimming down that TBR by another book, I picked up Sabriel, the first of that series.

Sabriel was a phenomenal novel, and had almost everything I love about fantasy. There was a good deal of traveling the main character, Sabriel, undertook during her adventure. However, each step of the way presented its own pitfalls, ensuring the story kept a sense of urgency. It was part cat-and-mouse game, part fetch quest, and there was no happy ending guaranteed in a story that dealt with so much death.

The magic had a cool system, essentially necromancy, which required literally stepping into death as well as a set of very particular bells. I loved this aspect of the story and the details that went into developing it. After all, each bell was imbued with a different power—and had varied consequences for ringing them—which only added another layer of detail to a magic system that was already working within a clear set of relatively unique rules.

There were two primary places where the story took place. There’s Ancelstierre, where Sabriel attended Wyverly College, which—although a fantasy country—could have been reality, albeit a historical time period. There were cars, electricity, and even weapons. The Old Kingdom, by contrast, was pure fantasy and entirely bleak; a place that was clearly on the losing side of a conflict. And it was into the horror left behind and the grueling battle against “those who won’t stay dead,” that Sabriel enters as a begrudging player, in the grand scheme of things. She didn’t want the job, more than that, however, she wanted to find her father, the Abhorsen. And her anxiety is part of what propels the story, at least early on, before she gained allies and came to understand the greater danger posed to everything and everyone. As a result, the story had intensity to it, and I enjoyed every second of it.

All in all, I adored this novel, and I’m looking forward to eventually continuing with this series.
 

Wednesday, October 2, 2024

The City in Glass by Nghi Vo

Title: The City in Glass
Series: n/a
Author: Nghi Vo
Source/Format: NetGalley; eARC
More Details: Fantasy
Publisher/Publication Date: TorDotCom; October 1, 2024

Goodreads     Amazon     Barnes & Noble

Synopsis from Goodreads...
In this new standalone, Hugo Award-winning author Nghi Vo introduces a beguiling fantasy city in the tradition of Calvino, Mieville, and Le Guin.

A demon. An angel. A city that burns at the heart of the world.


The demon Vitrine—immortal, powerful, and capricious—loves the dazzling city of Azril. She has mothered, married, and maddened the city and its people for generations, and built it into a place of joy and desire, revelry and riot. And then the angels come, and the city falls. Vitrine is left with nothing but memories and a book containing the names of those she has lost—and an angel, now bound by her mad, grief-stricken curse to haunt the city he burned. She mourns her dead and rages against the angel she longs to destroy. Made to be each other’s devastation, angel and demon are destined for eternal battle. Instead, they find themselves locked in a devouring fascination that will change them both forever. Together, they unearth the past of the lost city and begin to shape its future. But when war threatens Azril and everything they have built, Vitrine and her angel must decide whether they will let the city fall again.

The City in Glass is both a brilliantly constructed history and an epic love story, of death and resurrection, memory and transformation, redemption and desire strong enough to burn a world to ashes and build it anew.


Nghi Vo’s, The Singing Hills Cycle, is one of my favorite series, so I was interested in checking out her latest story, The City in Glass. Essentially, this is a tale about a ruined city that might rise again from its ashes, a demon, an angel, and the strange tumultuous sort-of fascination/love story between the two.

The City in Glass was engaging from the very first page. It begins with a revelry, the fall of the city, and the demon, Vitrine’s effort to rebuild what she lost. Despite the book’s short length, the actual timespan of the story was hundreds of years with sporadic time skips, which sometimes spanned as long as decades. The book was written incredibly well and with enough detail to give the characters—particularly Vitrine—and Azril a rich history.

A large part of the book was dedicated to—and lingered on—Vitrine’s grief as well as her memories of the people and the place she’d lost. During these flashbacks, it was clear how much she’d loved the city of Azril, following generations of families, shaping the place into what it was before everything ended, like a gardener. Her grief was, for lack of better terms, consuming, and The City in Glass allowed Vitrine to go through these stages. It was messy—she was prone to giving into her rage, lashed out, and wanted to be left alone with memories and ghosts—but it drove home the devastation. The way she wanted to linger in the past reminded me of a short story I read earlier this year (Something Small Enough to Ask For by Anamaria Curtis), and the lesson for that main character was ultimately a similar one. Stay in the past or finally move forward? As character arcs go, Vitrine’s was a good one.

One avenue that I was pretty undecided on (and still am), was how the relationship landed, whether it worked as well as some of the other aspects of The City in Glass or not—especially with the way the story ended. On one hand, I understand Vitrine had to work through her grief and come to terms with the angel’s role in it. While on the other hand, some of the angel and Vitrine’s best moments were when they communicated, when there was this push-and-pull albeit with a sense of burgeoning closeness and understanding (even frustration and anger) with each other. However, I wish there had been more of it, or at least a little more of the angel’s perspective on the situation, particularly before the end.

Despite how conflicted I was about the aforementioned, it wasn’t bad actually. In fact, The City in Glass was thoroughly engaging and enjoyable, and I know I’ll be thinking about it for a long time.
 
About the author....
Nghi Vo is the author of the novels Siren Queen and The Chosen and the Beautiful, as well as the acclaimed novellas of the Singing Hills Cycle, which began withThe Empress of Salt and Fortune. The series entries have been finalists for the Locus Award and the Lambda Literary Award, and have won the Crawford Award, the Ignyte Award, and the Hugo Award. Born in Illinois, she now lives on the shores of Lake Michigan. She believes in the ritual of lipstick, the power of stories, and the right to change your mind.

Disclaimer: this copy of the book was provided by the publisher (TorDotCom) via NetGalley in exchange for an honest review, thank you! 

Wednesday, September 4, 2024

Haunt Sweet Home by Sarah Pinsker

Title: Haunt Sweet Home
Series: n/a
Author: Sarah Pinsker
Source/Format: NetGalley; eARC
More Details: Paranormal; Novella
Publisher/Publication Date: TorDotCom; September 3, 2024

Goodreads     Amazon     Barnes & Noble

Synopsis from Goodreads...
On the set of a kitschy reality TV show, staged scares transform into unnerving reality in this spooky ghost story from multiple Hugo and Nebula Award-winning author Sarah Pinsker.

“Don’t talk to day about what we do at night.”

When aimless twenty-something Mara lands a job as the night-shift production assistant on her cousin’s ghost hunting/home makeover reality TV show Haunt Sweet Home, she quickly determines her new role will require a healthy attitude toward duplicity. But as she hides fog machines in the woods and improvises scares to spook new homeowners, a series of unnerving incidents on set and a creepy new coworker force Mara to confront whether the person she's truly been deceiving and hiding from all along―is herself.

Eerie and empathetic, Haunt Sweet Home is a multifaceted, supernatural exploration of finding your own way into adulthood, and into yourself.

I’ve mentioned SurrealEstate on the blog before. Well, its second season had an episode that was essentially a parody (or recreation) of a ghost hunting show. It was comedic but also told a heartfelt story about the fictional show’s host, a parallel to the interpersonal arc of Luke Roman. The concept was simple: manufactured haunting on a niche show that inevitably encounter a scenario outside of their control. So I’m more than familiar with a setup like that, which was why I was looking forward to Sarah Pinsker’s latest, a novella called Haunt Sweet Home.

It’s no secret: I like house stories (or stories involving houses). It’s why a show like SurrealEstate was so appealing, and Haunt Sweet Home fell into that same category. It combined home renovation and supposedly haunted properties into the titular show, while also shaping up into a narrative of self-discovery for the story’s main character, Mara Billings.

Mara started things but never committed; she often thought of herself as the black sheep of her family and was uncertain of her future and struggled with building connections with others. So when she gets the opportunity to work for her cousin’s niche show as a production assistant for the night crew, she’s hopeful it’ll be the thing to stick. It wasn’t an easy job. However, half the fun of the story for the reader, was watching the scenarios unfold/ the show being filmed as well as how Mara would handle being so far outside of her element, with a secondary cast also navigating a cut throat environment. Mara was sympathetic but also at times abrasive. However, I liked the nuance of Pinsker’s characterization of Mara. She almost haunted the narrative, even when she wasn’t fulfilling the role of a ghost. So when the inevitable confrontation happens, the proverbial shoe drop, when she could no longer run from herself, the emotional payoff was just chef’s kiss.

In Haunt Sweet Home the houses were secondary while much of the page space was devoted to a great ghost story and an exceptional character exploration. I highly recommend this one!
 
About the author....
Sarah Pinsker is the author of over fifty works of short fiction, two novels, and one collection. Her work has won four Nebula Awards (Best Novel, A Song For A New Day; Best Novelette, "Our Lady of the Open Road," Best Novelette, "Two Truths And A Lie," Best Short Story, "Where Oaken Hearts Do Gather,"), two Hugo Awards ("Two Truths And a Lie" and "Where Oaken Hearts Do Gather"), the Philip K Dick Award, the Locus Award, the Eugie Foster Award, and the Theodore Sturgeon Award, and been nominated for numerous Nebula, Hugo, Locus, and World Fantasy Awards. Her fiction has been published translated into almost a dozen languages and published in magazines including Asimov's, Strange Horizons, Fantasy & Science Fiction, and Uncanny and in many anthologies and year's bests. Sarah's first collection, the Philip K Dick Award winning Sooner or Later Everything Falls Into the Sea: Stories, was published by Small Beer Press in March 2019, and her first novel, A Song For A New Day, was published by Penguin/Random House/Berkley in September 2019. Her latest book is We Are Satellites, published in May 2021. Her second collection, Lost Places, will be published by Small Beer Press in March 2023. She is also a singer/songwriter with four albums on various independent labels (the third with her rock band, the Stalking Horses). She lives in Baltimore, Maryland and can be found online at sarahpinsker.com and twitter.com/sarahpinsker.

Disclaimer: this copy of the book was provided by the publisher (TorDotCom) via NetGalley in exchange for an honest review, thank you! 

Friday, August 30, 2024

Devil is Fine by John Vercher

Title: Devil is Fine
Author: John Vercher
Source/
Format: Celadon Books; Paperback ARC
More Details: Literary Fiction; Contemporary Fantasy
Publisher/Publication Date: Celadon Books; June 18 2024

Goodreads     Celadon (Book Page) 

Synopsis From Celadon:

Reeling from the sudden death of his teenage son, our narrator receives a letter from an attorney: he has just inherited a plot of land from his estranged grandfather. He travels to a beach town several hours south of his home with the intention of immediately selling the land. But upon inspection, what lies beneath the dirt is much more than he can process in the throes of grief. As a biracial Black man struggling with the many facets of his identity, he’s now the owner of a former plantation passed down by the men on his white mother’s side of the family.

Vercher deftly blurs the lines between real and imagined, past and present, tragedy and humor, and fathers and sons in this story of discovery—and a fight for reclamation—of a painful past. With the wit of Paul Beatty’s The Sellout and the nuance of Zadie Smith’s On Beauty, Devil Is Fine is a darkly funny and brilliantly crafted dissection of the legacies we leave behind and those we inherit.


When I finished reading Devil is Fine by John Vercher, I had so many initial thoughts that it made it difficult to summarize what I felt about it. And I didn't even know where to start.

So I guess I'll start with the story. It revolves around the unnamed narrator's identity and the throes of that. While it mostly seemed to pertain to his professional life and having to deal with owning a plantation, it was also carefully woven into a story about a man dealing with grief and somehow coming to terms with where he is in life. Of course it was not a smooth road since there were odd and disconcerting experiences along the way. He was aided by the occasional words of wisdom from the more frequent characters, Freddy and Clarence. A bar owner and frequent bar customer respectively, their own life and experiences tended to add a different angle to what the narrator was going through. On the flip side, there were a lot of times where I wondered just why he was doing what he was, but some of that was answered much later on.

Another thing I noticed was the writing. It's in first person and begins shortly before the burial of the narrator's son, Malcolm. From the beginning to the end, the main character often thinks of and addresses him while chronicling his ongoing life. Sometimes he would wonder what Malcolm would say if he was there during a conversation, for example. Along with the main character's musings, it is mainly through occasional chapters in between that showed who Malcolm was growing up. I honestly wasn't sure how I felt about these chapters at first. But, about half way through, I felt it both added to and left breathing room from the tension that was building throughout the book. Some of that was also probably from the general back and forth of the current time and various past memories from the narrator's own life and experiences.

Speaking of that tension, I was constantly on the edge of my seat wondering what was going to happen next. Some of the story was predictable for me. But there were parts that weren't at all. The conclusion and ending are an examples of both of these feelings. Based on a few pages of conversations beforehand, I had thought that a particular scene was going to go a certain way. But I was wrong. Instead it was rather mundane (for the lack of more spoiler-y but probably better words I could use). It is at this point the character growth is fully realized with many truths coming to light. Even being a little sad and grim, overall it definitely felt more in line and satisfactory with the way the bulk of the story was written. So I was somewhat happy to be wrong. As for the last pages, the end? Well, it was a tear jerker.

As a whole, I truly liked Devil is Fine. The surreal nature of it, dialogue, complicated relationships, and even the tougher, more serious tones mixed with some lighter ones. All that to say, it became a page turner and I really enjoyed reading it.

Thanks for reading!


Disclaimer: I received an ARC copy of this book from Celadon Books for this review. Thank you!

Note: this review was originally posted on Toile, Think, Go (HERE)



Monday, July 29, 2024

Short Stories I Read In June

It’s the Twenty-Ninth of July. So it’s time to talk about the short stories, podcast episodes, and miscellaneous posts I read or listened to in June.

An Otherworldly Cat Tells You the Secrets of the Universe by Megan Chee (Lightspeed Magazine; June 2024; Issue 169)

An Otherworldly Cat Tells You the Secrets of the Universe by Megan Chee is a delightful story about cats essentially being cats with a speculative twist. Told by a cat, as the title suggests, the narrative conveys, well, the secrets of the universe from the perspective of the felines who can move freely to all of its corners. That included everything from space faring to living alone on strange planets. I liked this one.

Loneliness Universe by Eugenia Triantafyllou (Uncanny Magazine; Issue Fifty-Eight)

The next and last short story I read in June was was Eugenia Triantafyllou’s latest, Loneliness Universe. I love this one. Initially, it’s about two people—former friends who’d grown apart—Cara, and the story’s narrator, Nefeli, attempting to meet at a bus stop. Things don’t go as planned, because even though they’re in the same place, they might as well be worlds apart. What followed was an incredibly tense and atmospheric story, as Nefeli experienced a puzzling and terrifying phenomenon. Despite the urban setting, there was a feeling of isolation, which further heightened the atmosphere I liked what the author did with this story as well as the commentary on the relationships between people, cherishing time and whatnot, in a story which showed how everyone was, in theory, still close together, but also alone in their own separate universes. So in that way, the title was very fitting. Loneliness Universe is a good one.

From around the web…

Wednesday, June 19, 2024

The Familiar by Leigh Bardugo

Title: The Familiar
Series: n/a
Author: Leigh Bardugo
Source/Format: Purchased; Hardcover
More Details: Fantasy; Historical Fiction
Publisher/Publication Date: Flatiorn Books; April 9, 2024

Synopsis from Goodreads...
From the New York Times bestselling author of Ninth House, Hell Bent, and creator of the Grishaverse series comes a highly anticipated historical fantasy set during the Spanish Golden Age

In a shabby house, on a shabby street, in the new capital of Madrid, Luzia Cotado uses scraps of magic to get through her days of endless toil as a scullion. But when her scheming mistress discovers the lump of a servant cowering in the kitchen is actually hiding a talent for little miracles, she demands Luzia use those gifts to better the family's social position. What begins as simple amusement for the bored nobility takes a perilous turn when Luzia garners the notice of Antonio Pérez, the disgraced secretary to Spain's king. Still reeling from the defeat of his armada, the king is desperate for any advantage in the war against England's heretic queen—and Pérez will stop at nothing to regain the king's favor. Determined to seize this one chance to better her fortunes, Luzia plunges into a world of seers and alchemists, holy men and hucksters, where the line between magic, science, and fraud is never certain. But as her notoriety grows, so does the danger that her Jewish blood will doom her to the Inquisition's wrath. She will have to use every bit of her wit and will to survive—even if that means enlisting the help of Guillén Santangel, an embittered immortal familiar whose own secrets could prove deadly for them both.


It’s no secret: I love a good standalone. And one of my most highly anticipated book releases of the year was Leigh Bargugo’s new historical fantasy novel, The Familiar. Set in Madrid during the “Spanish Golden Age,” this was a story of curses, magic, and ambition; part tragedy and part romance. And I loved every second of it.

Luzia Cotado was ambitious and hungry and wanted more than her life as a scullion: the ability to freely express her intelligence, and most of all comforts and ease unlike what her life had been to that point. While Luzia would admit that her position made her a good actress—able to hide her true self behind a façade—she was kind of resentful toward it. The family she worked for, the Ordõnos, didn’t help with her pessimism, particularly (and especially in the beginning of the novel) Doña Valentina’s habit of taking out her discontent—with her married life and with her social prospects—on the people who worked for her. As the first sentence of chapter one states: “If the bread hadn’t burned, this would be a very different story.” But I’m so glad it wasn’t, because without the circumstances, there would’ve been no story. And without (even the tragic aspects later on) there would’ve been no romance and none of the the interpersonal dramas happening alongside the high stakes schemes. And those were among the most notable highlights of The Familiar.

If you can’t tell, I adored the characters.

Luzia could be witty, but she was also in a situation involving political machinations, which left her as a fish-out-of-water, if not right out trapped and (again) subservient. Some of what occurred was due to her ambition, though. She wanted to win to change her life, regardless of the consequences. Her “little miracles” were dangerous to perform; she lived in a time of strong adherence to religion as well as under the threat of attracting the notice of the Inquisition.

Guillén Santángel was brooding, enigmatic, and dangerous. He was the familiar the title referred to and was compelled to do the bidding of an ambitious, cunning, arrogant, and cruel man. He and Luzia were a little alike, in that they desired freedom from their circumstances.

The question was what had to be given up to achieve those aims.

Valentina was the most surprising for me. I didn’t expect to like her character as much as I did. She was an instigator, but she was also sympathetic. She, like Luzia and Santángel, hungered for more. And a pivotal part of her story was discovering if what she always insisted she wanted would still hold true by the end of The Familiar.

The tournament was fairly standard and involved some intrigue, particularly between the competitors and their patrons. There was genuine talent and fraud mixed together, and alliances were murky and never what they first appeared to be. And with the large personalities of the characters, it made it interesting.  

All in all, The Familiar was everything I was hoping it would be, and it’s easily one of my favorite books of 2024 so far.

Wednesday, May 29, 2024

Short Stories I Read In April

It’s the twenty-ninth of May. So it’s time to write about the short stories, miscellaneous posts, and podcast episodes I read or listened to in April.

The God, Descendant by Amanda Helms (Uncanny Magazine; Issue Fifty-Seven)

The first piece I checked out in April was flash fiction by Amanda Helms called The God, Descendant. It’s a story about two gods, either rising or falling, who were locked in a seemingly never ending cycle inherent to their natures and names—only passing one another occasionally. Most of the story is contemplative, as the narrative is firmly rooted in the perspective of the Falling God. It’s a conversation between the two, as they questioned the state of, well, rising and falling, just as much as it was also about the answers (solution) they eventually arrived at. This was a relatively simple story, but I enjoyed it.

Afflictions of the New Age by Katherine Ewell (Uncanny Magazine; Issue Fifty-Seven)


The next short story I read was Afflictions of the New Age by Katherine Ewell. The story excels at atmosphere and certainly knew how to set up a scene, because it does start with a narrator who may or may not be reliable as well as a series of questions by authorities, which hinted at the overarching mystery of the situation (how the opening scene came to be). It doesn’t take long, however, for the narrative to delve into the context and implications behind the title. The prose and storytelling were simply engrossing, and I enjoyed the melancholic impression left by Afflictions of the New Age. After all, it’s a story of cures and illnesses as well as the unforeseen consequences of finding a way to live forever—but of losing one’s perception of time as well as a linear grasp on the order of memories in the process.

The Oldest Fun by Natalia Theodoridou (Clarkesworld Magazine; Issue 211; April 2024)

Next, I decided to see what Clarkesworld was publishing in April, and I ended up reading Natalia Theodoridou's The Oldest Fun. The quickest way I can sum up this story is: a deadlier form of Jumanji. The narrative implies the game is far older than what one might think, and it pulls in players in a way that can feel reminiscent to the classic movie. The Oldest Fun is, in the end, it's own tale with its own implications and context. I liked this story, particularly for the writing style and the smart twist toward the end—which made it memorable.

From around the web…

Wednesday, April 17, 2024

Cathedral, Forge, and Waterwheel: Technology and Invention in the Middle Ages by Frances & Joseph Gies

Title: Cathedral, Forge, and Waterwheel: Technology and Invention in the Middle Ages
Series: n/a
Author: Fances & Joseph Gies
Source/Format: Purchased; Paperback
More Details: Nonfiction; History; Medieval Technology
Publisher/Publication Date: First published January 1, 1994

Synopsis from Goodreads...
In this account of Europe's rise to world leadership in technology, Frances and Joseph Gies make use of recent scholarship to destroy two time-honored myths.

Myth One: that Europe's leap forward occurred suddenly in the Renaissance, following centuries of medieval stagnation. Not so, say the Gieses: Early modern technology and experimental science were direct outgrowths of the decisive innovations of medieval Europe, in the tools and techniques of agriculture, craft industry, metallurgy, building construction, navigation, and war. Myth Two: that Europe achieved its primacy through Western superiority. On the contrary, the authors report, many of Europe's most important inventions--the horse harness, the stirrup, the magnetic compass, cotton and silk cultivation and manufacture, papermaking, firearms, Arabic numerals--had their origins outside Europe, in China, India, and Islam. The Gieses show how Europe synthesized its own innovations--the three-field system, water power in industry, the full-rigged ship, the putting-out system--into a powerful new combination of technology, economics, and politics. From the expansion of medieval man's capabilities, the voyage of Columbus with all its fateful consequences is seen as an inevitable product, while even the genius of Leonardo da Vinci emerges from the context of earlier and lesser-known dreamers and tinkerers.

Every so often I need a break from even my favorite genres of fiction, and, more often than not, I fill the void with nonfiction, as a pallet cleanser. Sometimes it’s true crime (Cult of We), history (Daughters of Chivalry, Meet Me by the fountain: An Inside History of the Mall), or science with a focus on nature (Entangled Life, The Death and Life of the Great Lakes, The Brilliant Abyss). I’ve once again returned to the subject of history with my latest nonfiction read, Frances and Joseph Gies’s Cathedral, Forge, and Waterwheel: Technology and Invention in the Middle Ages.

“A spirit of otherworldliness and a preoccupation with theology were perceived as underlying a vast medieval inertia.” Page 1

The book sets out to disprove that notion, and does so in a very technical manner. The bulk of the chapters break down the Middle Ages into chunks, either by “early Middle Ages” or by dates such as for example “900-1200” or “A.D. 500-900.” And it goes into detail about the notable achievements and the way the technology—such as the waterwheel, armor, weapons, bridges, cathedral building, and advances in textile manufacture, ship building, and navigation—were invented and found their way into different corners of the medieval world through various channels (trade was often mentioned). It often revealed the fascinating processes—and ingenuity—behind actually making these inventions (or improving on earlier discoveries) and how they were applied for practical purposes.

Some of my favorite passages had to do with cathedrals, paper, the printing press, and early clocks. But there was much-much more than that, and all of it was interesting to read about.

And, even though some of the descriptions could be frank and sometimes a little dry, overall I enjoyed this book for the sheer volume of information it had. And I’d recommend it for anyone who is curious about the subject.
 

Wednesday, March 20, 2024

About Blue Lily, Lily Blue by Maggie Stiefvater

**Note: There may be mild spoilers for book one and two.**

I’m steadily making my way through The Raven Cycle (not the spinoff series). And, with Blue Lily, Lily Blue, I’m officially over halfway done, and all that’s left is The Raven King. If you want to know what I thought about the prior installments (The Raven Cycle and The Dream Thieves) click HERE and HERE. But I digress.

The best way I can sum up Blue Lily, Lily Blue is: change, balance, and the power of three. On a specific note, the characters struggled with coming to terms with the changes in their lives. They were growing up and considering what their lives would look like after high school, after the quest for Glendower was over. And while some of the interpersonal plotlines were resolved in The Dream Thieves, its ending left the familiar cast in a…less than ideal spot. There was their new ally—Mr. Gray, the reformed (reforming) former hit man—which was good. But what was less good about it was: Maura was missing. The “how” and the “where” were answered fairly early, but that didn’t lessen the impact Maura’s absence had on the residents of 300 Fox Way and her daughter, Blue. And with a new obstacle arriving in town to, once again, shake things up—with a motivation that was pure acquisitive and vengeful—Blue Lily, Lily Blue was exciting.

“”This is the corpse road,” she said, aligning her body with the invisible path. As she did, she could feel something inside her begin to hum agreeably, a sensation very much like the satisfaction that came from aligning book spines on a shelf.”—page 1

I wouldn’t call it a cat and mouse chase, exactly, but the present, aforementioned, danger had a way of looming in the background, casting a cloud over the story. There was a sense that time was running out, for the characters, for their hunt for Glendower.

The series has always been gradually building toward something. In The Dream Thieves, the conclusion of their adventure—including the prophecy about Blue and her kiss and the implication of seeing Gansey on the corpse road—didn’t feel as pressing as they do here. The clues were portent, which ramped up the tension. And, for a story that is largely driven by its characters—and the way they inhabit and influence the world in the books—that was a good thing.

On the other hand, the series has also been about searching for the impossible and finding magic in unlikely places. I appreciate the meticulous detail and care given toward weaving together the folklore and Welsh mythology with the respective powers possessed (or lack thereof) by the characters. It wasn’t, of course, without its own particular and gut-wrenching brand of pitfalls and unpredictability. But for me, the reader, however, it was fun to follow the characters as they explored new locations.

I’m still enjoying The Raven Cycle and am looking forward to the conclusion. So I know it won’t be long before I read The Raven King.


About the book...

The third installment in the all-new series from the #1 NEW YORK TIMES bestselling author Maggie Stiefvater!

Blue Sargent has found things. For the first time in her life, she has friends she can trust, a group to which she can belong. The Raven Boys have taken her in as one of their own. Their problems have become hers, and her problems have become theirs. The trick with found things, though, is how easily they can be lost. Friends can betray. Mothers can disappear. Visions can mislead. Certainties can unravel.

Friday, February 16, 2024

About The Dream Thieves by Maggie Stiefvater

In January, I posted a Thought Corner about my reread of The Raven Boys. If you read it (HERE), you’ll know I was in desperate need of a refresher before attempting to continue with the series. It had been around a full decade since I last picked it up, and details get lost overtime. That was true for my recollection of the VERY fine print about the overall story of The Raven Boys. So, I reread it. And when I was considering what my 2024 blogging goal would be, one of the series I kept in mind was The Raven Cycle.

“There are three kinds of secrets.”—page 1.

The prologue begins with a page long monologue about three kinds of secrets and what Ronan Lynch has to do with them. In a way, it does some heavy lifting by informing the reader about the exact kind of story The Dream Thieves is going to be.

Where The Raven Boys was about exploring (the hunt for Glendower and the places it took the characters), new friendships, and laying the groundwork for the series. The Dream Thieves felt (and often read) like a book about consequences, risks, and implications.

The book is hectic, but I mean that in the best way possible. The consequences—Adam’s sacrifice, Blue’s prophecy, Ronan’s penchant for trouble, Gansey’s quest, and Noah’s reliance on the ley lines—were catching up to the main cast. It tossed a proverbial monkey-wrench into the fray, which tested the limits of both the platonic and romantic relationships. And that was coupled with the introduction of The Gray Man (a literal hitman) and Kavinsky (an endless source of potential trouble), which only added to the strain. Something had to give. And give it did.

And where The Raven Boys felt more like Blue’s story of how she got involved with the hunt and the titular Raven Boys, The Dream Thieves felt like it was for Ronan. The other characters were present and had their own growth to go through. There was a broader exploration on the meaning of Ronan’s secrets: a deep dive into his character, his family, and the circumstances and aftermath of his father’s death and the terms of his will. Since dreams and dreaming were a large aspect of the story, the focus on these things, on his character, was only fitting. I liked the way it was handled. It was portrayed as a serious, and more often dangerous, manner that never crossed the line into being hyperbolic—the consequences were too steep for that.

I enjoyed The Dream Thieves as much as The Raven Boys. Up next, I look forward to tackling Blue Lily, Lily Blue.

Happy reading!
About the book...
If you could steal things from dreams, what would you take? Ronan Lynch has secrets. Some he keeps from others. Some he keeps from himself.One Ronan can bring things out of his dreams.And sometimes he's not the only one who wants those things.Ronan is one of the raven boys - a group of friends, practically brothers, searching for a dead king named Glendower, who they think is hidden somewhere in the hills by their elite private school, Aglionby Academy. The path to Glendower has long lived as an undercurrent beneath town. But now, like Ronan's secrets, it is beginning to rise to the surface - changing everything in its wake.

Wednesday, December 13, 2023

Starling House by Alix E. Harrow

Title: Starling House
Series: n/a
Author: Alix E. Harrow
Source/Format: Purchased; Hardcover (Barnes & Noble special edition)
More Details: Fantasy; Gothic; Horror
Publisher/Publication Date: Tor Books; October 3, 2023

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Synopsis from Goodreads...
A grim and gothic new tale from author Alix E. Harrow about a small town haunted by secrets that can't stay buried and the sinister house that sits at the crossroads of it all.

Eden, Kentucky, is just another dying, bad-luck town, known only for the legend of E. Starling, the reclusive nineteenth-century author and illustrator who wrote The Underland--and disappeared. Before she vanished, Starling House appeared. But everyone agrees that it’s best to let the uncanny house―and its last lonely heir, Arthur Starling―go to rot. Opal knows better than to mess with haunted houses or brooding men, but an unexpected job offer might be a chance to get her brother out of Eden. Too quickly, though, Starling House starts to feel dangerously like something she’s never had: a home. As sinister forces converge on Starling House, Opal and Arthur are going to have to make a dire choice to dig up the buried secrets of the past and confront their own fears, or let Eden be taken over by literal nightmares. If Opal wants a home, she’ll have to fight for it.

The story begins with the line: “I dream sometimes about a house I’ve never seen.” pg.1 That was the only hook I needed to get interested in Starling House, Alix E. Harrow’s latest novel, released on October third. I rarely preorder books, but I walked away from the excerpt on Tor.com (Read Here) knowing that—like my experience with a snippet of Suzanna Clarke’s Piranesi—it was a book I needed to read. This gothic house story is pretty aligned to what I’ve been reading this year; think A Study in Drowning. And like Melissa Albert’s The Hazel Wood, the creepy, dark fairy tale at the center of this story (The Underland) is only one hint toward the mysteries—misfortunes, and magic—that seemly only befalls the small town of Eden, Kentucky.

I took my time with reading Starling House, because it was the kind of story that I like to linger with and make sure I’ve caught all of the subtext. And, oh boy, did this novel have so much detail to sink my teeth into.

This isn’t a dual timeline, but there was a story from the past that was just as relevant—if not the whole beginning—of…well everything. The juxtapositions were frequent, and it was something that was done quite well. One aspect that’s stressed throughout Opal story is how easy it is for people to fall through the cracks, and for others to look away from uncomfortable situations. For instance, you see that throughout the book how the truth was buried within the different tellings of the same story.

Retribution and revenge; right and wrong; duty and choice—the lines were easily blurred. No character was simple: they had serious depth when it came to their respective versions of moral complexity. Take Opal, the primary perspective. The synopsis on the dust jacket describes her as “orphan, high school dropout, full-time cynic, and part-time cashier.” It’s a pretty good list to sum up the core aspects of her character. And deceit was a kind of armor for her. The story digs into into that by putting her in increasingly difficult—and strange—situations. It peels back these outward layers and forces her to be honest with herself, with others, and about working on her communication with even her younger brother, Jasper. Opal was a fascinating character to follow. Among my other favorites were Arthur, Bev, Jasper, the cat, and the titular Starling House.

As I’ve said before on Our Thoughts Precisely, I love a good house story, and Starling House is one of my favorites. The magical aspects can feel very slight, almost vague, with how tightly they’re woven around the everyday issues that plague Eden. But Starling House—the actual house—was slowly revealed as its own character. It was a dark, dreary place; a labyrinth of locked doors and decay. And I loved every scene spent in its hallways and rooms.

At the end of the day, Starling House is one of my favorite reads of 2023.
  

Wednesday, November 15, 2023

The King of Elfland's Daughter by Lord Dunsany

Title: The King of Elfland's Daughter
Series: n/a
Author: Lord Dunsany
Source/Format: Purchased; Paperback
More Details: Fantasy; Classic
Publisher/Publication Date: Originally published in 1924

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Synopsis from Goodreads...
The poetic style and sweeping grandeur of The King of Elfland's Daughter has made it one of the most beloved fantasy novels of our time, a masterpiece that influenced some of the greatest contemporary fantasists. The heartbreaking story of a marriage between a mortal man and an elf princess is a masterful tapestry of the fairy tale following the "happily ever after."

Earlier this year, I read a book called Lud-In-The-Mist by Hope Mirrlees. A pre-Tolkien fantasy classic released in 1926 about the capital of a small fictional country—the titular Lud-in-the-Mist—with a curious history (and potential present) involving fairies. One of the books that I saw that was often compared to and recommended with Lud-in-the-Mist was Lord Dunsany’s 1924 fantasy story, The King of Elfland’s Daughter. And now, having read it for myself, I can say they’re vastly different stories but good for what they are, respectively.

Instead of fairies here, though, there are elves at the focal point as well as other recognizable character types: witches, trolls, unicorns, and willow-the-wisps. The magic was very it-just-exists-deal-with-it, which worked well when contrasting the differences between Elfland and Erl. Besides the vastly differing way time affected each place, the former was touched by a strange and also eerie perfection coupled with something a little dangerous and enigmatic, which was a feeling that never abated. But it was something I liked about the story.

Besides the fantastical aspects, The King of Elfland’s Daughter is a relatively layered story that, at times, felt like a cautionary tale about being mindful about what one wishes for. The parliament of Erl wanted a magic lord, heedless of the time it would take and the potential consequences that would arise from it. Just like how in a lot of fairy tale type stories, there’s always a lesson to be learned in making careless bargains. The initial request was phrased like a simple task, but it could also occupy the role of a bargain, since the substance of the story eventually followed a lot of the same pathways.

I also liked how interpersonal the story was with exploring Alveric’s relationship with Lirazel; how his unwillingness—at first—to meet his wife halfway when it came to beliefs, was one of the turning points that influenced the rest of the story.

If there is something to note, while I enjoyed the story, one thing to keep in mind when approaching it is the fact that there is animal death on page. One character is essentially a hunter, and some parts were detailed.

Besides that, I enjoyed The King of Elfland’s Daughter.
 
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