Short Stories: The Wood at Midwinter by Susanna Clarke illustrated by Victoria Sawdon

I'm taking a brief break from the usual format of Short Stories, to take a look at the new Susanna Clarke story, The Wood a Midwinter, illustrated by Victoria Sawdon.

Title: The Wood at Midwinter
Series: n/a
Author/Illustrator: Susanna Clarke; Victoria Sawdon
Source/Format: Purchased; Hardcover
More Details: Fantasy; Short Story
Publisher/Publication Date: Bloomsbury Publishing; October 20, 2024

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Synopsis from Goodreads...

From the internationally bestselling and prize-winning author of Piranesi and Jonathan Strange & Mr Norrell, an enchanting, beautifully illustrated short story set in the Strange universe.

"A church is a sort of wood. A wood is a sort of church. They're the same thing really."

Nineteen-year-old Merowdis Scott is an unusual girl. She can talk to animals and trees - and she is only ever happy when she is walking in the woods. One snowy afternoon, out with her dogs and Apple the pig, Merowdis encounters a blackbird and a fox. As darkness falls, a strange figure enters in their midst - and the path of her life is changed forever.

As my Short Story intro above says, I’m taking a break from the typical format to look at Susanna Clarke’s short story, The Wood at Midwinter, illustrated by Victoria Sawdon. I was very excited to pick this one up, considering how much I adored Piranesi—and I’m slowly working my way through Jonathan Strange and Mr. Norwell, which has, so far, been as entertaining as I’d hoped. But, I digress, this post is about The Wood at Midwinter.

A woman, Merowdis, sits in a forest at midwinter, which was, now that I think about it, very fairy tale-esque of her. She talks to animals, to the bugs, and even to the trees; her loyal animals and, as the title suggests, the wood at midwinter. It’s a conversation between all of them, wherein she laments about her life, what she doesn’t wish to do, and admits to what she desperately wants to have and hold—regardless of the consequences and what she might have to give up to have it. And in a story with a setting like this one, with a quietly magical atmosphere, anything was possible.

The Wood at Midwinter is short but still a delightful little story with an enigmatic character and a wintery backdrop, which featured a nice visual aspect accompanying the prose with Sawdon’s illustrations.

Sabriel by Garth Nix

Title: Sabriel
Series: The Old Kingdom #1
Author: Garth Nix
Source/Format: Purchased; Paperback
More Details: Fantasy
Publisher/Publication Date: Harper Collins; January 1, 1995

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Synopsis from Goodreads...

Enter the Old Kingdom, a world of dark secrets and dangerous magic.

As a child, Sabriel was sent across the Wall to Ancelstierre to safety. Now eighteen years old, she receives a cryptic and desperate message from her father, the Abhorsen—the magical protector whose task it is to bind and send back to Death those who won’t stay Dead. Fiercely determined to help her father, who is perilously trapped in Death, and save him from the sinister Free Magic entity that has somehow ensnared him, Sabriel must prepare to enter Death herself—and find her destiny. To preserve life, the Abhorsen must enter death.

I haven’t picked up a Garth Nix book in many-many years—the last ones I read were The Keys to the Kingdom with Mister Monday and the following novels. However, one series that has persisted on my TBR list (for just as long) has been Nix’s The Old Kingdom. So in the interest of slimming down that TBR by another book, I picked up Sabriel, the first of that series.

Sabriel was a phenomenal novel, and had almost everything I love about fantasy. There was a good deal of traveling the main character, Sabriel, undertook during her adventure. However, each step of the way presented its own pitfalls, ensuring the story kept a sense of urgency. It was part cat-and-mouse game, part fetch quest, and there was no happy ending guaranteed in a story that dealt with so much death.

The magic had a cool system, essentially necromancy, which required literally stepping into death as well as a set of very particular bells. I loved this aspect of the story and the details that went into developing it. After all, each bell was imbued with a different power—and had varied consequences for ringing them—which only added another layer of detail to a magic system that was already working within a clear set of relatively unique rules.

There were two primary places where the story took place. There’s Ancelstierre, where Sabriel attended Wyverly College, which—although a fantasy country—could have been reality, albeit a historical time period. There were cars, electricity, and even weapons. The Old Kingdom, by contrast, was pure fantasy and entirely bleak; a place that was clearly on the losing side of a conflict. And it was into the horror left behind and the grueling battle against “those who won’t stay dead,” that Sabriel enters as a begrudging player, in the grand scheme of things. She didn’t want the job, more than that, however, she wanted to find her father, the Abhorsen. And her anxiety is part of what propels the story, at least early on, before she gained allies and came to understand the greater danger posed to everything and everyone. As a result, the story had intensity to it, and I enjoyed every second of it.

All in all, I adored this novel, and I’m looking forward to eventually continuing with this series.

 

The Familiar by Leigh Bardugo

Title: The Familiar
Series: n/a
Author: Leigh Bardugo
Source/Format: Purchased; Hardcover
More Details: Fantasy; Historical Fiction
Publisher/Publication Date: Flatiorn Books; April 9, 2024

Synopsis from Goodreads...

From the New York Times bestselling author of Ninth House, Hell Bent, and creator of the Grishaverse series comes a highly anticipated historical fantasy set during the Spanish Golden Age

In a shabby house, on a shabby street, in the new capital of Madrid, Luzia Cotado uses scraps of magic to get through her days of endless toil as a scullion. But when her scheming mistress discovers the lump of a servant cowering in the kitchen is actually hiding a talent for little miracles, she demands Luzia use those gifts to better the family's social position. What begins as simple amusement for the bored nobility takes a perilous turn when Luzia garners the notice of Antonio Pérez, the disgraced secretary to Spain's king. Still reeling from the defeat of his armada, the king is desperate for any advantage in the war against England's heretic queen—and Pérez will stop at nothing to regain the king's favor. Determined to seize this one chance to better her fortunes, Luzia plunges into a world of seers and alchemists, holy men and hucksters, where the line between magic, science, and fraud is never certain. But as her notoriety grows, so does the danger that her Jewish blood will doom her to the Inquisition's wrath. She will have to use every bit of her wit and will to survive—even if that means enlisting the help of Guillén Santangel, an embittered immortal familiar whose own secrets could prove deadly for them both.

It’s no secret: I love a good standalone. And one of my most highly anticipated book releases of the year was Leigh Bargugo’s new historical fantasy novel, The Familiar. Set in Madrid during the “Spanish Golden Age,” this was a story of curses, magic, and ambition; part tragedy and part romance. And I loved every second of it.

Luzia Cotado was ambitious and hungry and wanted more than her life as a scullion: the ability to freely express her intelligence, and most of all comforts and ease unlike what her life had been to that point. While Luzia would admit that her position made her a good actress—able to hide her true self behind a façade—she was kind of resentful toward it. The family she worked for, the Ordõnos, didn’t help with her pessimism, particularly (and especially in the beginning of the novel) Doña Valentina’s habit of taking out her discontent—with her married life and with her social prospects—on the people who worked for her. As the first sentence of chapter one states: “If the bread hadn’t burned, this would be a very different story.” But I’m so glad it wasn’t, because without the circumstances, there would’ve been no story. And without (even the tragic aspects later on) there would’ve been no romance and none of the the interpersonal dramas happening alongside the high stakes schemes. And those were among the most notable highlights of The Familiar.

If you can’t tell, I adored the characters.

Luzia could be witty, but she was also in a situation involving political machinations, which left her as a fish-out-of-water, if not right out trapped and (again) subservient. Some of what occurred was due to her ambition, though. She wanted to win to change her life, regardless of the consequences. Her “little miracles” were dangerous to perform; she lived in a time of strong adherence to religion as well as under the threat of attracting the notice of the Inquisition.

Guillén Santángel was brooding, enigmatic, and dangerous. He was the familiar the title referred to and was compelled to do the bidding of an ambitious, cunning, arrogant, and cruel man. He and Luzia were a little alike, in that they desired freedom from their circumstances.

The question was what had to be given up to achieve those aims.

Valentina was the most surprising for me. I didn’t expect to like her character as much as I did. She was an instigator, but she was also sympathetic. She, like Luzia and Santángel, hungered for more. And a pivotal part of her story was discovering if what she always insisted she wanted would still hold true by the end of The Familiar.

The tournament was fairly standard and involved some intrigue, particularly between the competitors and their patrons. There was genuine talent and fraud mixed together, and alliances were murky and never what they first appeared to be. And with the large personalities of the characters, it made it interesting.  

All in all, The Familiar was everything I was hoping it would be, and it’s easily one of my favorite books of 2024 so far.

About Blue Lily, Lily Blue by Maggie Stiefvater

**Note: There may be mild spoilers for book one and two.**

I’m steadily making my way through The Raven Cycle (not the spinoff series). And, with Blue Lily, Lily Blue, I’m officially over halfway done, and all that’s left is The Raven King. If you want to know what I thought about the prior installments (The Raven Cycle and The Dream Thieves) click HERE and HERE. But I digress.

The best way I can sum up Blue Lily, Lily Blue is: change, balance, and the power of three. On a specific note, the characters struggled with coming to terms with the changes in their lives. They were growing up and considering what their lives would look like after high school, after the quest for Glendower was over. And while some of the interpersonal plotlines were resolved in The Dream Thieves, its ending left the familiar cast in a…less than ideal spot. There was their new ally—Mr. Gray, the reformed (reforming) former hit man—which was good. But what was less good about it was: Maura was missing. The “how” and the “where” were answered fairly early, but that didn’t lessen the impact Maura’s absence had on the residents of 300 Fox Way and her daughter, Blue. And with a new obstacle arriving in town to, once again, shake things up—with a motivation that was pure acquisitive and vengeful—Blue Lily, Lily Blue was exciting.

“”This is the corpse road,” she said, aligning her body with the invisible path. As she did, she could feel something inside her begin to hum agreeably, a sensation very much like the satisfaction that came from aligning book spines on a shelf.”—page 1

I wouldn’t call it a cat and mouse chase, exactly, but the present, aforementioned, danger had a way of looming in the background, casting a cloud over the story. There was a sense that time was running out, for the characters, for their hunt for Glendower.

The series has always been gradually building toward something. In The Dream Thieves, the conclusion of their adventure—including the prophecy about Blue and her kiss and the implication of seeing Gansey on the corpse road—didn’t feel as pressing as they do here. The clues were portent, which ramped up the tension. And, for a story that is largely driven by its characters—and the way they inhabit and influence the world in the books—that was a good thing.

On the other hand, the series has also been about searching for the impossible and finding magic in unlikely places. I appreciate the meticulous detail and care given toward weaving together the folklore and Welsh mythology with the respective powers possessed (or lack thereof) by the characters. It wasn’t, of course, without its own particular and gut-wrenching brand of pitfalls and unpredictability. But for me, the reader, however, it was fun to follow the characters as they explored new locations.

I’m still enjoying The Raven Cycle and am looking forward to the conclusion. So I know it won’t be long before I read The Raven King.

About the book...

The third installment in the all-new series from the #1 NEW YORK TIMES bestselling author Maggie Stiefvater!

Blue Sargent has found things. For the first time in her life, she has friends she can trust, a group to which she can belong. The Raven Boys have taken her in as one of their own. Their problems have become hers, and her problems have become theirs. The trick with found things, though, is how easily they can be lost. Friends can betray. Mothers can disappear. Visions can mislead. Certainties can unravel.

Starling House by Alix E. Harrow

Title: Starling House
Series: n/a
Author: Alix E. Harrow
Source/Format: Purchased; Hardcover (Barnes & Noble special edition)
More Details: Fantasy; Gothic; Horror
Publisher/Publication Date: Tor Books; October 3, 2023

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Synopsis from Goodreads...

A grim and gothic new tale from author Alix E. Harrow about a small town haunted by secrets that can't stay buried and the sinister house that sits at the crossroads of it all.

Eden, Kentucky, is just another dying, bad-luck town, known only for the legend of E. Starling, the reclusive nineteenth-century author and illustrator who wrote The Underland--and disappeared. Before she vanished, Starling House appeared. But everyone agrees that it’s best to let the uncanny house―and its last lonely heir, Arthur Starling―go to rot. Opal knows better than to mess with haunted houses or brooding men, but an unexpected job offer might be a chance to get her brother out of Eden. Too quickly, though, Starling House starts to feel dangerously like something she’s never had: a home. As sinister forces converge on Starling House, Opal and Arthur are going to have to make a dire choice to dig up the buried secrets of the past and confront their own fears, or let Eden be taken over by literal nightmares. If Opal wants a home, she’ll have to fight for it.

The story begins with the line: “I dream sometimes about a house I’ve never seen.” pg.1 That was the only hook I needed to get interested in Starling House, Alix E. Harrow’s latest novel, released on October third. I rarely preorder books, but I walked away from the excerpt on Tor.com (Read Here) knowing that—like my experience with a snippet of Suzanna Clarke’s Piranesi—it was a book I needed to read. This gothic house story is pretty aligned to what I’ve been reading this year; think A Study in Drowning. And like Melissa Albert’s The Hazel Wood, the creepy, dark fairy tale at the center of this story (The Underland) is only one hint toward the mysteries—misfortunes, and magic—that seemly only befalls the small town of Eden, Kentucky.

I took my time with reading Starling House, because it was the kind of story that I like to linger with and make sure I’ve caught all of the subtext. And, oh boy, did this novel have so much detail to sink my teeth into.

This isn’t a dual timeline, but there was a story from the past that was just as relevant—if not the whole beginning—of…well everything. The juxtapositions were frequent, and it was something that was done quite well. One aspect that’s stressed throughout Opal story is how easy it is for people to fall through the cracks, and for others to look away from uncomfortable situations. For instance, you see that throughout the book how the truth was buried within the different tellings of the same story.

Retribution and revenge; right and wrong; duty and choice—the lines were easily blurred. No character was simple: they had serious depth when it came to their respective versions of moral complexity. Take Opal, the primary perspective. The synopsis on the dust jacket describes her as “orphan, high school dropout, full-time cynic, and part-time cashier.” It’s a pretty good list to sum up the core aspects of her character. And deceit was a kind of armor for her. The story digs into into that by putting her in increasingly difficult—and strange—situations. It peels back these outward layers and forces her to be honest with herself, with others, and about working on her communication with even her younger brother, Jasper. Opal was a fascinating character to follow. Among my other favorites were Arthur, Bev, Jasper, the cat, and the titular Starling House.

As I’ve said before on Our Thoughts Precisely, I love a good house story, and Starling House is one of my favorites. The magical aspects can feel very slight, almost vague, with how tightly they’re woven around the everyday issues that plague Eden. But Starling House—the actual house—was slowly revealed as its own character. It was a dark, dreary place; a labyrinth of locked doors and decay. And I loved every scene spent in its hallways and rooms.

At the end of the day, Starling House is one of my favorite reads of 2023.

  

The King of Elfland's Daughter by Lord Dunsany

Title: The King of Elfland's Daughter
Series: n/a
Author: Lord Dunsany
Source/Format: Purchased; Paperback
More Details: Fantasy; Classic
Publisher/Publication Date: Originally published in 1924

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Synopsis from Goodreads...

The poetic style and sweeping grandeur of The King of Elfland's Daughter has made it one of the most beloved fantasy novels of our time, a masterpiece that influenced some of the greatest contemporary fantasists. The heartbreaking story of a marriage between a mortal man and an elf princess is a masterful tapestry of the fairy tale following the "happily ever after."

Earlier this year, I read a book called Lud-In-The-Mist by Hope Mirrlees. A pre-Tolkien fantasy classic released in 1926 about the capital of a small fictional country—the titular Lud-in-the-Mist—with a curious history (and potential present) involving fairies. One of the books that I saw that was often compared to and recommended with Lud-in-the-Mist was Lord Dunsany’s 1924 fantasy story, The King of Elfland’s Daughter. And now, having read it for myself, I can say they’re vastly different stories but good for what they are, respectively.

Instead of fairies here, though, there are elves at the focal point as well as other recognizable character types: witches, trolls, unicorns, and willow-the-wisps. The magic was very it-just-exists-deal-with-it, which worked well when contrasting the differences between Elfland and Erl. Besides the vastly differing way time affected each place, the former was touched by a strange and also eerie perfection coupled with something a little dangerous and enigmatic, which was a feeling that never abated. But it was something I liked about the story.

Besides the fantastical aspects, The King of Elfland’s Daughter is a relatively layered story that, at times, felt like a cautionary tale about being mindful about what one wishes for. The parliament of Erl wanted a magic lord, heedless of the time it would take and the potential consequences that would arise from it. Just like how in a lot of fairy tale type stories, there’s always a lesson to be learned in making careless bargains. The initial request was phrased like a simple task, but it could also occupy the role of a bargain, since the substance of the story eventually followed a lot of the same pathways.

I also liked how interpersonal the story was with exploring Alveric’s relationship with Lirazel; how his unwillingness—at first—to meet his wife halfway when it came to beliefs, was one of the turning points that influenced the rest of the story.

If there is something to note, while I enjoyed the story, one thing to keep in mind when approaching it is the fact that there is animal death on page. One character is essentially a hunter, and some parts were detailed.

Besides that, I enjoyed The King of Elfland’s Daughter.

 

Ninth House by Leigh Bardugo

Title: Ninth House
Series: Alex Stern #1
Author: Leigh Brardugo
Source/Format: Purchased; paperback
More Details: Urban Fantasy; Mystery; Paranormal
Publisher/Publication Date: Flatiron Books; October 8, 2019

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Synopsis from Goodreads...

Galaxy “Alex” Stern is the most unlikely member of Yale’s freshman class. Raised in the Los Angeles hinterlands by a hippie mom, Alex dropped out of school early and into a world of shady drug dealer boyfriends, dead-end jobs, and much, much worse. By age twenty, in fact, she is the sole survivor of a horrific, unsolved multiple homicide. Some might say she’s thrown her life away. But at her hospital bed, Alex is offered a second chance: to attend one of the world’s most elite universities on a full ride. What’s the catch, and why her? Still searching for answers to this herself, Alex arrives in New Haven tasked by her mysterious benefactors with monitoring the activities of Yale’s secret societies. These eight windowless “tombs” are well-known to be haunts of the future rich and powerful, from high-ranking politicos to Wall Street and Hollywood’s biggest players. But their occult activities are revealed to be more sinister and more extraordinary than any paranoid imagination might conceive.

I haven’t picked up a Leigh Bardugo book since Shadow & Bone. I know-I know, it’s been a long time. That being said, I was interested in Ninth House because of how different it was to Bardugo’s other series. It was her 2019 adult debut, and I’d heard enough about its dark aspects to know what I was in for. I made a great choice though, because Ninth House was the book that finally got me out of my reading slump.

I enjoyed the details that were put into describing Yale, the magic, and the societies. It made the story dynamic and immersive. With the mystery (and subsequent sleuthing), it felt a little like a whodunit. And, with such an interesting setting—defined by intricate world building— I was glad the characters also lived up to my expectations. For the most part, they were morally complicated. Galaxy (Alex) Stern had a tragic backstory. She was cautious—and her fears weren’t without cause, since the supernatural aspects of Ninth House had never done her any favors—but she was a fighter who was willing to grab any opportunity that could offer even a small hint of security. That was, in large part, what made me love her character so much. Dawes, well, she was just great. And, though his chapters were set in the recent past, Daniel (Darlington) Arlington was charismatic, and I really clicked with his enthusiasm for magic and his position as “Vergil”—even though the circumstances, as it was made clear by the narrative, wasn’t exactly what he wanted. Even so, his pretentious remarks and frequent quoting combined with Alex’s deadpan/frank way of putting things into perspective, were some of the highlights of Ninth House.

I ended up really loving the story. The ending is a cliffhanger. So, as of writing this, the copy of Hell Bent I purchased is on the way, and I’m looking forward to it.

A Deadly Education by Naomi Novik

Title: A Deadly Education
Series: The Scholomance #1
Author: Naomi Novik
Source/Format: Purchased; Paperback
More Details: Fantasy; Young Adult
Publisher/Publication Date: Del Rey Books; September 29, 2020 

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Synopsis from Goodreads...

Lesson One of the Scholomance: Learning has never been this deadly.

A Deadly Education is set at Scholomance, a school for the magically gifted where failure means certain death (for real) — until one girl, El, begins to unlock its many secrets. There are no teachers, no holidays, and no friendships, save strategic ones. Survival is more important than any letter grade, for the school won’t allow its students to leave until they graduate… or die! The rules are deceptively simple: Don’t walk the halls alone. And beware of the monsters who lurk everywhere. El is uniquely prepared for the school’s dangers. She may be without allies, but she possesses a dark power strong enough to level mountains and wipe out millions. It would be easy enough for El to defeat the monsters that prowl the school. The problem? Her powerful dark magic might also kill all the other students.

A Deadly Education has been out for a few years now. At the time when it was initially released, I wasn’t really looking to read any dark academia/fantasy (there was also a controversy because of a passage about dreadlocks; Novik apologized; and the edition I have is a later printing that doesn’t include the text in question). I recently decided to give it a try, since I have liked two of Novik’s novels before.

A Deadly Education’s synopsis and title tells you exactly what kind of story and characters you’re in for. It’s a slower kind of novel where the action is scattered and context is vital for understanding what’s going on. There was something of a social hierarchy and stiff competition between the students, particularly within the ranks of those in enclaves and those outside of them. And there were a few instances of good commentary about it. As for the action, when it did occur, there were some moments of pure horror with nightmarish imagery.

What I really enjoyed about the story was the complexity of the Scholomance as well as how detailed the magic was. It was a harder system, rather than the soft almost whimsical kind found in stories like Lud-in-the-Mist. In A Deadly Education, there were hard rules and clear consequences. As for the Scholomance, it was a complicated machine with a lot of moving parts, literally. On the surface, I wondered why anyone would want to go there, but, as the story explained, the school had a legitimate function in keeping the balance. It didn’t change the fact that it was a dangerous, isolated place full of all sorts of very hungry monsters, where being alone or with others determined whether you would survive or not. Or, at least, having a dependable group gives better odds. The way the actual education portions of the story were structured presented some interesting challenges too, to say the least, but I found the explanations (which were long at some points) pretty engaging regardless.

Galadriel (El) Higgins is grumpy, but her anger felt more like a knee-jerk defensive tactic rather than anything else. Her life has been what seemed like one nightmare after another, and with a dark prophecy hanging over her head, it didn’t make her time at the Scholomance any easier. I like the development her character went through in A Deadly Education, and it was satisfying to see the little changes as they occurred. Orion Lake was interesting. At first appearances, he’s overly strong and incredibly efficient at dispatching the monsters that also inhabited the school. But, he and El were more alike than I’d originally assumed, and the grudging friendship that developed between the two was very entertaining to read as it happened.

There was a host of secondary characters as well—Chloe, Liu, and Aadhya just to name a few. They, like everyone else, had their own motivations and methods for dealing with the challenges the Scholomance presented.

Overall, I had a lot of fun with A Deadly Education.

Lud-in-the-Mist by Hope Mirrlees

Title: Lud-in-the-Mist
Series: n/a
Author: Hope Mirrlees
Source/Format: Purchased; paperback
More Details: Fantasy; Classic
Publisher/Publication Date: Originally published in 1926

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Synopsis from Goodreads...

Lud-in-the-Mist - a prosperous country town situated where two rivers meet: the Dawl and the Dapple. The latter, which has its source in the land of Faerie, is a great trial to Lud, which had long rejected anything 'other', preferring to believe only in what is known, what is solid. Nathaniel Chanticleer is a somewhat dreamy, slightly melancholy man, not one for making waves, who is deliberately ignoring a vital part of his own past; a secret he refuses even to acknowledge. But with the disappearance of his own daughter, and a long-overdue desire to protect his young son, he realises that something is changing in Lud - and something must be done.

Lud-in-the-Mist is a true classic, an adult fairy tale exploring the need to embrace what we fear and to come to terms with 'the shadows' - those sweet and dark impulses that our public selves ignore or repress.

One of my last reads of 2022 was Hope Mirrlees’ 1926 fantasy classic, Lud-in-the-Mist. I first saw this novel while watching one of Christy Anne Jones’ videos earlier in 2022. I was instantly intrigued by the way she described the book, and that it was a pre-Tolkien fantasy. So I bought a copy for myself. But, it was a couple of months before I finally got around to reading it. In December, I was in the mood for more fairy related content after I read Emily Wilde’s Encyclopaedia of Faeries (which was amazing). So, Lud-in-the-Mist was an easy choice. And, ultimately, it quickly became one of my top-favorite fantasy classics to date. 

At times, I felt like I was being told the events by an omnipresent narrator, which worked well for it. And, while Lud-in-the-Mist wasn’t action packed—and I wasn’t expecting it to be—it was still a very thrilling novel with plenty of mystery and something of a comedic streak at its most ridiculous moments. It had plenty to say of course, because it was a novel about a country that was determined to deny a part of its origins, and so allowed space for a cunning villain to get into their midst. The quote that follows is one of my favorites and is an example of (as well as an explanation) for the attitudes present in story. 

“In the eye of the law, neither Fairyland nor fairy things existed. But then, as Master Josiah had pointed out, the law plays fast and loose with reality—and no one really believes it.”—page 13

I liked the wide range of characters that made up the cast, which included everyone from Nathaniel Chanticleer to his wife, children, and neighbors. Nathaniel, and, in particular, his wife, Dame Marigold, were some of my favorites. He could be irritable and so on and so forth. And she was cunning when she wanted. They, like much of the cast, was described as typical (for a Dorimarite). But, Nathaniel had secrets, mainly about the Note. I thought it was so interesting how that one thing really shaped his personality, and influenced the way he responded and behaved toward others.

Lud-in-the-Mist had a softer magic system, with no real rigid explanation. But, every instance of “magic” and every clue toward something amiss and uncanny felt entirely organic to Dorimare—the fictional country where the story takes place. There was an emphasis on the titular Lud-in-the-Mist, which was Dorimare’s capital. But, the setting was as much of a character as the characters themselves—seemingly entirely set in their ways, but not really, especially around the overlooked edges.

All-in-all, Lud-in-the-Mist was fantastic.

Frankenstein by Mary Shelley

Title: Frankenstein
Series: n/a
Author: Mary Shelley
Source/Format: Purchased; Paperback
More Details: Science Fiction; Horror; Classic
Publisher/Publication Date: First published January 1, 1818

Synopsis from Goodreads...

Obsessed with creating life itself, Victor Frankenstein plunders graveyards for the material to fashion a new being, which he shocks into life with electricity. But his botched creature, rejected by Frankenstein and denied human companionship, sets out to destroy his maker and all that he holds dear. Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley near Byron's villa on Lake Geneva. It would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity.

Frankenstein is one of those classic novels that I’ve known about, never got around to reading (for way too long), but have seen numerous adaptations and consumed media inspired by its story. After saying I’ve wanted to read it for years, I finally picked up the Signet Classics omnibus, which also contained Dracula and Dr. Jekyll and Mr. Hyde.

The framing of Victor Frankenstein’s story is like a cautionary tale for Captain Walton: the joy he once felt during childhood and early adulthood to the bitter anger and long-sought vengeance that consumed what remained of his life. There was something so melancholic about his perspective, and the feeling persisted all the way to the conclusion. After all, it was his scientific inclinations and ambition that were not only the early and compelling driving forces in the narrative, but also the whole cause of the majority of the book. And even though the exact methods Frankenstein used to create the creature were left purposely vague, they were implied.

Frankenstein is considered one of the earliest science fiction novels, and I see where that assertion came from. The story was a tragedy that leaned into the horror of its plot, and it does everything its synopsis promises. For lack of better words, I understand the hype.

Empty Smiles by Katherine Arden

Title: Empty Smiles
Series: Small Spaces #4
Author: Katherine Arden
Source/Format: Purchased; Hardcover
More Details: Middle-Grade; Horror; Fantasy
Publisher/Publication Date: G.P. Putnam's Sons Books for Young Readers; August 9, 2022

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Synopsis from Goodreads...

New York Times bestselling author Katherine thrills once again in the finale to the critically acclaimed, spook-tacular quartet that began with Small Spaces.

It’s been three months since Ollie made a daring deal with the smiling man to save those she loved, and then vanished without a trace. The smiling man promised Coco, Brian and Phil, that they’d have a chance to save her, but as time goes by, they begin to worry that the smiling man has lied to them and Ollie is gone forever. But finally, a clue surfaces. A boy who went missing at a nearby traveling carnival appears at the town swimming hole, terrified and rambling. He tells anyone who'll listen about the mysterious man who took him. How the man agreed to let him go on one condition: that he deliver a message. Play if you dare. Game on! The smiling man has finally made his move. Now it’s Coco, Brian, and Phil’s turn to make theirs. And they know just where to start. The traveling carnival is coming to Evansburg. Meanwhile, Ollie is trapped in the world behind the mist, learning the horrifying secrets of the smiling man's carnival, trying everything to help her friends find her. Brian, Coco and Phil will risk everything to rescue Ollie—but they all soon realize this game is much more dangerous than the ones before. This time the smiling man is playing for keeps. The summer nights are short, and Ollie, Coco, Brian, and Phil have only until sunrise to beat him once and for all—or it’s game over for everyone.

**Note: since this is #4 there will be spoilers for the series, you have been warned!**

Small Spaces was a fun and delightful series. And with the highly anticipated release of Empty Smiles, one of my favorite spooky middle grades series has reached its conclusion. And with the cover pointing towards summertime and clowns, I was ready for Ollie, Brian, Coco, and Phil’s latest scary adventure beyond the mist.

A big theme of this series is how it plays on fears, while also dealing with heavy themes (like death of a loved one) through the eyes of its protagonists. Each character has grown since the beginning of the series, and Empty Smiles effectively brought their story arcs to a close.

I liked the way the Smiling Man’s latest game was structured. It was different from the other three books in the series, but I enjoyed the way it was written. It kept it from feeling too repetitive, while still offering the same suspense and scares as Small Spaces, Dead Voices, and Dark Waters. Except, it involved a creepy carnival and everything associated with it.

However, I was surprised by the way Empty Smiles handled the Smiling Man. The dynamics with the characters were different, considering the absolute cliffhanger at the end of Dark Waters. It fleshed out his character in a way the first three books didn’t, and by doing so it kind of lifted the veil a little bit. Despite it, there was still an air of mystery and danger surrounding him. You never knew if he was being helpful or deliberately tricky and malicious. But I appreciated the answers that were offered by Empty Smiles.

I’m going to miss this series. For a couple of years now, it’s been one of my go-to picks for September-October. But at the same time, it was a solid quartet of stories. All-in-all, I’ll be on the lookout for whatever Katherine Arden writes next.

The Cartographers by Peng Shepherd

Title: The Cartographers
Series: n/a
Author: Peng Shepherd
Source/Format: Purcahsed; Hardcover
More Details: Contemporary Fantasy
Publisher/Publication Date: William Morrow; March 15, 2022

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Synopsis from Goodreads...

What is the purpose of a map? Nell Young’s whole life and greatest passion is cartography. Her father, Dr. Daniel Young, is a legend in the field and Nell’s personal hero. But she hasn’t seen or spoken to him ever since he cruelly fired her and destroyed her reputation after an argument over an old, cheap gas station highway map. But when Dr. Young is found dead in his office at the New York Public Library, with the very same seemingly worthless map hidden in his desk, Nell can’t resist investigating. To her surprise, she soon discovers that the map is incredibly valuable and exceedingly rare. In fact, she may now have the only copy left in existence... because a mysterious collector has been hunting down and destroying every last one—along with anyone who gets in the way. But why? To answer that question, Nell embarks on a dangerous journey to reveal a dark family secret and discovers the true power that lies in maps...

Peng Shepherd’s The Cartographers was one of my most anticipated reads of the year. Right from the start, I was intrigued by the premise—the maps, the reason for Nell’s firing, and what it had to do with her father’s eventual death. This book gave me everything I was looking for; the kind of slow moving story where the details are in the history. Told through alternating chapters, set between the past and present, The Cartographers is a new favorite.

In a way The Cartographers kind of reminded me of Piranesi. Both were contemporary fantasies set in modern times, heavy on secrets, light on magical elements, but thoroughly engrossing reads. The magical aspects tweaked reality in minute ways—just enough to give the story something of an edge, and explained just enough to be logical for the book—but it wasn’t a hard magic system (and it didn’t have to be) for the story to work.

Peng Shepherd’s writing style offered an easy entry into the book, and my instant intrigue toward the synopsis carried over to when I actually started reading. There was something of a somber tone to the story mixed in with a mystery and academic themes. But, with as many secrets the characters had, I knew pretty early on what kind of story I was in for. And it was great!

Part of what made the story for me were the characters. Nell had every right to be angry over what happened, but I could easily see how her suspicions and the mystery of the map could end up consuming her life. And I know the story was laser-focused on Nell, her family, and lots and lots of maps (some far more important than others). But the secondary cast was an interesting bunch, and I wished there was a little more about their lives outside the main events of the story; particularly for the time skip—I was so curious about what they were up to too. That being said, it didn’t impact my overall enjoyment of the story.

The Cartographers was a book about ambition, secrets, lies, broken bonds, and maps. The synopsis asks, “What is the purpose of a map?” The characters and the story grappled with that question. The conclusion, I think, provided an answer that brought the story to a satisfying end.

 

We Free The Stars by Hafsah Faizal

Title: We Free The Stars
Series: Sands of Arawiya Duology #2
Author: Hafsah Faizal
Source/Format: Purchased; Paperback
More Details: Fantasy; Young Adult
Publisher/Publication Date:

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Synopsis from Goodreads...

The battle on Sharr is over. The dark forest has fallen. Altair may be captive, but Zafira, Nasir, and Kifah are bound for Sultan’s Keep, determined to finish the plan he set in motion: restoring the hearts of the Sisters of Old to the minarets of each caliphate, and finally returning magic to all of Arawiya. But they are low on resources and allies alike, and the kingdom teems with fear of the Lion of the Night’s return. As the zumra plots to overthrow the kingdom’s darkest threat, Nasir fights to command the magic in his blood. He must learn to hone his power into a weapon, to wield not only against the Lion but against his father, trapped under the Lion’s control. Zafira battles a very different darkness festering in her through her bond with the Jawarat—a darkness that hums with voices, pushing her to the brink of her sanity and to the edge of a chaos she dare not unleash. In spite of the darkness enclosing ever faster, Nasir and Zafira find themselves falling into a love they can’t stand to lose…but time is running out to achieve their ends, and if order is to be restored, drastic sacrifices will have to be made.

Lush and striking, hopeful and devastating, We Free the Stars is the masterful conclusion to the Sands of Arawiya duology by New York Times–bestselling author Hafsah Faizal.

**Note: there may be mild spoilers for We Hunt The Flame.**

It’s always nice when the follow-up to a favorite book sticks its landing, and delivers an ending that was satisfying in drawing the story to a close. We Hunt The Flame is one of my favorite young adult fantasy novels, and the sequel (and final book of the Sands of Arawiya duology) has sat on my shelf for way too long. At long last, I’ve finally read We Free The Stars.

This book—THIS BOOK—was so good from the very first page. The aftermath of We Hunt The Flame’s ending was immediate and visceral in its intensity. And for a group of characters I was clearly rooting for to succeed, it was hard to watch them experience the consequences and the subsequent turmoil brought about by accident and their decisions. But the conflict they were embroiled in was quickly spiraling into a war. Sides were already clearly drawn, and the greater part of the plot was already set in motion. I knew exactly what kind of story I was in for.

One thing that this duology did so well was the characters. Zafira: her desire to protect and help, to change the system that treated her unfairly, and reclaim magic as well. Kifah: who wanted her revenge, but was loyal and just as determined to restore magic. Altair: with his plans and web of allies. And Nasir: who was haunted by his past, who strove to atone and grasp a better future. Clearly I liked the dynamics of the team. What I was surprised by, however, was how deeply Faizal examined the characters. The story delved into the layers of who they were—their motivation, goals, and what they were willing to do to ultimately achieve them. No one was perfect. Mistakes were literally made (and some of them had really terrible consequences). The emotional stakes were just as high as the journey/battle to restore magic to Arawiya.

Lofty ambitions abound, but there was a cost for it.

We Free The Star was a fitting sequel and an excellent ending to the duology. I’m looking forward to Hafsah Faizal’s next book.

Washington Square by Henry James

Title: Washington Square 
Series: n/a
Author: Henry James
Source/Format: Purchased; Paperback
More Details: Classic; Fiction
Publisher/Publication Date: first published in 1880

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Synopsis from Goodreads...

Back when New York was still young, so was heiress Catherine Sloper. A simple, plain girl, she grew up in opulence with a disappointed father and a fluttery aunt in a grand house on Washington Square. Enter Morris Townsend, a handsome charmer who assures Catherine he loves her for herself and not for her money. But Catherine’s revered father sees in Townsend what she cannot. Now, with her tearful aunt Penniman as his amusingly melodramatic ally, Townsend will present Catherine with the hardest choice of her young life.…

With a New Introduction and an Afterword by Michael Cunningham, Author of The Hours

A while ago, I watched a movie called the Heiress, and since then I was interested in the classic that the stage play (and eventually the film) were adapted from. Washington Square was like an exercise in bad decisions and willfully missed red flags, but it was a thoroughly engrossing character study set in a contemporary (for the time) setting.

With the varied motivations of the characters, the situation was headed in the direction of a tragically bitter end. Several factors compounded to ensure that end: from Mrs. Penniman’s ill-fated meddling and willingness to seek entertainment at her niece’s expense, to Catherine’s naivety (and later her love and devotion for Morris Townsend), and to Townsend’s obvious fortune hunting. There’s an irony to the story of how right Catharine Sloper’s father was. But even he wasn't a likable character. His methods were careless, and he was no more thoughtful toward Catherine than her aunt Mrs. Penniman. The two were terrible, but it was for different reasons.

The mechanics of how the story unfolded is one of the leading factors of what made Washington Square so good. It was a tale largely about greed, specifically for money, and the ultimate collateral damage that came from it. The ending was bitter—and no one was really that happy or anything—but it was a great story.

Daughters of Chivalry: The Forgotten Children of Edward I by Kelcey Wilson-Lee

Title: Daughters of Chivalry, The Forgotten Children of Edward I
Series: n/a
Author: Kelcey Wilson-Lee
Source/Format: Purchased; Paperback
More Details: Nonfiction; History
Publisher/Publication Date: Picador; March 21, 2019

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Synopsis from Goodreads...

Virginal, chaste, humble, patiently waiting for rescue by brave knights and handsome princes: this idealised - and largely mythical - notion of the medieval noblewoman still lingers. Yet the reality was very different, as Kelcey Wilson-Lee shows in this vibrant account of the five daughters of the great English king, Edward I. The lives of these sisters - Eleanora, Joanna, Margaret, Mary and Elizabeth - ran the full gamut of experiences open to royal women in the Middle Ages. Living as they did in a courtly culture founded on romantic longing and brilliant pageantry, they knew that a princess was to be chaste yet a mother to many children, preferably sons, meek yet able to influence a recalcitrant husband or even command a host of men-at-arms

I started 2022 with some historical nonfiction. Kelcey Wilson-Lee’s Daughters of Chivalry: The Forgotten Children of Edward I.

One of the early lines from the introduction says: “Is she acquiescent, a person whom the most important things happen to or for, rather than an actor in her own right?” This book went to great length to show the layers of the lives of Edward I’s five daughters.

Wilson-Lee built a strong and concise narrative—based on surviving records and few instances of speculation—that followed them from early childhood to adulthood and their eventual marriages. It deftly explained the expectations (and limitations) for women at the time, while also setting the ultimate subjects of the book apart, by the privileges (education, fine foods, and good clothing) afforded to them; as well as the power and influence they were able to wield in their respective positons.

I liked how Wilson-Lee touched on the tricky subject of arranged marriages. The book covered the ways they were used to solidify Edward I’s influence, by forging those all-important alliances and connections. But, there was also a focus on what each princess stood to gain from the unions, such as expansive estates that were, in some instances, held jointly with their spouses.

The reign and eventual death of their father and the crowning of their brother, served as examples of time at the height of their influence, as well as further tumultuous periods (beyond war related conflicts) that came with the shift from “daughters of the king” to being “sisters of the king”.

All-in-all, Daughters of Chivalry was excellent.

Review: Entangled Life by Merlin Sheldrake

Title: Entangled Life
Series: n/a
Author: Merlin Sheldrake
Source/Format: Purchased; Paperback
More Details: Nonfiction; Science
Publisher/Publication Date: Random House Trade; May 12, 2020

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Synopsis from Goodreads...

When we think of fungi, we likely think of mushrooms. But mushrooms are only fruiting bodies, analogous to apples on a tree. Most fungi live out of sight, yet make up a massively diverse kingdom of organisms that supports and sustains nearly all living systems. Fungi provide a key to understanding the planet on which we live, and the ways we think, feel, and behave. In Entangled Life, the brilliant young biologist Merlin Sheldrake shows us the world from a fungal point of view, providing an exhilarating change of perspective. Sheldrake's vivid exploration takes us from yeast to psychedelics, to the fungi that range for miles underground and are the largest organisms on the planet, to those that link plants together in complex networks known as the "Wood Wide Web," to those that infiltrate and manipulate insect bodies with devastating precision. Fungi throw our concepts of individuality and even intelligence into question. They are metabolic masters, earth makers, and key players in most of life's processes. They can change our minds, heal our bodies, and even help us remediate environmental disaster. By examining fungi on their own terms, Sheldrake reveals how these extraordinary organisms--and our relationships with them--are changing our understanding of how life works.

Toward the end of October, I needed to cleanse my palate before I dived into more fiction. So I picked up one of my recent purchases: Entangled Life by Merlin Sheldrake. It’s been on my TBR since last year, and I was excited to finally read it. I can officially say that I enjoyed this book. It was an excellent read that had a lot to say on the subject of fungi.

“Fungi are everywhere, but they are easy to miss.”—pg.3

I am not a big fungi enthusiast. I like Portobello mushrooms, and that’s about as far as it ever went. So Fungi aren’t a subject I’ve read too much about in the past. I was instantly intrigue by the idea of Entangled Life, especially after I read Peter Wohlleben’s The Heartbeat of Trees and was looking for something similarly nature science related. That book was a closer look at trees and forests. On the other hand, Entangled Life looked farther down the trunk of a tree, at the ecosystems right beneath our feet. What was revealed was an incredibly complex and interesting narrative that focused on what was taking place above and below ground. The book delved into how it was all connected, what fungi had to do with the development of the environment (based off what some studies had to say about it), and what role they could ultimately play in the future.

Entangled Life is one of the most fascinating books I’ve read this year. I’m glad to have a copy of this book on my shelf, because I know I’ll ultimately return to it again and (probably) again.