Short Stories: The Wood at Midwinter by Susanna Clarke illustrated by Victoria Sawdon

I'm taking a brief break from the usual format of Short Stories, to take a look at the new Susanna Clarke story, The Wood a Midwinter, illustrated by Victoria Sawdon.

Title: The Wood at Midwinter
Series: n/a
Author/Illustrator: Susanna Clarke; Victoria Sawdon
Source/Format: Purchased; Hardcover
More Details: Fantasy; Short Story
Publisher/Publication Date: Bloomsbury Publishing; October 20, 2024

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Synopsis from Goodreads...

From the internationally bestselling and prize-winning author of Piranesi and Jonathan Strange & Mr Norrell, an enchanting, beautifully illustrated short story set in the Strange universe.

"A church is a sort of wood. A wood is a sort of church. They're the same thing really."

Nineteen-year-old Merowdis Scott is an unusual girl. She can talk to animals and trees - and she is only ever happy when she is walking in the woods. One snowy afternoon, out with her dogs and Apple the pig, Merowdis encounters a blackbird and a fox. As darkness falls, a strange figure enters in their midst - and the path of her life is changed forever.

As my Short Story intro above says, I’m taking a break from the typical format to look at Susanna Clarke’s short story, The Wood at Midwinter, illustrated by Victoria Sawdon. I was very excited to pick this one up, considering how much I adored Piranesi—and I’m slowly working my way through Jonathan Strange and Mr. Norwell, which has, so far, been as entertaining as I’d hoped. But, I digress, this post is about The Wood at Midwinter.

A woman, Merowdis, sits in a forest at midwinter, which was, now that I think about it, very fairy tale-esque of her. She talks to animals, to the bugs, and even to the trees; her loyal animals and, as the title suggests, the wood at midwinter. It’s a conversation between all of them, wherein she laments about her life, what she doesn’t wish to do, and admits to what she desperately wants to have and hold—regardless of the consequences and what she might have to give up to have it. And in a story with a setting like this one, with a quietly magical atmosphere, anything was possible.

The Wood at Midwinter is short but still a delightful little story with an enigmatic character and a wintery backdrop, which featured a nice visual aspect accompanying the prose with Sawdon’s illustrations.

We Shall Be Monsters by Alyssa Wees

Title: We Shall Be Monsters 

Series: n/a
Author: Alyssa Wees
Source/Format: NetGalley; eARC
More Details: Fantasy
Publisher/Publication Date: Del Rey; November 12, 2024

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Synopsis from Goodreads...

A dark, lyrical fantasy blending the world of the Fae with the stories mothers tell to keep their daughters safe - and the consequences of disregarding the truth, no matter how sinister.

Gemma lives with her mother in an isolated antique shop in Michigan, near a small patch of woods that conceals an enchanted gateway to fairyland. She knows she's not supposed to go into the woods - her mother Virginia has warned her multiple times about the monsters that lurk there - and yet defiantly, curiously, she goes anyway. Virginia understands her daughter's defiance. She knows the lure of the woods all too well. Her own mother warned her about the monsters that resided there, and she also did not listen. Until a witch cursed her true love, Ash - Gemma's father - into the form of a beast in the days before Gemma's birth. And if Virginia cannot break the curse before her daughter turns fifteen, Ash will eat Virginia's heart and Gemma will belong to the witch. So Virginia will do whatever she can to protect her daughter - even if it means stealing Gemma's memories away. But everything changes when Gemma inadvertently gets too close to the truth, and the witch steals Virginia away instead. Now it is up to Gemma to venture deep into Fae lands to try and rescue her mother and break the curse.

Told in alternating viewpoints between Gemma and Virginia, this lyrical novel is not only a tale of a girl's fantastical quest through a darkly magical fairyland, but also an examination of the complex bonds of love and resentment that lie between parents and their children.

Some of my favorite fantasy tropes include fairies (or fey equivalent) and woods that may or may not be friendly. Novik’s Uprooted and Spinning Silver come to mind, as well as Ava Reid’s A Study in Drowning, which is why I was drawn to the new Alyssa Wees novel, We Shall Be Monsters.

We Shall Be Monsters had fairies, monsters, and an antique shop wrapped up in a story about mothers and daughters and the three generations that have lived next to and seen the good as well as the worst the nearby woods have to offer. Oh, and the breaking of curses and the unraveling of long held secrets. So when the synopsis called this book a “dark, lyrical fantasy,” that description is accurate. We Shall Be Monsters has its whimsical and magical moments, but it was, at its heart, a darker story that, at times, felt much closer to horror. The woods were eerie, dangerous, and inhabited by fairies and other creatures, some friendly, some who offered dubious ties, or even those that were entirely driven by appetite or greed. There was also imagery of body related horror. However, those aspects worked well, since part of what the book tackled overall was the question of what truly makes a monster; and explored the divide between a hero and a killer. The characters made mistakes and payed for them, but they also learned from them. In that regard, We Shall Be Monsters is a nuanced story, and the characters that inhabited the pages were just as complicated.

Generally, I liked how Wees handled the viewpoints. It was first person, but Gemma and her mother, Virginia, each had quirks in the way they were written, which made it easy to tell them apart.

Gemma, like her mother and grandmother before her, was fascinated by the woods and didn’t recognize the danger posed by it, before she was confronted with the truth and tasked with a dangerous quest. Virginia was stuck in the past, figuratively and literally. Her history had everything to do with the issues that arose in the current timeline of the book, affecting not only her, but her daughter as well.

We Shall Be Monsters was, at the end of the day, right up my alley, and I recommend it to anyone looking for a dark fantasy story.

 

About the author....

Alyssa Wees is the acclaimed author of The Waking Forest and Nocturne. She grew up writing stories about her Beanie Babies in between ballet lessons. She earned a BA in English from Creighton University and an MFA in fiction writing from Columbia College Chicago. Currently she works as an assistant librarian in youth services at an awesome public library. She lives in the Chicagoland area with her husband and their two cats.

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Disclaimer: this copy of the book was provided by the publisher (Del Rey) via NetGalley in exchange for an honest review, thank you! 

The City in Glass by Nghi Vo

Title: The City in Glass

Series: n/a

Author: Nghi Vo
Source/Format: NetGalley; eARC
More Details: Fantasy
Publisher/Publication Date: TorDotCom; October 1, 2024

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Synopsis from Goodreads...

In this new standalone, Hugo Award-winning author Nghi Vo introduces a beguiling fantasy city in the tradition of Calvino, Mieville, and Le Guin.

A demon. An angel. A city that burns at the heart of the world.

The demon Vitrine—immortal, powerful, and capricious—loves the dazzling city of Azril. She has mothered, married, and maddened the city and its people for generations, and built it into a place of joy and desire, revelry and riot. And then the angels come, and the city falls. Vitrine is left with nothing but memories and a book containing the names of those she has lost—and an angel, now bound by her mad, grief-stricken curse to haunt the city he burned. She mourns her dead and rages against the angel she longs to destroy. Made to be each other’s devastation, angel and demon are destined for eternal battle. Instead, they find themselves locked in a devouring fascination that will change them both forever. Together, they unearth the past of the lost city and begin to shape its future. But when war threatens Azril and everything they have built, Vitrine and her angel must decide whether they will let the city fall again.

The City in Glass is both a brilliantly constructed history and an epic love story, of death and resurrection, memory and transformation, redemption and desire strong enough to burn a world to ashes and build it anew.

Nghi Vo’s, The Singing Hills Cycle, is one of my favorite series, so I was interested in checking out her latest story, The City in Glass. Essentially, this is a tale about a ruined city that might rise again from its ashes, a demon, an angel, and the strange tumultuous sort-of fascination/love story between the two.

The City in Glass was engaging from the very first page. It begins with a revelry, the fall of the city, and the demon, Vitrine’s effort to rebuild what she lost. Despite the book’s short length, the actual timespan of the story was hundreds of years with sporadic time skips, which sometimes spanned as long as decades. The book was written incredibly well and with enough detail to give the characters—particularly Vitrine—and Azril a rich history.

A large part of the book was dedicated to—and lingered on—Vitrine’s grief as well as her memories of the people and the place she’d lost. During these flashbacks, it was clear how much she’d loved the city of Azril, following generations of families, shaping the place into what it was before everything ended, like a gardener. Her grief was, for lack of better terms, consuming, and The City in Glass allowed Vitrine to go through these stages. It was messy—she was prone to giving into her rage, lashed out, and wanted to be left alone with memories and ghosts—but it drove home the devastation. The way she wanted to linger in the past reminded me of a short story I read earlier this year (Something Small Enough to Ask For by Anamaria Curtis), and the lesson for that main character was ultimately a similar one. Stay in the past or finally move forward? As character arcs go, Vitrine’s was a good one.

One avenue that I was pretty undecided on (and still am), was how the relationship landed, whether it worked as well as some of the other aspects of The City in Glass or not—especially with the way the story ended. On one hand, I understand Vitrine had to work through her grief and come to terms with the angel’s role in it. While on the other hand, some of the angel and Vitrine’s best moments were when they communicated, when there was this push-and-pull albeit with a sense of burgeoning closeness and understanding (even frustration and anger) with each other. However, I wish there had been more of it, or at least a little more of the angel’s perspective on the situation, particularly before the end.

Despite how conflicted I was about the aforementioned, it wasn’t bad actually. In fact, The City in Glass was thoroughly engaging and enjoyable, and I know I’ll be thinking about it for a long time.

 

About the author....

Nghi Vo is the author of the novels Siren Queen and The Chosen and the Beautiful, as well as the acclaimed novellas of the Singing Hills Cycle, which began withThe Empress of Salt and Fortune. The series entries have been finalists for the Locus Award and the Lambda Literary Award, and have won the Crawford Award, the Ignyte Award, and the Hugo Award. Born in Illinois, she now lives on the shores of Lake Michigan. She believes in the ritual of lipstick, the power of stories, and the right to change your mind.

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Disclaimer: this copy of the book was provided by the publisher (TorDotCom) via NetGalley in exchange for an honest review, thank you! 

Haunt Sweet Home by Sarah Pinsker

Title: Haunt Sweet Home

Series: n/a
Author: Sarah Pinsker
Source/Format: NetGalley; eARC
More Details: Paranormal; Novella
Publisher/Publication Date: TorDotCom; September 3, 2024

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Synopsis from Goodreads...

On the set of a kitschy reality TV show, staged scares transform into unnerving reality in this spooky ghost story from multiple Hugo and Nebula Award-winning author Sarah Pinsker.

“Don’t talk to day about what we do at night.”

When aimless twenty-something Mara lands a job as the night-shift production assistant on her cousin’s ghost hunting/home makeover reality TV show Haunt Sweet Home, she quickly determines her new role will require a healthy attitude toward duplicity. But as she hides fog machines in the woods and improvises scares to spook new homeowners, a series of unnerving incidents on set and a creepy new coworker force Mara to confront whether the person she's truly been deceiving and hiding from all along―is herself.

Eerie and empathetic, Haunt Sweet Home is a multifaceted, supernatural exploration of finding your own way into adulthood, and into yourself.

I’ve mentioned SurrealEstate on the blog before. Well, its second season had an episode that was essentially a parody (or recreation) of a ghost hunting show. It was comedic but also told a heartfelt story about the fictional show’s host, a parallel to the interpersonal arc of Luke Roman. The concept was simple: manufactured haunting on a niche show that inevitably encounter a scenario outside of their control. So I’m more than familiar with a setup like that, which was why I was looking forward to Sarah Pinsker’s latest, a novella called Haunt Sweet Home.

It’s no secret: I like house stories (or stories involving houses). It’s why a show like SurrealEstate was so appealing, and Haunt Sweet Home fell into that same category. It combined home renovation and supposedly haunted properties into the titular show, while also shaping up into a narrative of self-discovery for the story’s main character, Mara Billings.

Mara started things but never committed; she often thought of herself as the black sheep of her family and was uncertain of her future and struggled with building connections with others. So when she gets the opportunity to work for her cousin’s niche show as a production assistant for the night crew, she’s hopeful it’ll be the thing to stick. It wasn’t an easy job. However, half the fun of the story for the reader, was watching the scenarios unfold/ the show being filmed as well as how Mara would handle being so far outside of her element, with a secondary cast also navigating a cut throat environment. Mara was sympathetic but also at times abrasive. However, I liked the nuance of Pinsker’s characterization of Mara. She almost haunted the narrative, even when she wasn’t fulfilling the role of a ghost. So when the inevitable confrontation happens, the proverbial shoe drop, when she could no longer run from herself, the emotional payoff was just chef’s kiss.

In Haunt Sweet Home the houses were secondary while much of the page space was devoted to a great ghost story and an exceptional character exploration. I highly recommend this one!

 

About the author....

Sarah Pinsker is the author of over fifty works of short fiction, two novels, and one collection. Her work has won four Nebula Awards (Best Novel, A Song For A New Day; Best Novelette, "Our Lady of the Open Road," Best Novelette, "Two Truths And A Lie," Best Short Story, "Where Oaken Hearts Do Gather,"), two Hugo Awards ("Two Truths And a Lie" and "Where Oaken Hearts Do Gather"), the Philip K Dick Award, the Locus Award, the Eugie Foster Award, and the Theodore Sturgeon Award, and been nominated for numerous Nebula, Hugo, Locus, and World Fantasy Awards. Her fiction has been published translated into almost a dozen languages and published in magazines including Asimov's, Strange Horizons, Fantasy & Science Fiction, and Uncanny and in many anthologies and year's bests. Sarah's first collection, the Philip K Dick Award winning Sooner or Later Everything Falls Into the Sea: Stories, was published by Small Beer Press in March 2019, and her first novel, A Song For A New Day, was published by Penguin/Random House/Berkley in September 2019. Her latest book is We Are Satellites, published in May 2021. Her second collection, Lost Places, will be published by Small Beer Press in March 2023. She is also a singer/songwriter with four albums on various independent labels (the third with her rock band, the Stalking Horses). She lives in Baltimore, Maryland and can be found online at sarahpinsker.com and twitter.com/sarahpinsker.

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Disclaimer: this copy of the book was provided by the publisher (TorDotCom) via NetGalley in exchange for an honest review, thank you! 

Give Me Something Good To Eat by D.W. Gillespie

Title: Give Me Something Good to Eat

Series: n/a 
Author: D.W. Gillespie
Source/Format: NetGalley; eARC
More Details: Middle Grade; Horror
Publisher/Publication Date: Delacorte Press; August 13, 2024

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Synopsis from Goodreads...

Perfect for fans of Hocus Pocus and Stranger Things, this middle grade debut tells the story of a boy who travels into an alternate version of his Halloween-obsessed town to save his sister from an evil witch and free the town from the witch’s curse. 

Fear comes home.Welcome to Pearl, a town obsessed with the spooky decorations, the costumes, the candy. No one seems to notice that every October 31st, a kid goes missing. Mason Miller does, though. Somehow he’s the only one who has any memory the person existed at all.When Mason’s sister, Meg, vanishes while they’re trick-or-treating, Mason and his friends are pulled into an underworld where monsters roam the streets. They need to fight the evil taking over Pearl, but none of them know the true danger they're facing.Meg has been stolen by a witch who has no plans to let her go. Shadows of death curl around trees and behind doorways as Mason must use every ounce of bravery he has . . . or be haunted forever with the memory of a sister that only he remembers.

Living in a town like Pearl, which is obsessed with Halloween, seems like it should be fun, at least in theory anyway. Well, that gets put into frightening perspective in D.W. Gillespie’s new middle grade horror novel, Give Me Something Good to Eat. Billed as perfect for fans of Stranger Things and Hocus Pocus, the story is a magical and nightmarish foray into spells, monsters, and what is functionally a curse lurking under the veneer of what should be all fun and games.

Mason Miller has something better and more important to do than take his little sister, Meg, trick-or-treating. Kids are going missing, and he’s one of the few who remembers. So he enlists the help of his closest friend, Serge. And Meg just wants her brother to go back to how he used to be. Most of the character motivations were simple. Mason wants to be the hero of the story, but his drive to solve the mystery is also far more personal. Serge wants to help out his best friend, while juggling Halloween night and a crush. Meg just wants to have fun and is annoyed when the night isn’t turning out how she wanted. It set up a tense dynamic, which offered an opening to the villains of story. It was, effectively, all about cause and effect, despite the good intentions of the character’s involved—they were just kids, and mistakes were bound to happen.

The Stranger Things and Hocus Pocus comparison is apt. The story, very early on, felt like an echo to the start of the film, while the TV show’s comparison won’t make much sense until after the story takes off, and Meg winds up being the next kid to vanish on Halloween night. That in itself provided one of the more intense sequence of scenes in the novel, where the anxiety, fear, and frustration was almost palpable—but it was only the start. The pop culture references aren’t what make the story. Instead its Gillespine’s spin on the monster genre and creative usage of spells and magic—as well as how intrinsically it was linked to the underlying horror, tension, and stakes of Give Me Something Good to Eat—that does.

Give Me Something Good to Eat is another good foray into middle grade horror, and I would recommend it to those who have enjoyed books like It Came From the Trees by Ally Russell and Bumps in the Night by Amalie Howard.

 

About the author....

A long time fan of all things dark and spooky, D.W. Gillespie began writing monstrous stories while still in grade school. At one point, his mother asked the doctor if there was anything she should be concerned about, and he assured her that some kids just like stories about decapitations. He's been writing on and off for over a decade, quietly building a body of work that includes horror and dark sci-fi. His novels include Still Dark, The Toy Thief, and a short story collection titled Handmade Monsters. He lives in Tennessee with his wife and two kids, all three of which give him an endless supply of things to write about

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Disclaimer: this copy of the book was provided by the publisher (Delacorte Press) via NetGalley in exchange for an honest review, thank you! 

Holly Horror: The Longest Night by Michelle Jabès Corpora

Title: Holly Horror: The Longest Night

Series: Holly Horror #2
Author: Michelle Jabès Corpora
Source/Format: NetGalley; eARC
More Details: Young Adult; Horror; Paranormal
Publisher/Publication Date: Penguin Workshop; August 13, 2024

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Synopsis from Goodreads...

In this terrifying sequel, Evie Archer and her friends face a new evil ready to devour their town whole.

Find him, find me. It's been two weeks since Evie escaped the mines after solving the mystery of Holly's disappearance only to discover that Desmond followed her but never came back. Evie knows he’s alive, lost wherever the Patchwork Girl resides. When Evie tries to reach out to Holly again for help, she realizes that her connection to the Lost Girl—and the shadow world itself—has been severed. Desmond is gone, and it’s all her fault. Ravenglass slowly begins to move on from the tragedy of losing Desmond, but as winter creeps closer and the days grow shorter, a sinister being begins to threaten the lives of Ravenglass residents, stealing them away and bringing them back different. Wrong.Evie knows that the only way to stop it is to connect to Holly again. With the help of her friend Tina, and the troubled newcomer Sai, Evie begins to follow the clues Holly left behind, determined to find the Lost Girl once more, at any cost.

I read Holly Horror last year. And while it was a good story overall—and relatively self-contained—by the end there were still some lingering mysteries as well as the massive curveball thrown by the cliffhanger. As the saying goes, out of the oven and into the frying pan. So its sequel, titled Holly Horror: The Longest Night, was near the top of my list of sequels releasing in 2024. And it’s one of my favorites too.

Holly Horror: The Longest Night took what I liked about the previous installment and carried it over into Evie Archer’s second adventure, which pitted her against the shadowy and menacing forces buried beneath the town of Ravenglass.

Part of The Longest Night had aspects of a coming of age story, where Evie had to confront her past—her strained relationship with her father as well as her history with Holly Hobbie and Sarah Flower. She had a lot to work through in her personal life too. She was dealing with grief and guilt, which was tangled with the fallout from Holly Horror’s ending. And, considering how, in the previous book, she’d erroneously assigned blame to herself for the collapse of her family. She’d had this habit of hiding her emotions as well as her distrust of those who she should’ve been able to confide in the most, and it had opened her up to supernatural manipulation. In The Longest Night, enough time was devoted to fully exploring and resolving the complicated nature of Evie’s familial ties and her relationship to the abilities she was just beginning to accept. Her character arch is one of my favorite parts of this story.

On the other hand, the story had this creeping sense of dread, which was always in the background casting a shadow (both literally and figuratively) over the events of the story. One of the pivotal characters of these books, Desmond King, was missing. And the story was, ultimately, something of a race against time. And it was the case: Would they be able to save him or not? I knew something bad was going to go down, and it was about seeing when and how the shoe was going to drop. And Corpora did this to great effect, subtly building a mystery full of secrets around the spookiest aspects of The Longest Night.

The ending was effective with resolving the above mentioned mysteries, and even offered clarity to the tragedy that had given Hobbie House its nickname. Suffice it to say, the questions Holly Horror had left behind were more than answered in its sequel.

So, I got everything I was looking for out of Holly Horror: The Longest Night. It works as a sequel, and sufficiently wrapped up the story in a way that was satisfying for the mystery as well as the characters. And, if you’ve read Holly Horror, then this one is a must read.

 

About the author....

Michelle Jabès Corpora is a writer, editor, and martial artist. In addition to working in the publishing industry for more than seventeen years as an editor and concept developer, she is the author of two historical novels for middle grade readers, two horror novels for young adult readers, and soon-to-be the author of the Children of Khetara fantasy series for Young Adults. She has also ghostwritten five novels in a long-running middle grade mystery series. In her spare time, Michelle trains in Brazilian Jiu-Jitsu as a blue belt at Crazy 88 MMA, and enjoys making home-cooked meals, doing tarot readings, and playing Dungeons & Dragons with her friends. Michelle lives in Maryland with her husband, two daughters, two guinea pigs, and a dog named Charlie.

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Disclaimer: this copy of the book was provided by the publisher (Penguin Workshop) via NetGalley in exchange for an honest review, thank you! 

Bumps in the Night by Amalie Howard

Title: Bumps in the Night

Series: n/a
Author: Amalie Howard
Source/Format: NetGalley; eARC
More Details: Fantasy; Middle Grade
Publisher/Publication Date: Delacorte Press; February 20, 2024

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Synopsis from Goodreads...

The middle grade horror debut from USA Today bestselling author Amalie Howard in which a girl stays with her grandmother in Trinidad for the summer and discovers that she comes from a long line of witches.

Thirteen-year-old Darika Lovelace is in big trouble. The kind of trouble that means she’s being sent off to her grandmother in the Caribbean. She should be grateful, but instead she’s angry. Angry at her dad and step-mom for sending her away for an entire summer. Angry at her mom who went away and never came back. But the island is definitely not what she remembers! The minute she steps off the plane, strange things start happening, including being stalked by a baby iguana. When she meets a ragtag group of children on her Granny’s estate, she knows they are not what they seem, but after they promise to take her to her long-lost mom, she leaps at the chance. Thrust into an incredible adventure involving strange monsters, a supernatural silk cotton tree, and a mysterious maze, soon the truth about her unique magical roots comes to light. She’s the island’s only hope, but unless she learns to believe in magic, all will be lost.

Amalie Howard’s Bumps in the Night is a new middle grade fantasy adventure set in the Caribbean. There’s folklore, mystery, and endearing characters that, along the way, learn valuable lessons about teamwork, the environment, and importantly about themselves.

There felt like two discernable parts to the story.

In the beginning, we’re introduced to Darika Lovelace, who has landed herself in hot water and is sent to stay with her grandmother for the summer, in Trinidad. She doesn’t want to like where she is; not the people, food, or places—because she doesn’t want to enjoy herself. For the first hundred pages or so, some of the story can come across slightly repetitive with how much she denies what she sees. However, I understood what Howard was trying to do with her character, because Darika had internalized a lot of false concepts about herself—often feeling lonely, abandoned, and as if she isn’t really being heard. Even though she was surrounded by people who still cared and loved her, it was the absence of her mother—the mystery surrounding it, and the evasiveness of the adults in her life—that negatively affected her in a very significant way. This, arguably, had an effect on the way she dealt with the others as well as the obstacles thrown her way—particularly in situations she was woefully unprepared to deal with. It was a good scenario to begin with, though.

In the second half, all the groundwork—the clues, the strange and magical instances—starts to pay off, and the fantasy adventure arrives in full force. This is one of the areas where Bumps in the Night excels (for me at least), and I flew through the rest of the story. Mazes are obstacle-laden fun, especially when they’re done well. This one was a good one.

So in Bumps in the Night there were big concepts with higher, world ending, consequences. But the journey the main character, Darika, had to undertake was never far from sight either. There was a good balance between the two, and the overall story is as fun as it was meaningful. I highly recommend Bumps in the Night.

About the author....

AMALIE HOWARD is a USA Today and Publishers Weekly bestselling author. Always Be My Duchess was one of Cosmopolitan’s 30 Best Romance Books of 2022 and The Beast of Beswick was one of Oprah Daily’s 24 Best Historical Romance Novels to Read. She is also the author of several award-winning young adult novels. Her recent YA release Queen Bee was called “A true diamond of the first water” by ALA Booklist. Her books have been featured in The Hollywood Reporter, Entertainment Weekly, and Seventeen Magazine. When she’s not writing, she can usually be found reading, being the president of her one-woman Harley Davidson motorcycle club, or power-napping. She lives in Colorado with her family.

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Disclaimer: this copy of the book was provided by the publisher (Delacorte Press) via NetGalley in exchange for an honest review, thank you! 

The Witchwood Knot by Olivia Atwater

Title: The Witchwood Knot

Series: Victorian Faerie Tales #1
Author: Olivia Atwater
Source/Format: NetGalley; eARC
More Details: Fantasy; Romance; Gothic
Publisher/Publication Date: Starwatch Press; November 28, 2023

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Synopsis from Goodreads...

Olivia Atwater returns to the world of Half a Soul with “a sharp and beautiful gothic romance” (Alix E. Harrow). Dive into The Witchwood Knot, and enjoy a dark faerie tale set in a magical version of Victorian England.

The faeries of Witchwood Manor have stolen its young lord. His governess intends to steal him back. Victorian governess Winifred Hall knows a con when she sees one. When her bratty young charge transforms overnight into a perfectly behaved block of wood, she soon realises that the real boy has been abducted by the Fair Folk. Unfortunately, the lord of Witchwood Manor is the only man in England who doesn’t believe in faeries—which leaves Winnie in the unenviable position of rescuing the young lord-to-be all by herself. Witchwood Manor is bigger than its inhabitants realize, however, and full of otherworldly dangers. As Winnie delves deeper into the other side of the house, she enlists the aid of its dark and dubious faerie butler, Mr Quincy, who hides several awful secrets behind his charming smile. Winnie hopes to make her way to the center of the Witchwood Knot through wit and cleverness… but when all of her usual tricks fail, who will she dare to trust?

I have, of course, heard of Atwater’s other series, namely because of Half a Soul. While that book is still on my TBR list, I didn’t hesitate to request The Witchwood Knot, which was set in the same world. It promised to be a dark fairy tale with aspects of gothic fiction and romance, which is pretty in-line with some of my favorite books recently—i.e A Study in Drowning. And I liked The Witchwood Knot for what it was.

This was a relatively dark story, particularly when it delved into themes of trauma and harassment. This was something alluded to fairly early, particularly in relation to the backstory of the MC, Winifred Hall, as she became more and more immersed in the mysteries and the general strangeness of Witchwood Manor.

Generally speaking, I liked the cast of characters here. The ghost cat was an MVP, and I loved every scene he was in. Mr Quincy was an enigmatic presence, and I liked how Atwater portrayed his incongruous nature. Winifred was an easy favorite. She was resilient, confident, and relatively resourceful. And her quest—both to further her own aims and fulfil the terms of her employment—made her a relatively dynamic character.

The romance was on the subtler side for much of the story. There was a host of issues for Winifred to navigate—and her personal motivation influenced much of her early actions within the context of the plot—so her focus was, understandably, elsewhere.  There was a gradual build toward it, though. I just wish there had been more scenes of them exploring the depths of this burgeoning relationship. And I say this because, in the end, they were two very interesting characters, and I wanted more from that end of the story.

The best part for me, though, was the fantasy adventure. The setting was suitably creepy with plenty of hidden corners and an almost maze-like quality. That, when combined with the overarching mystery concerning the house’s creation and the current troubles surrounding it, gave a sense of intrigue that kept the story moving at a good pace.

Another thing to keep in mind is that this is a spinoff of another series. I personally don’t care about reading spoilers for the other books, but it’s something to think about when going into The Witchwood Knot.

Overall, The Witchwood Knot was good, and I had a lot of fun with it.

 

About the author....

Olivia Atwater writes whimsical historical fantasy with a hint of satire. She lives in Montreal, Quebec with her fantastic, prose-inspiring husband and her two cats. When she told her second-grade history teacher that she wanted to work with history someday, she is fairly certain this isn't what either party had in mind. She has been, at various times, a historical re-enactor, a professional witch at a metaphysical supply store, a web developer, and a vending machine repairperson.

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Disclaimer: this copy of the book was provided by the publisher (Starwatch Press) via NetGalley in exchange for an honest review, thank you! 

The Lover by Silvia Moreno-Garcia

Title: The Lover

Series: n/a
Author: Silvia Moreno-Garcia
Source/Format: NetGalley; eARC
More Details: Fantasy; Horror; Romance; Short Story
Publisher/Publication Date: Amazon Original Stories; November 1, 2023

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Synopsis from Goodreads...

During a brutal winter, a young woman longing for love finds more than she expected in the woods, in this wickedly sensuous short story by Silvia Moreno-Garcia, the New York Times bestselling author of Mexican Gothic.

Judith knows her sister, Alice, is the pretty one—but that doesn’t stop her from wishing for love. When a handsome and gentlemanly hunter appears in their village, seeking lodging from the cold, she believes her lover has finally arrived. He does, indeed, choose to stay—but as Alice’s husband, not her own. When another stranger comes out of the woods, looking every bit a vagrant, he offers Judith something mysterious and enticingly strange. Against reason and decency, she welcomes both men into her life, in different ways. As forbidden longings ensnare each of them, an unrelenting winter storm and an evasive wolf on the prowl have everyone on edge…and ravenous. By spring thaw, will any of their hungers be satisfied?

A few months ago, I read Moreno-Garcia’s latest novel, Silver Nitrate. Now, you know, around Our Thoughts Precisely, this is a favorite author. So when I saw The Lover come up for review, I decided to give it a go too.

The Lover is a loose retelling of Little Red Riding Hood, the second one I’ve read by the time I’m writing this (the other is for this month’s Short Stories). This story adopted key parts of the tale, but it was also doing its own thing with them. In general, it had the feel of a fairy tale, but a darker one. The substance of the story had betrayal and morally complex—if not gray—characters who don’t always do the right thing.

As I’ve said before, Moreno-Garcia is very good with creating characters. So even in a story as short as The Lover, they seemed to pop off the page with how detailed they were. Judith’s voice was particularly distinct. She was the narrator, so getting her inner thoughts revealed early on her growing discontent with the monotonous nature of her every day and the unfair treatment toward her by her sister. Bad decisions were inevitably made. Judith was especially prone to seeing and hearing what she wanted, particularly when one of the men—who was mentioned in the synopsis—is involved.

But the story was an interesting one, and I wanted to see how the scenario would end. And, oh boy, it does! The ending is probably one of the most satisfying parts of The Lover, and it’s one of the areas where the harsh nature of the story shone through the most. And I loved it!

My only detraction is that I wish the story had had even a little more room to breathe. But that’s just a personal aside, since I wouldn’t have minded sticking around for a longer story about these characters.

Otherwise, The Lover is another good story from Silvia Moreno-Garcia.

 

About the author....

Silvia Moreno-Garcia is the author of several novels, including Mexican Gothic, Gods of Jade and Shadow and The Daughter of Doctor Moreau. She has also edited a number of anthologies, including the World Fantasy Award-winning She Walks in Shadows (a.k.a. Cthulhu's Daughters). Mexican by birth, Canadian by inclination.

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Disclaimer: this copy of the book was provided by the publisher (Amazon Original Stories) via NetGalley in exchange for an honest review, thank you! 

The Fatal Folio by Elizabeth Penney

Title: The Fatal Folio

Series: The Cambridge Bookshop Series #3
Author: Elizabeth Penney
Source/Format: NetGalley; eARC
More Details: Cozy Mystery
Publisher/Publication Date: St. Martin's Paperbacks; October 24, 2023

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Synopsis from Goodreads...

In the third in Elizabeth Penney's delightful Cambridge Bookshop series, The Fatal Folio, Molly Kimball is learning that every killer has a story…

After moving to Cambridge, England, Molly Kimball has found a lot to love, including—of course—her family’s ancestral bookshop, Thomas Marlowe-Manuscripts and Folios. And though she’s not quite ready to use the “L” word when it comes to her boyfriend Kieran, she’s definitely fallen for his intimidating family’s library. His family is paying her handsomely for an updated catalog when Molly discovers the original manuscript of a Gothic novel, A Fatal Folio by the pseudonymous Selwyn Scott. Kieran’s cousin Oliver, a professor specializing in Gothic literature, is eager to publish a paper on the mystery—especially because a troublesome student, Thad, is threatening to file a complaint against him and prevent his long-awaited promotion. On Guy Fawkes Night, Molly, Kieran, and her friends set out to enjoy the costumes, fireworks, and fun—at least until a stray firework starts a panic, and the group stumbles upon a prone body, their face covered by a mask. It’s Thad, and he’s been stabbed to death. It soon becomes clear Oliver isn’t the only one with a motive, and Molly must once again put on a few masks of her own to sleuth out Thad’s killer, prove Oliver’s innocence, and discover what Selwyn’s novel might have to do with this most atmospheric mystery…

Some of my favorite cozy mysteries lately are from Elizabeth Penney’s The Cambridge Bookshop series. With a wonderful cast, plenty of literary themes (I mean a large part of the setting is in a bookshop after all), adorable cats, and a story-within-a-story, this series has always had plenty to offer. The same goes for the latest installment called The Fatal Folio.

I had a great time delving into this latest adventure with Molly, her family, her friends, and the new characters as well.

The mystery gets off to a running start with the death of a student from a nearby college. There were plenty of suspects, and each of them had a legitimate motive and the potential means to commit the crime. The set up was pretty solid, and I liked the steady progression of the mystery as it happened alongside a series of gothic literature themed events.

There was some progression with the relationships in the series. There were some steps backward, but it was offset by communication, especially between Molly and Kieran.

The build up to the reveals was quite detailed. It took its time getting there, but I honestly didn’t mind it. Part of the reason was The Fatal Folio, the titular book featured prominently in this mystery. There were plenty of pages dedicated to recounting its story in full, and, honestly, those were some of my favorite scenes in the book. So I was pretty invested in Molly’s sleuthing as well as the story she was reading. However, my only little disappointment was how quickly everything was wrapped up. Other than that, the ultimate explanation was a relatively good conclusion to all that had happened.

Overall, this was another good addition to the series. If you’ve read Chapter and Curse and its sequel, A Treacherous Tale, then I highly recommend The Fatal Folio too.

About the author....

Elizabeth Penney lives in the White Mountains of New Hampshire, where she pens novels and tries to grow things. Elements that often appear in her novels include vintage summer cottages, past/present mysteries, and the arts. After spending early years in England and France, she grew up in Maine, settings that are reflected in her books. Elizabeth is the author of the Apron Shop Series and Cambridge Bookshop Series from St. Martin's as well as over twenty novels, short stories, and hundreds of business articles. A former consultant and nonprofit executive, she holds a BS and an MBA. She's also written screenplays with her musician husband. She loves walking in the woods, kayaking on quiet ponds, trying new recipes, and feeding family and friends.

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Disclaimer: this copy of the book was provided by the publisher (St. Martin's Paperbacks) via NetGalley in exchange for an honest review, thank you!