Adia Kelbara and the High Queen's Tomb by Isi Hendrix

Title: Adia Kelbara and the High Queen's Tomb

Series: Adia Kelbara #2
Author: Isi Hendrix
Source/Format: NetGalley; eARC
More Details: Fantasy; Middle Grade
Publisher/Publication Date: Storytide; June 3, 2025

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Synopsis from Goodreads...

The second book in a fast-paced, witty, and bighearted debut Afrofantasy trilogy about a twelve-year-old apprentice in the kitchens at the prestigious Academy of Shamans who must ally with a snarky goddess and a knife-wielding warrior to save her kingdom.

Perfect for fans of Amari and the Night Brothers and The School for Good and Evil!

Adia Kelbara may have defeated the power-hungry god Olark and saved Zaria, but now she must face something even more Her first semester as a student at the Academy of Shamans. As her abilities are tested during orientation, a mysterious affliction causes everyone except for Adia and Thyme to pass out—and a reanimated corpse appears, with a horrifying message. As if that wasn’t bad enough, Emperor Darian sends news that the same phenomenon is happening across the kingdom and that someone is siphoning energy from the living to resurrect corpses, creating cracks between the realms of the living and the dead. Now it will be up to Adia to push her magical abilities to the limit and journey to the tomb of the ancient High Queen in search of answers and a cure for the sleeping sickness besieging Zaria. But rising corpses aren’t the only threats that stand in her way—a new enemy looms, and if Adia can’t defeat them, Zaria may soon become another realm of the dead.

One of my most anticipated sequels of 2025 was Isi Hendrix’s Adia Kelbara and the High Queen’s Tomb, the second entry of the Afrofantasy series. I was more than ready to dive back into the world and see what the author had in-store for the characters.

The tone of this second outing felt far bleaker than the previous entry in the series, which made sense. The danger wasn’t at an end, and the High Queen’s Tomb presented another magical—albeit dark and challenging—journey for the burgeoning shaman. I mean, the dead were literally rising. However, it wasn’t a typical take on zombies. I appreciated how the author developed the situation too, because it was more complex than it first appeared. The consequences made the story into a race against time, and the stakes were considerably raised because of it. But, the prospective danger wasn’t only to the world but also in a personal sense too.

After all, Adia had a lot on her plate. She was dealing with the aftermath (and trauma) left by her experiences fighting against Orlark as well as her complicated feelings over the loss of a friendship. Adia had to learn some VERY hard lessons in the High Queen’s Tomb. With her powers: she needed to understand the responsibility that came with them. With the friendships she’d forged (with Thyme and the emperor, Darian): to better value (and rely) on the people who had her back. And, at the same time, she also had to navigate the changes to the Academy of Shamans.

As far as secondary characters, there were new and familiar faces; unexpected allies, and even shocking betrayals. (Bubbles, the cat, was still adorable.)

Adia Kelbara and the High Queen’s Tomb was an excellent follow-up to the first.

 

About the author....

Isi Hendrix is a Nigerian American children’s book author who has been lucky enough to live and work all over the world, from the Himalayas to the Amazon rainforest, during her past life as an anthropologist. Now she’s based in her hometown of Brooklyn, NY, where she lives with a rotating roster of foster kittens and a stubborn refusal to accept that she is highly allergic to cats. You can find her at www.isihendrix.com.

Disclaimer: this copy of the book was provided by the publisher (Storytide) via NetGalley in exchange for an honest review, thank you! 

Whistle by Linwood Barclay

Title: Whistle

Series: n/a
Author: Linwood Barclay
Source/Format: NetGalley; eARC
More Details: Horror; Paranormal
Publisher/Publication Date: William Morrow; May 20, 2025

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Synopsis from Goodreads...

New York Times bestselling author Linwood Barclay enters new territory with a supernatural chiller in which a woman and her young son move to a small town looking for a fresh start, only to be haunted by disturbing events and strange visions when they find a mysterious train set in a storage shed.

Evil has a one track mind...

Annie Blunt has had an unimaginably terrible year. First, her husband was killed in a tragic hit-and-run accident, then one of the children’s books she’s built her writing and illustrating career on ignited a major scandal. Desperate for a fresh start, she moves with her son Charlie to a charming small town in upstate New York where they can begin to heal. But Annie’s year is about to get worse. Bored and lonely in their isolated new surroundings, Charlie is thrilled when he finds a forgotten train set in a locked shed on their property. Annie is glad to see Charlie happy, but there’s something unsettling about his new toy. Strange sounds wake Annie in the night—she could swear she hears a train, but there isn’t an active track for miles—and bizarre things begin happening in the neighborhood. Worse, Annie can’t seem to stop drawing a disturbing new character that has no place in a children’s book. Grief can do strange things to the mind, but Annie is beginning to think she’s walked out of one nightmare straight into another, only this one is far more terrifying…

After reading King’s The Shining, I was in the mood for another horror novel. Luckily for me, I had Linwood Barclay’s May 2025 novel, Whistle, for review.

Where to even begin with this book?

To start, I liked this one as much as The Shining. But, also like that book, Whistle dealt with some heavy topics, and it was horror through-and-through, but with a twist involving toy trains (which I never thought could be so creepy, but hey, I was proved wrong).

The basics are: Annie Blunt was having a hard time and, in looking for a break, heads out of New York City for what should’ve been a relaxing time so maybe—just maybe—she could work on her next book. Like King’s novel, Barclay’s set up Whistle’s opening really well. It was detailed and engrossing, and it did a lot of heavy lifting when it came to developing Annie, Charlie, and even her late husband. It was easy to be sympathetic in the wake of her grief, and understanding toward her troubles and how she tried to cope as well as keep going because her son needed her. And Charlie’s chapters, though brief by comparison, offered an insight into his perspective. But, the work on the backstory didn’t over stay its welcome, and there were plenty of clues peppered throughout the early narrative which pointed toward what would ultimately be the uncanny and creepy nature of the core of the story.

One of the standouts was Barclay’s treatment of the toy trains. I went in with an open mind. And, as I mentioned above, they weren’t portrayed as a gimmick but instead had a presence in the story that cast a long shadow. They also presented quite a mystery.

Annie, however, wasn’t the only character stuck in that mess. There was the present storyline, which followed her and her son. But, part of the story took place in the past as well; those sections were real foreboding. At times, I knew more than the characters did, but it worked out, because part of what made the novel thrilling, eerie, and a page turner was waiting to see how the different ends of the story would intersect. It was great!

Whistle was exactly what I was hoping it would be. It wasn’t necessarily fast paced, but it was the kind of horror novel that slowly unfolds and was driven by its characters as much as it was by the supernatural aspects that fueled its more frightening moments.

 

About the author....

Linwood Barclay, a New York Times bestselling author with twenty novels to his credit, spent three decades in newspapers before turning full time to writing thrillers. His books have been translated into more than two dozen languages, sold millions of copies, and he counts Stephen King among his fans. Many of his books have been optioned for film and TV, a series has been made in France, and he wrote the screenplay for the film based on his novel Never Saw it Coming. Born in the US, his parents moved to Canada just as he was turning four, and he’s lived there ever since. He lives near Toronto with his wife, Neetha. They have two grown children.

Disclaimer: this copy of the book was provided by the publisher (William Morrow) via NetGalley in exchange for an honest review, thank you! 

A Harvest of Hearts by Andrea Eames

Title: A Harvest of Hearts

Series: n/a
Author: Andrea Eames
Source/Format: NetGalley; eARC
More Details: Fantasy; Romance
Publisher/Publication Date: Erewhon Books; March 4, 2025

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Synopsis from Goodreads...

In the beloved tradition of Howl’s Moving Castle, a whimsical and unforgettable story of fantastic adventure, common sense, and the power of love to overcome the greatest of obstacles . . .

Before Foss Butcher was Snagged, she thought no more of the magic-users than did anyone else in her tiny village. Sometimes gorgeous women in impossible carriages rolled into town and took bits of people’s hearts. Everyone knew hearts fueled their magic. But Foss, plain, clumsy, and practical as a boot, never expected anyone would want hers. True enough, when the only sorcerer in the kingdom stepped from his glossy carriage, he didn’t intend to hook Foss. Sylvester’s riot of black curls and perfectly etched cheekbones caught her eye a moment too long, that was all. Suddenly, Foss is cursed and finds herself stomping toward the grand City to keep his enchanted House, where her only friend is a talking cat and the walls themselves have moods. But as Foss learns the ways of magic, she realizes she’s far from its only unwilling captive. Even Sylvester is hemmed in by spells and threats. It’s said this sorcery protects king, country, and order for thousands. If Foss wants to free herself—and, perhaps, Sylvester—she’ll have to confront it all . . . and uncover the blight nestled in the heart of the kingdom itself.

Andrea Eames’s, A Harvest of Hearts, is compared to Howl’s Moving Castle, which was enough of a hook to sell the story to me. After all, not only did I read Diana Wynn Jones’s novel but I also saw the movie version of Howl’s Moving Castle too. Even so, I wasn’t expecting a retelling or something that held on to its influences too much. And, while you could see where the inspiration was, A Harvest of Hearts is its own story with its own merits. I was thoroughly entertained.

It starts off with Foss, who, like Sophie, had a very low esteem/opinion of herself/worth. And, at first, she viewed the activity of the sorceresses with some distance, figuring she was beneath their notice, until she was snagged, and her personal stakes rose exponentially. It was a good place to start, as it set up a mystery—will she be able to free herself or won’t she—and which gave the story an early push.

Sometimes with romantasy, the plot can get lost behind the romance, which, you know, I get it. Romance first and foremost, which I have nothing against—I’ll pick up a romantasy when I need something lighter or purely distracting to read. However, after reading this book, I’d be cautious about having that expectation when approaching this book. A Harvest of Hearts was whimsical and fairy tale-esque with a talking cat, a strangely living house, and a mercurial sorcerer—which I’ll admit was very Howl’s Moving Castle of the story. However, the romance is very slow burn, and it remained relatively balanced with the plot. And the latter went in directions I wasn’t expecting, as the strange eeriness was further explored, peeling away the veneer and delving into the terrible, gruesome nature of hearts as a form of currency and magic.

I actually liked that about A Harvest of Hearts. The price for magic was an interesting one anyway, and I appreciated how much detail and time was devoted to exploring the context of the setting alongside the relationship between the characters—particularly Foss, the cat, and the sorcerer, Sylvester.

Overall, there was plenty to like about A Harvest of Hearts.

About the author....

Andrea Eames was born in 1985. She was brought up in Zimbabwe, where she attended a Jewish school for six years, a Hindu school for one, a Catholic convent school for two and a half, and then the American International School in Harare for two years. Andrea's family moved to New Zealand in 2002. Andrea has worked as a bookseller and editor and now lives in Austin, Texas with her husband.

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Disclaimer: this copy of the book was provided by the publisher (Erewhon Books [Kensington]) via NetGalley in exchange for an honest review, thank you! 

The Witless Protection Program by Maria DiRico

Title: The Witless Protection Program
Series: Catering Hall Mystery #5
Author: Maria DiRico
Source/Format: Purchased; Mass Market Paperback
More Details: Cozy Mystery
Publisher/Publication Date: Kensington; March 26, 2024

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Synopsis from Goodreads...

Mia Carina has steered her Italian-American family’s Astoria, Queens, catering hall, Belle View Banquet Manor, into becoming the borough’s premiere party site, and nothing could make her happier—except her boyfriend proposing. There’s just one presumed-dead obstacle in the way . . .

A strong, independent woman and respected entrepreneur, Mia never imagined she’d pine for a marriage proposal. Yet lately, with her beloved Shane, she’s on tenterhooks. It’s especially surprising, considering Mia’s first husband, Adam, was a philandering grifter, assumed lost-at-sea after a boating disaster. But everyone knows what happens when you assume . . . While working a huge wedding expo in Manhattan, Mia is shocked to spot the man who nearly destroyed her life. The one who’s supposed to be sleeping with the fishes. But she loses him in the crowd. And when it happens again the next day, it’s time for an emergency meeting with the family—and the Family . Because if Adam is alive, Mia is still married . . .Everyone wants Adam dead. Everyone except Mia. She’s dealt with enough police for a lifetime. Mia needs to be a divorcée, not a widow. But someone out there disagrees, and if Mia doesn’t discover who, she may never be free to marry Shane—or anyone else . . .

While compiling a list of 2025 books I wanted to read, I decided to check a couple of the series I was reading and discovered the next book of Maria DiRico’s Catering Hall Mystery series had come out in March of 2024. Titled The Witless Protection Program, it turned out to be the first book I read in the New Year.

The Witless Protection Program felt like a definitive conclusion. It began with a full circle kind of moment, essentially where (or with whom) the series started: with Mia spotting who she believed to be the husband who had vanished (and was presumed dead) after wrecking her life, which, if she was right, presented a variety of challenges for her future plans. As far as cozy mysteries go, it was a page-tuner. There was a lot of “why” and “how,” which needed to be answered, and DiRico did a good job of establishing the circumstances which brought these characters to this point—where tempers threatened to boil over with each new and terrible revelation of just who Mia had been entangled with. She had her family and a solid support system of people willing to go to bat for her as well as a partner who was always in her corner. And they were there every step of the way, as she navigated one of the more personal mysteries of the series. All the while, the story managed to bring together the other threads of the overarching plot and relationship arcs into a somewhat chaotic but also satisfying end.

As an aside, if you’re like me and interested in all of the delicious food the character ate, then you’ll find four recipes in the back of the book, including one for Ricotta Sugar Cookies.

 

Short Stories: The Wood at Midwinter by Susanna Clarke illustrated by Victoria Sawdon

I'm taking a brief break from the usual format of Short Stories, to take a look at the new Susanna Clarke story, The Wood a Midwinter, illustrated by Victoria Sawdon.

Title: The Wood at Midwinter
Series: n/a
Author/Illustrator: Susanna Clarke; Victoria Sawdon
Source/Format: Purchased; Hardcover
More Details: Fantasy; Short Story
Publisher/Publication Date: Bloomsbury Publishing; October 20, 2024

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Synopsis from Goodreads...

From the internationally bestselling and prize-winning author of Piranesi and Jonathan Strange & Mr Norrell, an enchanting, beautifully illustrated short story set in the Strange universe.

"A church is a sort of wood. A wood is a sort of church. They're the same thing really."

Nineteen-year-old Merowdis Scott is an unusual girl. She can talk to animals and trees - and she is only ever happy when she is walking in the woods. One snowy afternoon, out with her dogs and Apple the pig, Merowdis encounters a blackbird and a fox. As darkness falls, a strange figure enters in their midst - and the path of her life is changed forever.

As my Short Story intro above says, I’m taking a break from the typical format to look at Susanna Clarke’s short story, The Wood at Midwinter, illustrated by Victoria Sawdon. I was very excited to pick this one up, considering how much I adored Piranesi—and I’m slowly working my way through Jonathan Strange and Mr. Norwell, which has, so far, been as entertaining as I’d hoped. But, I digress, this post is about The Wood at Midwinter.

A woman, Merowdis, sits in a forest at midwinter, which was, now that I think about it, very fairy tale-esque of her. She talks to animals, to the bugs, and even to the trees; her loyal animals and, as the title suggests, the wood at midwinter. It’s a conversation between all of them, wherein she laments about her life, what she doesn’t wish to do, and admits to what she desperately wants to have and hold—regardless of the consequences and what she might have to give up to have it. And in a story with a setting like this one, with a quietly magical atmosphere, anything was possible.

The Wood at Midwinter is short but still a delightful little story with an enigmatic character and a wintery backdrop, which featured a nice visual aspect accompanying the prose with Sawdon’s illustrations.

We Shall Be Monsters by Alyssa Wees

Title: We Shall Be Monsters 

Series: n/a
Author: Alyssa Wees
Source/Format: NetGalley; eARC
More Details: Fantasy
Publisher/Publication Date: Del Rey; November 12, 2024

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Synopsis from Goodreads...

A dark, lyrical fantasy blending the world of the Fae with the stories mothers tell to keep their daughters safe - and the consequences of disregarding the truth, no matter how sinister.

Gemma lives with her mother in an isolated antique shop in Michigan, near a small patch of woods that conceals an enchanted gateway to fairyland. She knows she's not supposed to go into the woods - her mother Virginia has warned her multiple times about the monsters that lurk there - and yet defiantly, curiously, she goes anyway. Virginia understands her daughter's defiance. She knows the lure of the woods all too well. Her own mother warned her about the monsters that resided there, and she also did not listen. Until a witch cursed her true love, Ash - Gemma's father - into the form of a beast in the days before Gemma's birth. And if Virginia cannot break the curse before her daughter turns fifteen, Ash will eat Virginia's heart and Gemma will belong to the witch. So Virginia will do whatever she can to protect her daughter - even if it means stealing Gemma's memories away. But everything changes when Gemma inadvertently gets too close to the truth, and the witch steals Virginia away instead. Now it is up to Gemma to venture deep into Fae lands to try and rescue her mother and break the curse.

Told in alternating viewpoints between Gemma and Virginia, this lyrical novel is not only a tale of a girl's fantastical quest through a darkly magical fairyland, but also an examination of the complex bonds of love and resentment that lie between parents and their children.

Some of my favorite fantasy tropes include fairies (or fey equivalent) and woods that may or may not be friendly. Novik’s Uprooted and Spinning Silver come to mind, as well as Ava Reid’s A Study in Drowning, which is why I was drawn to the new Alyssa Wees novel, We Shall Be Monsters.

We Shall Be Monsters had fairies, monsters, and an antique shop wrapped up in a story about mothers and daughters and the three generations that have lived next to and seen the good as well as the worst the nearby woods have to offer. Oh, and the breaking of curses and the unraveling of long held secrets. So when the synopsis called this book a “dark, lyrical fantasy,” that description is accurate. We Shall Be Monsters has its whimsical and magical moments, but it was, at its heart, a darker story that, at times, felt much closer to horror. The woods were eerie, dangerous, and inhabited by fairies and other creatures, some friendly, some who offered dubious ties, or even those that were entirely driven by appetite or greed. There was also imagery of body related horror. However, those aspects worked well, since part of what the book tackled overall was the question of what truly makes a monster; and explored the divide between a hero and a killer. The characters made mistakes and payed for them, but they also learned from them. In that regard, We Shall Be Monsters is a nuanced story, and the characters that inhabited the pages were just as complicated.

Generally, I liked how Wees handled the viewpoints. It was first person, but Gemma and her mother, Virginia, each had quirks in the way they were written, which made it easy to tell them apart.

Gemma, like her mother and grandmother before her, was fascinated by the woods and didn’t recognize the danger posed by it, before she was confronted with the truth and tasked with a dangerous quest. Virginia was stuck in the past, figuratively and literally. Her history had everything to do with the issues that arose in the current timeline of the book, affecting not only her, but her daughter as well.

We Shall Be Monsters was, at the end of the day, right up my alley, and I recommend it to anyone looking for a dark fantasy story.

 

About the author....

Alyssa Wees is the acclaimed author of The Waking Forest and Nocturne. She grew up writing stories about her Beanie Babies in between ballet lessons. She earned a BA in English from Creighton University and an MFA in fiction writing from Columbia College Chicago. Currently she works as an assistant librarian in youth services at an awesome public library. She lives in the Chicagoland area with her husband and their two cats.

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Disclaimer: this copy of the book was provided by the publisher (Del Rey) via NetGalley in exchange for an honest review, thank you! 

The City in Glass by Nghi Vo

Title: The City in Glass

Series: n/a

Author: Nghi Vo
Source/Format: NetGalley; eARC
More Details: Fantasy
Publisher/Publication Date: TorDotCom; October 1, 2024

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Synopsis from Goodreads...

In this new standalone, Hugo Award-winning author Nghi Vo introduces a beguiling fantasy city in the tradition of Calvino, Mieville, and Le Guin.

A demon. An angel. A city that burns at the heart of the world.

The demon Vitrine—immortal, powerful, and capricious—loves the dazzling city of Azril. She has mothered, married, and maddened the city and its people for generations, and built it into a place of joy and desire, revelry and riot. And then the angels come, and the city falls. Vitrine is left with nothing but memories and a book containing the names of those she has lost—and an angel, now bound by her mad, grief-stricken curse to haunt the city he burned. She mourns her dead and rages against the angel she longs to destroy. Made to be each other’s devastation, angel and demon are destined for eternal battle. Instead, they find themselves locked in a devouring fascination that will change them both forever. Together, they unearth the past of the lost city and begin to shape its future. But when war threatens Azril and everything they have built, Vitrine and her angel must decide whether they will let the city fall again.

The City in Glass is both a brilliantly constructed history and an epic love story, of death and resurrection, memory and transformation, redemption and desire strong enough to burn a world to ashes and build it anew.

Nghi Vo’s, The Singing Hills Cycle, is one of my favorite series, so I was interested in checking out her latest story, The City in Glass. Essentially, this is a tale about a ruined city that might rise again from its ashes, a demon, an angel, and the strange tumultuous sort-of fascination/love story between the two.

The City in Glass was engaging from the very first page. It begins with a revelry, the fall of the city, and the demon, Vitrine’s effort to rebuild what she lost. Despite the book’s short length, the actual timespan of the story was hundreds of years with sporadic time skips, which sometimes spanned as long as decades. The book was written incredibly well and with enough detail to give the characters—particularly Vitrine—and Azril a rich history.

A large part of the book was dedicated to—and lingered on—Vitrine’s grief as well as her memories of the people and the place she’d lost. During these flashbacks, it was clear how much she’d loved the city of Azril, following generations of families, shaping the place into what it was before everything ended, like a gardener. Her grief was, for lack of better terms, consuming, and The City in Glass allowed Vitrine to go through these stages. It was messy—she was prone to giving into her rage, lashed out, and wanted to be left alone with memories and ghosts—but it drove home the devastation. The way she wanted to linger in the past reminded me of a short story I read earlier this year (Something Small Enough to Ask For by Anamaria Curtis), and the lesson for that main character was ultimately a similar one. Stay in the past or finally move forward? As character arcs go, Vitrine’s was a good one.

One avenue that I was pretty undecided on (and still am), was how the relationship landed, whether it worked as well as some of the other aspects of The City in Glass or not—especially with the way the story ended. On one hand, I understand Vitrine had to work through her grief and come to terms with the angel’s role in it. While on the other hand, some of the angel and Vitrine’s best moments were when they communicated, when there was this push-and-pull albeit with a sense of burgeoning closeness and understanding (even frustration and anger) with each other. However, I wish there had been more of it, or at least a little more of the angel’s perspective on the situation, particularly before the end.

Despite how conflicted I was about the aforementioned, it wasn’t bad actually. In fact, The City in Glass was thoroughly engaging and enjoyable, and I know I’ll be thinking about it for a long time.

 

About the author....

Nghi Vo is the author of the novels Siren Queen and The Chosen and the Beautiful, as well as the acclaimed novellas of the Singing Hills Cycle, which began withThe Empress of Salt and Fortune. The series entries have been finalists for the Locus Award and the Lambda Literary Award, and have won the Crawford Award, the Ignyte Award, and the Hugo Award. Born in Illinois, she now lives on the shores of Lake Michigan. She believes in the ritual of lipstick, the power of stories, and the right to change your mind.

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Disclaimer: this copy of the book was provided by the publisher (TorDotCom) via NetGalley in exchange for an honest review, thank you! 

Haunt Sweet Home by Sarah Pinsker

Title: Haunt Sweet Home

Series: n/a
Author: Sarah Pinsker
Source/Format: NetGalley; eARC
More Details: Paranormal; Novella
Publisher/Publication Date: TorDotCom; September 3, 2024

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Synopsis from Goodreads...

On the set of a kitschy reality TV show, staged scares transform into unnerving reality in this spooky ghost story from multiple Hugo and Nebula Award-winning author Sarah Pinsker.

“Don’t talk to day about what we do at night.”

When aimless twenty-something Mara lands a job as the night-shift production assistant on her cousin’s ghost hunting/home makeover reality TV show Haunt Sweet Home, she quickly determines her new role will require a healthy attitude toward duplicity. But as she hides fog machines in the woods and improvises scares to spook new homeowners, a series of unnerving incidents on set and a creepy new coworker force Mara to confront whether the person she's truly been deceiving and hiding from all along―is herself.

Eerie and empathetic, Haunt Sweet Home is a multifaceted, supernatural exploration of finding your own way into adulthood, and into yourself.

I’ve mentioned SurrealEstate on the blog before. Well, its second season had an episode that was essentially a parody (or recreation) of a ghost hunting show. It was comedic but also told a heartfelt story about the fictional show’s host, a parallel to the interpersonal arc of Luke Roman. The concept was simple: manufactured haunting on a niche show that inevitably encounter a scenario outside of their control. So I’m more than familiar with a setup like that, which was why I was looking forward to Sarah Pinsker’s latest, a novella called Haunt Sweet Home.

It’s no secret: I like house stories (or stories involving houses). It’s why a show like SurrealEstate was so appealing, and Haunt Sweet Home fell into that same category. It combined home renovation and supposedly haunted properties into the titular show, while also shaping up into a narrative of self-discovery for the story’s main character, Mara Billings.

Mara started things but never committed; she often thought of herself as the black sheep of her family and was uncertain of her future and struggled with building connections with others. So when she gets the opportunity to work for her cousin’s niche show as a production assistant for the night crew, she’s hopeful it’ll be the thing to stick. It wasn’t an easy job. However, half the fun of the story for the reader, was watching the scenarios unfold/ the show being filmed as well as how Mara would handle being so far outside of her element, with a secondary cast also navigating a cut throat environment. Mara was sympathetic but also at times abrasive. However, I liked the nuance of Pinsker’s characterization of Mara. She almost haunted the narrative, even when she wasn’t fulfilling the role of a ghost. So when the inevitable confrontation happens, the proverbial shoe drop, when she could no longer run from herself, the emotional payoff was just chef’s kiss.

In Haunt Sweet Home the houses were secondary while much of the page space was devoted to a great ghost story and an exceptional character exploration. I highly recommend this one!

 

About the author....

Sarah Pinsker is the author of over fifty works of short fiction, two novels, and one collection. Her work has won four Nebula Awards (Best Novel, A Song For A New Day; Best Novelette, "Our Lady of the Open Road," Best Novelette, "Two Truths And A Lie," Best Short Story, "Where Oaken Hearts Do Gather,"), two Hugo Awards ("Two Truths And a Lie" and "Where Oaken Hearts Do Gather"), the Philip K Dick Award, the Locus Award, the Eugie Foster Award, and the Theodore Sturgeon Award, and been nominated for numerous Nebula, Hugo, Locus, and World Fantasy Awards. Her fiction has been published translated into almost a dozen languages and published in magazines including Asimov's, Strange Horizons, Fantasy & Science Fiction, and Uncanny and in many anthologies and year's bests. Sarah's first collection, the Philip K Dick Award winning Sooner or Later Everything Falls Into the Sea: Stories, was published by Small Beer Press in March 2019, and her first novel, A Song For A New Day, was published by Penguin/Random House/Berkley in September 2019. Her latest book is We Are Satellites, published in May 2021. Her second collection, Lost Places, will be published by Small Beer Press in March 2023. She is also a singer/songwriter with four albums on various independent labels (the third with her rock band, the Stalking Horses). She lives in Baltimore, Maryland and can be found online at sarahpinsker.com and twitter.com/sarahpinsker.

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Disclaimer: this copy of the book was provided by the publisher (TorDotCom) via NetGalley in exchange for an honest review, thank you! 

Give Me Something Good To Eat by D.W. Gillespie

Title: Give Me Something Good to Eat

Series: n/a 
Author: D.W. Gillespie
Source/Format: NetGalley; eARC
More Details: Middle Grade; Horror
Publisher/Publication Date: Delacorte Press; August 13, 2024

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Synopsis from Goodreads...

Perfect for fans of Hocus Pocus and Stranger Things, this middle grade debut tells the story of a boy who travels into an alternate version of his Halloween-obsessed town to save his sister from an evil witch and free the town from the witch’s curse. 

Fear comes home.Welcome to Pearl, a town obsessed with the spooky decorations, the costumes, the candy. No one seems to notice that every October 31st, a kid goes missing. Mason Miller does, though. Somehow he’s the only one who has any memory the person existed at all.When Mason’s sister, Meg, vanishes while they’re trick-or-treating, Mason and his friends are pulled into an underworld where monsters roam the streets. They need to fight the evil taking over Pearl, but none of them know the true danger they're facing.Meg has been stolen by a witch who has no plans to let her go. Shadows of death curl around trees and behind doorways as Mason must use every ounce of bravery he has . . . or be haunted forever with the memory of a sister that only he remembers.

Living in a town like Pearl, which is obsessed with Halloween, seems like it should be fun, at least in theory anyway. Well, that gets put into frightening perspective in D.W. Gillespie’s new middle grade horror novel, Give Me Something Good to Eat. Billed as perfect for fans of Stranger Things and Hocus Pocus, the story is a magical and nightmarish foray into spells, monsters, and what is functionally a curse lurking under the veneer of what should be all fun and games.

Mason Miller has something better and more important to do than take his little sister, Meg, trick-or-treating. Kids are going missing, and he’s one of the few who remembers. So he enlists the help of his closest friend, Serge. And Meg just wants her brother to go back to how he used to be. Most of the character motivations were simple. Mason wants to be the hero of the story, but his drive to solve the mystery is also far more personal. Serge wants to help out his best friend, while juggling Halloween night and a crush. Meg just wants to have fun and is annoyed when the night isn’t turning out how she wanted. It set up a tense dynamic, which offered an opening to the villains of story. It was, effectively, all about cause and effect, despite the good intentions of the character’s involved—they were just kids, and mistakes were bound to happen.

The Stranger Things and Hocus Pocus comparison is apt. The story, very early on, felt like an echo to the start of the film, while the TV show’s comparison won’t make much sense until after the story takes off, and Meg winds up being the next kid to vanish on Halloween night. That in itself provided one of the more intense sequence of scenes in the novel, where the anxiety, fear, and frustration was almost palpable—but it was only the start. The pop culture references aren’t what make the story. Instead its Gillespine’s spin on the monster genre and creative usage of spells and magic—as well as how intrinsically it was linked to the underlying horror, tension, and stakes of Give Me Something Good to Eat—that does.

Give Me Something Good to Eat is another good foray into middle grade horror, and I would recommend it to those who have enjoyed books like It Came From the Trees by Ally Russell and Bumps in the Night by Amalie Howard.

 

About the author....

A long time fan of all things dark and spooky, D.W. Gillespie began writing monstrous stories while still in grade school. At one point, his mother asked the doctor if there was anything she should be concerned about, and he assured her that some kids just like stories about decapitations. He's been writing on and off for over a decade, quietly building a body of work that includes horror and dark sci-fi. His novels include Still Dark, The Toy Thief, and a short story collection titled Handmade Monsters. He lives in Tennessee with his wife and two kids, all three of which give him an endless supply of things to write about

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Disclaimer: this copy of the book was provided by the publisher (Delacorte Press) via NetGalley in exchange for an honest review, thank you! 

Holly Horror: The Longest Night by Michelle Jabès Corpora

Title: Holly Horror: The Longest Night

Series: Holly Horror #2
Author: Michelle Jabès Corpora
Source/Format: NetGalley; eARC
More Details: Young Adult; Horror; Paranormal
Publisher/Publication Date: Penguin Workshop; August 13, 2024

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Synopsis from Goodreads...

In this terrifying sequel, Evie Archer and her friends face a new evil ready to devour their town whole.

Find him, find me. It's been two weeks since Evie escaped the mines after solving the mystery of Holly's disappearance only to discover that Desmond followed her but never came back. Evie knows he’s alive, lost wherever the Patchwork Girl resides. When Evie tries to reach out to Holly again for help, she realizes that her connection to the Lost Girl—and the shadow world itself—has been severed. Desmond is gone, and it’s all her fault. Ravenglass slowly begins to move on from the tragedy of losing Desmond, but as winter creeps closer and the days grow shorter, a sinister being begins to threaten the lives of Ravenglass residents, stealing them away and bringing them back different. Wrong.Evie knows that the only way to stop it is to connect to Holly again. With the help of her friend Tina, and the troubled newcomer Sai, Evie begins to follow the clues Holly left behind, determined to find the Lost Girl once more, at any cost.

I read Holly Horror last year. And while it was a good story overall—and relatively self-contained—by the end there were still some lingering mysteries as well as the massive curveball thrown by the cliffhanger. As the saying goes, out of the oven and into the frying pan. So its sequel, titled Holly Horror: The Longest Night, was near the top of my list of sequels releasing in 2024. And it’s one of my favorites too.

Holly Horror: The Longest Night took what I liked about the previous installment and carried it over into Evie Archer’s second adventure, which pitted her against the shadowy and menacing forces buried beneath the town of Ravenglass.

Part of The Longest Night had aspects of a coming of age story, where Evie had to confront her past—her strained relationship with her father as well as her history with Holly Hobbie and Sarah Flower. She had a lot to work through in her personal life too. She was dealing with grief and guilt, which was tangled with the fallout from Holly Horror’s ending. And, considering how, in the previous book, she’d erroneously assigned blame to herself for the collapse of her family. She’d had this habit of hiding her emotions as well as her distrust of those who she should’ve been able to confide in the most, and it had opened her up to supernatural manipulation. In The Longest Night, enough time was devoted to fully exploring and resolving the complicated nature of Evie’s familial ties and her relationship to the abilities she was just beginning to accept. Her character arch is one of my favorite parts of this story.

On the other hand, the story had this creeping sense of dread, which was always in the background casting a shadow (both literally and figuratively) over the events of the story. One of the pivotal characters of these books, Desmond King, was missing. And the story was, ultimately, something of a race against time. And it was the case: Would they be able to save him or not? I knew something bad was going to go down, and it was about seeing when and how the shoe was going to drop. And Corpora did this to great effect, subtly building a mystery full of secrets around the spookiest aspects of The Longest Night.

The ending was effective with resolving the above mentioned mysteries, and even offered clarity to the tragedy that had given Hobbie House its nickname. Suffice it to say, the questions Holly Horror had left behind were more than answered in its sequel.

So, I got everything I was looking for out of Holly Horror: The Longest Night. It works as a sequel, and sufficiently wrapped up the story in a way that was satisfying for the mystery as well as the characters. And, if you’ve read Holly Horror, then this one is a must read.

 

About the author....

Michelle Jabès Corpora is a writer, editor, and martial artist. In addition to working in the publishing industry for more than seventeen years as an editor and concept developer, she is the author of two historical novels for middle grade readers, two horror novels for young adult readers, and soon-to-be the author of the Children of Khetara fantasy series for Young Adults. She has also ghostwritten five novels in a long-running middle grade mystery series. In her spare time, Michelle trains in Brazilian Jiu-Jitsu as a blue belt at Crazy 88 MMA, and enjoys making home-cooked meals, doing tarot readings, and playing Dungeons & Dragons with her friends. Michelle lives in Maryland with her husband, two daughters, two guinea pigs, and a dog named Charlie.

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Disclaimer: this copy of the book was provided by the publisher (Penguin Workshop) via NetGalley in exchange for an honest review, thank you! 

Bumps in the Night by Amalie Howard

Title: Bumps in the Night

Series: n/a
Author: Amalie Howard
Source/Format: NetGalley; eARC
More Details: Fantasy; Middle Grade
Publisher/Publication Date: Delacorte Press; February 20, 2024

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Synopsis from Goodreads...

The middle grade horror debut from USA Today bestselling author Amalie Howard in which a girl stays with her grandmother in Trinidad for the summer and discovers that she comes from a long line of witches.

Thirteen-year-old Darika Lovelace is in big trouble. The kind of trouble that means she’s being sent off to her grandmother in the Caribbean. She should be grateful, but instead she’s angry. Angry at her dad and step-mom for sending her away for an entire summer. Angry at her mom who went away and never came back. But the island is definitely not what she remembers! The minute she steps off the plane, strange things start happening, including being stalked by a baby iguana. When she meets a ragtag group of children on her Granny’s estate, she knows they are not what they seem, but after they promise to take her to her long-lost mom, she leaps at the chance. Thrust into an incredible adventure involving strange monsters, a supernatural silk cotton tree, and a mysterious maze, soon the truth about her unique magical roots comes to light. She’s the island’s only hope, but unless she learns to believe in magic, all will be lost.

Amalie Howard’s Bumps in the Night is a new middle grade fantasy adventure set in the Caribbean. There’s folklore, mystery, and endearing characters that, along the way, learn valuable lessons about teamwork, the environment, and importantly about themselves.

There felt like two discernable parts to the story.

In the beginning, we’re introduced to Darika Lovelace, who has landed herself in hot water and is sent to stay with her grandmother for the summer, in Trinidad. She doesn’t want to like where she is; not the people, food, or places—because she doesn’t want to enjoy herself. For the first hundred pages or so, some of the story can come across slightly repetitive with how much she denies what she sees. However, I understood what Howard was trying to do with her character, because Darika had internalized a lot of false concepts about herself—often feeling lonely, abandoned, and as if she isn’t really being heard. Even though she was surrounded by people who still cared and loved her, it was the absence of her mother—the mystery surrounding it, and the evasiveness of the adults in her life—that negatively affected her in a very significant way. This, arguably, had an effect on the way she dealt with the others as well as the obstacles thrown her way—particularly in situations she was woefully unprepared to deal with. It was a good scenario to begin with, though.

In the second half, all the groundwork—the clues, the strange and magical instances—starts to pay off, and the fantasy adventure arrives in full force. This is one of the areas where Bumps in the Night excels (for me at least), and I flew through the rest of the story. Mazes are obstacle-laden fun, especially when they’re done well. This one was a good one.

So in Bumps in the Night there were big concepts with higher, world ending, consequences. But the journey the main character, Darika, had to undertake was never far from sight either. There was a good balance between the two, and the overall story is as fun as it was meaningful. I highly recommend Bumps in the Night.

About the author....

AMALIE HOWARD is a USA Today and Publishers Weekly bestselling author. Always Be My Duchess was one of Cosmopolitan’s 30 Best Romance Books of 2022 and The Beast of Beswick was one of Oprah Daily’s 24 Best Historical Romance Novels to Read. She is also the author of several award-winning young adult novels. Her recent YA release Queen Bee was called “A true diamond of the first water” by ALA Booklist. Her books have been featured in The Hollywood Reporter, Entertainment Weekly, and Seventeen Magazine. When she’s not writing, she can usually be found reading, being the president of her one-woman Harley Davidson motorcycle club, or power-napping. She lives in Colorado with her family.

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Disclaimer: this copy of the book was provided by the publisher (Delacorte Press) via NetGalley in exchange for an honest review, thank you!