Showing posts with label eARC. Show all posts
Showing posts with label eARC. Show all posts

Tuesday, September 23, 2025

Why I Love Horror: Essays on Horror Literature edited by Becky Siegel Spratford

Title: Why I Love Horror: Essays on Horror Literature
Series: n/a
Author: various
Edited by: Becky Siegel Spratford
Source/Format: NetGalley; eARC
More Details: Nonfiction; Essays; Horror
Publisher/Publication Date: S&S/Saga Presse; September 23, 2025

Goodreads 

Synopsis from Goodreads...
A love letter to the horror genre from many of the most influential and bestselling authors in the industry.

For twenty-five years, Becky Siegel Spratford has worked as a librarian in Reader Advisory, training library workers all over the world on how to engage their patrons and readers, and to use her place as a horror expert and critic to get the word out to others; to bring even more readers into the horror fold. Why I Love Horror is a captivating anthology and heartfelt tribute to the horror genre featuring essays from several of the most celebrated contemporary horror writers including, Grady Hendrix, Paul Tremblay, Stephen Graham Jones, Josh Malerman, Victor LaValle, Tananarive Due, and Rachel Harrison.

I generally treat horror like I would any other genre by reading whatever catches my attention. For example, some of my favorite novels I’ve read this year include Linwood Barclay’s Whistle and Steven King’s The Shining. So a book that is a collection of essays from some of the best horror writers in the industry, which asks them to address the titular topic of why they love the genre? Okay, sign me up.

Why I Love Horror: Essays on Horror Literature is a collection of eighteen, candid essays with an introduction by Sadie Hartman and remarks from Spratford (which gave a rundown on her career and explained the roots of the project). The essays (from authors like Victor LaValle, Rachel Harrison, Stephen Graham Jones, Cynthia Pelayo, and Tananarive Due among others) recounts inspirations, stories from their childhood, what the genre means to them/how it’s changed their lives, to even personal pieces that delved into some pretty dark corners. But, the essays always returned to the beating heart of the collection (why horror? why not another genre?).

The synopsis bills this as “a love letter to the horror genre,” and I agree with that statement wholeheartedly.

Disclaimer: this copy of the book was provided by the publisher (S&S/Saga Press) via NetGalley in exchange for an honest review, thank you! 

Tuesday, August 19, 2025

Hemlock & Silver by T. Kingfisher

Title: Hemlock & Silver
Series: n/a
Author: T. Kingfisher
Source/Format: NetGalley; eARC
More Details: Fantasy; Retelling
Publisher/Publication Date: Tor Books; August 19, 2025

Goodreads 

Synopsis from Goodreads...
From New York Times bestselling and Hugo Award-winning author T. Kingfisher comes Hemlock & Silver, a dark reimagining of “Snow White” steeped in poison, intrigue, and treason of the most magical kind...

Healer Anja regularly drinks poison. Not to die, but to save—seeking cures for those everyone else has given up on. But a summons from the King interrupts her quiet, herb-obsessed life. His daughter, Snow, is dying, and he hopes Anja’s unorthodox methods can save her. Aided by a taciturn guard, a narcissistic cat, and a passion for the scientific method, Anja rushes to treat Snow, but nothing seems to work. That is, until she finds a secret world, hidden inside a magic mirror. This dark realm may hold the key to what is making Snow sick. Or it might be the thing that kills them all.


When it comes to T. Kingfisher’s novels, I’ve always been interested, but I’ve never taken the plunge until Hemlock & Silver.

I’m all for a good retelling, and Kingfisher’s latest scratched that particular itch with an imaginative rework of Snow White. While it wasn’t a one-to-one reimagining (and I wasn’t expecting it to be), the story pulled details from the classic tale and wove them around Anja.

Honestly, Anja reminded me of the main character of The Apothecary Diaries. She was aloof, not a people person, and she had this, like, hyper-focus on exploring poisons and remedies (it was her forte). She was smart, to a certain degree, but there were limitations to her perspective, because, for the aforementioned reasons, she could overlook some things.

She was in a situation that required dealing with a multitude of people as well as their expectations and understanding of social conventions. But, don’t expect too much court intrigue, because the story was centered on unraveling the mystery behind the cause of Snow’s illness. The situation wasn’t straightforward. There was complexity to the “how” and “why” things occurred, and I loved how the story came together in the end.

Hemlock & Silver was the first T. Kingfisher novel I’ve ever read, and it certainly won’t be the last.
 
About the author....
Ursula Vernon, aka T. Kingfisher is the author and illustrator of far more projects than is probably healthy. She has written over fifteen books for children, at least a dozen novels for adults, an epic webcomic called “Digger” and various short stories and other odds and ends. The daughter of an artist, she spent her youth attempting to rebel, but eventually succumbed to the siren song of paint (although not before getting a degree in anthropology.) Ursula grew up in Oregon and Arizona, went to college at Macalester College in Minnesota, and stayed there for ten years, until she finally learned to drive in deep snow and was obligated to leave the state. Having moved across the country several times, she eventually settled in New Mexico, where she works full-time as an artist and creator of oddities. She lives with her husband and his chickens.
Disclaimer: this copy of the book was provided by the publisher (Tor Books) via NetGalley in exchange for an honest review, thank you! 

Wednesday, March 5, 2025

A Harvest of Hearts by Andrea Eames

Title: A Harvest of Hearts
Series: n/a
Author: Andrea Eames
Source/Format: NetGalley; eARC
More Details: Fantasy; Romance
Publisher/Publication Date: Erewhon Books; March 4, 2025

Goodreads     Amazon     Barnes & Noble

Synopsis from Goodreads...
In the beloved tradition of Howl’s Moving Castle, a whimsical and unforgettable story of fantastic adventure, common sense, and the power of love to overcome the greatest of obstacles . . .
Before Foss Butcher was Snagged, she thought no more of the magic-users than did anyone else in her tiny village. Sometimes gorgeous women in impossible carriages rolled into town and took bits of people’s hearts. Everyone knew hearts fueled their magic. But Foss, plain, clumsy, and practical as a boot, never expected anyone would want hers. True enough, when the only sorcerer in the kingdom stepped from his glossy carriage, he didn’t intend to hook Foss. Sylvester’s riot of black curls and perfectly etched cheekbones caught her eye a moment too long, that was all. Suddenly, Foss is cursed and finds herself stomping toward the grand City to keep his enchanted House, where her only friend is a talking cat and the walls themselves have moods. But as Foss learns the ways of magic, she realizes she’s far from its only unwilling captive. Even Sylvester is hemmed in by spells and threats. It’s said this sorcery protects king, country, and order for thousands. If Foss wants to free herself—and, perhaps, Sylvester—she’ll have to confront it all . . . and uncover the blight nestled in the heart of the kingdom itself.


Andrea Eames’s, A Harvest of Hearts, is compared to Howl’s Moving Castle, which was enough of a hook to sell the story to me. After all, not only did I read Diana Wynn Jones’s novel but I also saw the movie version of Howl’s Moving Castle too. Even so, I wasn’t expecting a retelling or something that held on to its influences too much. And, while you could see where the inspiration was, A Harvest of Hearts is its own story with its own merits. I was thoroughly entertained.

It starts off with Foss, who, like Sophie, had a very low esteem/opinion of herself/worth. And, at first, she viewed the activity of the sorceresses with some distance, figuring she was beneath their notice, until she was snagged, and her personal stakes rose exponentially. It was a good place to start, as it set up a mystery—will she be able to free herself or won’t she—and which gave the story an early push.

Sometimes with romantasy, the plot can get lost behind the romance, which, you know, I get it. Romance first and foremost, which I have nothing against—I’ll pick up a romantasy when I need something lighter or purely distracting to read. However, after reading this book, I’d be cautious about having that expectation when approaching this book. A Harvest of Hearts was whimsical and fairy tale-esque with a talking cat, a strangely living house, and a mercurial sorcerer—which I’ll admit was very Howl’s Moving Castle of the story. However, the romance is very slow burn, and it remained relatively balanced with the plot. And the latter went in directions I wasn’t expecting, as the strange eeriness was further explored, peeling away the veneer and delving into the terrible, gruesome nature of hearts as a form of currency and magic.

I actually liked that about A Harvest of Hearts. The price for magic was an interesting one anyway, and I appreciated how much detail and time was devoted to exploring the context of the setting alongside the relationship between the characters—particularly Foss, the cat, and the sorcerer, Sylvester.

Overall, there was plenty to like about A Harvest of Hearts.

About the author....
Andrea Eames was born in 1985. She was brought up in Zimbabwe, where she attended a Jewish school for six years, a Hindu school for one, a Catholic convent school for two and a half, and then the American International School in Harare for two years. Andrea's family moved to New Zealand in 2002. Andrea has worked as a bookseller and editor and now lives in Austin, Texas with her husband.

Disclaimer: this copy of the book was provided by the publisher (Erewhon Books [Kensington]) via NetGalley in exchange for an honest review, thank you! 

Wednesday, November 13, 2024

We Shall Be Monsters by Alyssa Wees

Title: We Shall Be Monsters 
Series: n/a
Author: Alyssa Wees
Source/Format: NetGalley; eARC
More Details: Fantasy
Publisher/Publication Date: Del Rey; November 12, 2024

Goodreads     Amazon     Barnes & Noble

Synopsis from Goodreads...
A dark, lyrical fantasy blending the world of the Fae with the stories mothers tell to keep their daughters safe - and the consequences of disregarding the truth, no matter how sinister.

Gemma lives with her mother in an isolated antique shop in Michigan, near a small patch of woods that conceals an enchanted gateway to fairyland. She knows she's not supposed to go into the woods - her mother Virginia has warned her multiple times about the monsters that lurk there - and yet defiantly, curiously, she goes anyway. Virginia understands her daughter's defiance. She knows the lure of the woods all too well. Her own mother warned her about the monsters that resided there, and she also did not listen. Until a witch cursed her true love, Ash - Gemma's father - into the form of a beast in the days before Gemma's birth. And if Virginia cannot break the curse before her daughter turns fifteen, Ash will eat Virginia's heart and Gemma will belong to the witch. So Virginia will do whatever she can to protect her daughter - even if it means stealing Gemma's memories away. But everything changes when Gemma inadvertently gets too close to the truth, and the witch steals Virginia away instead. Now it is up to Gemma to venture deep into Fae lands to try and rescue her mother and break the curse.

Told in alternating viewpoints between Gemma and Virginia, this lyrical novel is not only a tale of a girl's fantastical quest through a darkly magical fairyland, but also an examination of the complex bonds of love and resentment that lie between parents and their children.


Some of my favorite fantasy tropes include fairies (or fey equivalent) and woods that may or may not be friendly. Novik’s Uprooted and Spinning Silver come to mind, as well as Ava Reid’s A Study in Drowning, which is why I was drawn to the new Alyssa Wees novel, We Shall Be Monsters.

We Shall Be Monsters had fairies, monsters, and an antique shop wrapped up in a story about mothers and daughters and the three generations that have lived next to and seen the good as well as the worst the nearby woods have to offer. Oh, and the breaking of curses and the unraveling of long held secrets. So when the synopsis called this book a “dark, lyrical fantasy,” that description is accurate. We Shall Be Monsters has its whimsical and magical moments, but it was, at its heart, a darker story that, at times, felt much closer to horror. The woods were eerie, dangerous, and inhabited by fairies and other creatures, some friendly, some who offered dubious ties, or even those that were entirely driven by appetite or greed. There was also imagery of body related horror. However, those aspects worked well, since part of what the book tackled overall was the question of what truly makes a monster; and explored the divide between a hero and a killer. The characters made mistakes and payed for them, but they also learned from them. In that regard, We Shall Be Monsters is a nuanced story, and the characters that inhabited the pages were just as complicated.

Generally, I liked how Wees handled the viewpoints. It was first person, but Gemma and her mother, Virginia, each had quirks in the way they were written, which made it easy to tell them apart.

Gemma, like her mother and grandmother before her, was fascinated by the woods and didn’t recognize the danger posed by it, before she was confronted with the truth and tasked with a dangerous quest. Virginia was stuck in the past, figuratively and literally. Her history had everything to do with the issues that arose in the current timeline of the book, affecting not only her, but her daughter as well.

We Shall Be Monsters was, at the end of the day, right up my alley, and I recommend it to anyone looking for a dark fantasy story.
 
About the author....
Alyssa Wees is the acclaimed author of The Waking Forest and Nocturne. She grew up writing stories about her Beanie Babies in between ballet lessons. She earned a BA in English from Creighton University and an MFA in fiction writing from Columbia College Chicago. Currently she works as an assistant librarian in youth services at an awesome public library. She lives in the Chicagoland area with her husband and their two cats.

Disclaimer: this copy of the book was provided by the publisher (Del Rey) via NetGalley in exchange for an honest review, thank you! 

Wednesday, October 2, 2024

The City in Glass by Nghi Vo

Title: The City in Glass
Series: n/a
Author: Nghi Vo
Source/Format: NetGalley; eARC
More Details: Fantasy
Publisher/Publication Date: TorDotCom; October 1, 2024

Goodreads     Amazon     Barnes & Noble

Synopsis from Goodreads...
In this new standalone, Hugo Award-winning author Nghi Vo introduces a beguiling fantasy city in the tradition of Calvino, Mieville, and Le Guin.

A demon. An angel. A city that burns at the heart of the world.


The demon Vitrine—immortal, powerful, and capricious—loves the dazzling city of Azril. She has mothered, married, and maddened the city and its people for generations, and built it into a place of joy and desire, revelry and riot. And then the angels come, and the city falls. Vitrine is left with nothing but memories and a book containing the names of those she has lost—and an angel, now bound by her mad, grief-stricken curse to haunt the city he burned. She mourns her dead and rages against the angel she longs to destroy. Made to be each other’s devastation, angel and demon are destined for eternal battle. Instead, they find themselves locked in a devouring fascination that will change them both forever. Together, they unearth the past of the lost city and begin to shape its future. But when war threatens Azril and everything they have built, Vitrine and her angel must decide whether they will let the city fall again.

The City in Glass is both a brilliantly constructed history and an epic love story, of death and resurrection, memory and transformation, redemption and desire strong enough to burn a world to ashes and build it anew.


Nghi Vo’s, The Singing Hills Cycle, is one of my favorite series, so I was interested in checking out her latest story, The City in Glass. Essentially, this is a tale about a ruined city that might rise again from its ashes, a demon, an angel, and the strange tumultuous sort-of fascination/love story between the two.

The City in Glass was engaging from the very first page. It begins with a revelry, the fall of the city, and the demon, Vitrine’s effort to rebuild what she lost. Despite the book’s short length, the actual timespan of the story was hundreds of years with sporadic time skips, which sometimes spanned as long as decades. The book was written incredibly well and with enough detail to give the characters—particularly Vitrine—and Azril a rich history.

A large part of the book was dedicated to—and lingered on—Vitrine’s grief as well as her memories of the people and the place she’d lost. During these flashbacks, it was clear how much she’d loved the city of Azril, following generations of families, shaping the place into what it was before everything ended, like a gardener. Her grief was, for lack of better terms, consuming, and The City in Glass allowed Vitrine to go through these stages. It was messy—she was prone to giving into her rage, lashed out, and wanted to be left alone with memories and ghosts—but it drove home the devastation. The way she wanted to linger in the past reminded me of a short story I read earlier this year (Something Small Enough to Ask For by Anamaria Curtis), and the lesson for that main character was ultimately a similar one. Stay in the past or finally move forward? As character arcs go, Vitrine’s was a good one.

One avenue that I was pretty undecided on (and still am), was how the relationship landed, whether it worked as well as some of the other aspects of The City in Glass or not—especially with the way the story ended. On one hand, I understand Vitrine had to work through her grief and come to terms with the angel’s role in it. While on the other hand, some of the angel and Vitrine’s best moments were when they communicated, when there was this push-and-pull albeit with a sense of burgeoning closeness and understanding (even frustration and anger) with each other. However, I wish there had been more of it, or at least a little more of the angel’s perspective on the situation, particularly before the end.

Despite how conflicted I was about the aforementioned, it wasn’t bad actually. In fact, The City in Glass was thoroughly engaging and enjoyable, and I know I’ll be thinking about it for a long time.
 
About the author....
Nghi Vo is the author of the novels Siren Queen and The Chosen and the Beautiful, as well as the acclaimed novellas of the Singing Hills Cycle, which began withThe Empress of Salt and Fortune. The series entries have been finalists for the Locus Award and the Lambda Literary Award, and have won the Crawford Award, the Ignyte Award, and the Hugo Award. Born in Illinois, she now lives on the shores of Lake Michigan. She believes in the ritual of lipstick, the power of stories, and the right to change your mind.

Disclaimer: this copy of the book was provided by the publisher (TorDotCom) via NetGalley in exchange for an honest review, thank you! 

Tuesday, September 10, 2024

Clock Striker Volume 2: The Sharing Society by Issaka Galadima and Frederick L. Jones


Title: Clock Striker Volume 2: The Sharing Society
Series: Clock Striker #2
Author: Issaka Galadima; Fredrick L. Jones
Source/Format: NetGalley; eARC
More Details: Manga; Teen
Publisher/Publication Date: Rockport Publishers; September 10, 2024

Goodreads     Amazon     Barnes & Noble

Synopsis from Goodreads...
Clock Striker, Volume 2, is the exciting follow-up to the acclaimed first volume, featuring shonen manga’s first Black female lead character! Combining sci-fi, steampunk, action-adventure, and insightful humor, this new volume explores teenage hero Cast’s desire to (once again) save her friend Klaus while dealing with an entire town that confounds her with its unique sharing culture. Something is off—and Cast and her mentor, Ms. Philomena Clock, engineer-warriors called SMITHS, are determined to find out what it is before it’s too late.

Klaus is a runaway prince who has been captured by cybernetic outlaws, the Demon Bandits. Cast has almost never ventured past her hometown, so the demanding trek, including rough terrain and the strange kingdom of Alter, will test her beyond anything she has encountered before. With a rival SMITH and STRIKER on their tails, as well as the mysterious King of Alter—who seems to have a powerful kingdom despite rejecting cutting-edge technology—can our female dynamic duo save the day?

**Note: mild spoilers for volume 1 past this point, you’ve been warned.**

Another one of the sequels I was keeping an eye out for was Issaka Galadima and Fredrick L. Jones’ second volume of Clock Strikers. The series opening was one of my favorite manga releases of 2023, and I have been eagerly awaiting its sequel since.

Titled, The Sharing Society, the story charges right ahead and quickly picked up where the last volume left off. It combined a couple of humorous moments with plenty of action, while also continuing to explore some of the darker and far more complex themes present in the series. It had echoes of the conflict that took place in the first volume, but while the core was similar, this time around it was under vastly different circumstances—which kept the volume interesting as well as moving at a good pace. I flew through this one, and enjoyed every second of it.

This volume was story heavy and threw the characters into a number of perilous situations. Klaus is in a bind. He’s back in Altar and at the mercy of his father. However, there’s trouble in paradise for the Demon Bandits who were his captors, but it seemed like it was a deal/exchange that was always destined to go sideways. On the other side, our Striker and Smith duo, Philomena Clock and Cast, are in pursuit—while also being pursued. Some of the most unexpected twists arrived while the majority of the cast was in Altar, the supposed “sharing society.” The story peeled back the layers of that society and delved into the underlying darkness of the situation, and those were among the most compelling areas of the volume.

And, while a lot of ground was covered, the last chapter ends on a cliffhanger with the beginning of another mystery. However, that nicely set up the potential for the next volume.

Overall, Jones and Galadima have hit it out of the park with the second volume of Clock Striker.
 

Disclaimer: this copy of the book was provided by the publisher (Rockport Publishers/ Quarto Publishing) via NetGalley in exchange for an honest review, thank you! 

Wednesday, September 4, 2024

Haunt Sweet Home by Sarah Pinsker

Title: Haunt Sweet Home
Series: n/a
Author: Sarah Pinsker
Source/Format: NetGalley; eARC
More Details: Paranormal; Novella
Publisher/Publication Date: TorDotCom; September 3, 2024

Goodreads     Amazon     Barnes & Noble

Synopsis from Goodreads...
On the set of a kitschy reality TV show, staged scares transform into unnerving reality in this spooky ghost story from multiple Hugo and Nebula Award-winning author Sarah Pinsker.

“Don’t talk to day about what we do at night.”

When aimless twenty-something Mara lands a job as the night-shift production assistant on her cousin’s ghost hunting/home makeover reality TV show Haunt Sweet Home, she quickly determines her new role will require a healthy attitude toward duplicity. But as she hides fog machines in the woods and improvises scares to spook new homeowners, a series of unnerving incidents on set and a creepy new coworker force Mara to confront whether the person she's truly been deceiving and hiding from all along―is herself.

Eerie and empathetic, Haunt Sweet Home is a multifaceted, supernatural exploration of finding your own way into adulthood, and into yourself.

I’ve mentioned SurrealEstate on the blog before. Well, its second season had an episode that was essentially a parody (or recreation) of a ghost hunting show. It was comedic but also told a heartfelt story about the fictional show’s host, a parallel to the interpersonal arc of Luke Roman. The concept was simple: manufactured haunting on a niche show that inevitably encounter a scenario outside of their control. So I’m more than familiar with a setup like that, which was why I was looking forward to Sarah Pinsker’s latest, a novella called Haunt Sweet Home.

It’s no secret: I like house stories (or stories involving houses). It’s why a show like SurrealEstate was so appealing, and Haunt Sweet Home fell into that same category. It combined home renovation and supposedly haunted properties into the titular show, while also shaping up into a narrative of self-discovery for the story’s main character, Mara Billings.

Mara started things but never committed; she often thought of herself as the black sheep of her family and was uncertain of her future and struggled with building connections with others. So when she gets the opportunity to work for her cousin’s niche show as a production assistant for the night crew, she’s hopeful it’ll be the thing to stick. It wasn’t an easy job. However, half the fun of the story for the reader, was watching the scenarios unfold/ the show being filmed as well as how Mara would handle being so far outside of her element, with a secondary cast also navigating a cut throat environment. Mara was sympathetic but also at times abrasive. However, I liked the nuance of Pinsker’s characterization of Mara. She almost haunted the narrative, even when she wasn’t fulfilling the role of a ghost. So when the inevitable confrontation happens, the proverbial shoe drop, when she could no longer run from herself, the emotional payoff was just chef’s kiss.

In Haunt Sweet Home the houses were secondary while much of the page space was devoted to a great ghost story and an exceptional character exploration. I highly recommend this one!
 
About the author....
Sarah Pinsker is the author of over fifty works of short fiction, two novels, and one collection. Her work has won four Nebula Awards (Best Novel, A Song For A New Day; Best Novelette, "Our Lady of the Open Road," Best Novelette, "Two Truths And A Lie," Best Short Story, "Where Oaken Hearts Do Gather,"), two Hugo Awards ("Two Truths And a Lie" and "Where Oaken Hearts Do Gather"), the Philip K Dick Award, the Locus Award, the Eugie Foster Award, and the Theodore Sturgeon Award, and been nominated for numerous Nebula, Hugo, Locus, and World Fantasy Awards. Her fiction has been published translated into almost a dozen languages and published in magazines including Asimov's, Strange Horizons, Fantasy & Science Fiction, and Uncanny and in many anthologies and year's bests. Sarah's first collection, the Philip K Dick Award winning Sooner or Later Everything Falls Into the Sea: Stories, was published by Small Beer Press in March 2019, and her first novel, A Song For A New Day, was published by Penguin/Random House/Berkley in September 2019. Her latest book is We Are Satellites, published in May 2021. Her second collection, Lost Places, will be published by Small Beer Press in March 2023. She is also a singer/songwriter with four albums on various independent labels (the third with her rock band, the Stalking Horses). She lives in Baltimore, Maryland and can be found online at sarahpinsker.com and twitter.com/sarahpinsker.

Disclaimer: this copy of the book was provided by the publisher (TorDotCom) via NetGalley in exchange for an honest review, thank you! 

Friday, August 16, 2024

Give Me Something Good To Eat by D.W. Gillespie

Title: Give Me Something Good to Eat
Series: n/a 
Author: D.W. Gillespie
Source/Format: NetGalley; eARC
More Details: Middle Grade; Horror
Publisher/Publication Date: Delacorte Press; August 13, 2024

Goodreads     Amazon     Barnes & Noble

Synopsis from Goodreads...
Perfect for fans of Hocus Pocus and Stranger Things, this middle grade debut tells the story of a boy who travels into an alternate version of his Halloween-obsessed town to save his sister from an evil witch and free the town from the witch’s curse. 
Fear comes home.Welcome to Pearl, a town obsessed with the spooky decorations, the costumes, the candy. No one seems to notice that every October 31st, a kid goes missing. Mason Miller does, though. Somehow he’s the only one who has any memory the person existed at all.When Mason’s sister, Meg, vanishes while they’re trick-or-treating, Mason and his friends are pulled into an underworld where monsters roam the streets. They need to fight the evil taking over Pearl, but none of them know the true danger they're facing.Meg has been stolen by a witch who has no plans to let her go. Shadows of death curl around trees and behind doorways as Mason must use every ounce of bravery he has . . . or be haunted forever with the memory of a sister that only he remembers.

Living in a town like Pearl, which is obsessed with Halloween, seems like it should be fun, at least in theory anyway. Well, that gets put into frightening perspective in D.W. Gillespie’s new middle grade horror novel, Give Me Something Good to Eat. Billed as perfect for fans of Stranger Things and Hocus Pocus, the story is a magical and nightmarish foray into spells, monsters, and what is functionally a curse lurking under the veneer of what should be all fun and games.

Mason Miller has something better and more important to do than take his little sister, Meg, trick-or-treating. Kids are going missing, and he’s one of the few who remembers. So he enlists the help of his closest friend, Serge. And Meg just wants her brother to go back to how he used to be. Most of the character motivations were simple. Mason wants to be the hero of the story, but his drive to solve the mystery is also far more personal. Serge wants to help out his best friend, while juggling Halloween night and a crush. Meg just wants to have fun and is annoyed when the night isn’t turning out how she wanted. It set up a tense dynamic, which offered an opening to the villains of story. It was, effectively, all about cause and effect, despite the good intentions of the character’s involved—they were just kids, and mistakes were bound to happen.

The Stranger Things and Hocus Pocus comparison is apt. The story, very early on, felt like an echo to the start of the film, while the TV show’s comparison won’t make much sense until after the story takes off, and Meg winds up being the next kid to vanish on Halloween night. That in itself provided one of the more intense sequence of scenes in the novel, where the anxiety, fear, and frustration was almost palpable—but it was only the start. The pop culture references aren’t what make the story. Instead its Gillespine’s spin on the monster genre and creative usage of spells and magic—as well as how intrinsically it was linked to the underlying horror, tension, and stakes of Give Me Something Good to Eat—that does.

Give Me Something Good to Eat is another good foray into middle grade horror, and I would recommend it to those who have enjoyed books like It Came From the Trees by Ally Russell and Bumps in the Night by Amalie Howard.
 
About the author....
A long time fan of all things dark and spooky, D.W. Gillespie began writing monstrous stories while still in grade school. At one point, his mother asked the doctor if there was anything she should be concerned about, and he assured her that some kids just like stories about decapitations. He's been writing on and off for over a decade, quietly building a body of work that includes horror and dark sci-fi. His novels include Still Dark, The Toy Thief, and a short story collection titled Handmade Monsters. He lives in Tennessee with his wife and two kids, all three of which give him an endless supply of things to write about

Disclaimer: this copy of the book was provided by the publisher (Delacorte Press) via NetGalley in exchange for an honest review, thank you! 

Wednesday, July 31, 2024

It Came from the Trees by Ally Russell

Title: It Came from the Trees
Series: n/a
Author: Ally Russell
Source/Format: NetGalley; eARC
More Details: Middle Grade; Paranormal; Horror
Publisher/Publication Date: Delecorte; July 30, 2024

Goodreads     Amazon     Barnes & Noble

Synopsis from Goodreads...
The legend of Bigfoot gets a bone-chilling update in this scary story about a young girl and her scout troop who are willing to brave the woods to find her missing friend when no one else will. Perfect for fans of Daka Hermon and Claribel A. Ortega!

The wilderness is in Jenna’s blood. Her Pap was the first Black park ranger at Sturbridge Reservation, and she practically knows the Owlet Survival Handbook by heart. But she’s never encountered a creature like the one that took her best friend Reese. Her parents don’t believe her; the police are worthless, following the wrong leads; and the media isn’t connecting the dots between Reese’s disappearance and a string of other attacks. Determined to save her friend, Jenna joins a new local scout troop, and ventures back into the woods. When the troop stumbles across suspicious huge human-like footprints near the camp, scratch marks on trees, and ominous sounds from the woods, Jenna worries that whatever took Reese is back to take her too. Can she trust her new scout leader? And will her new friend Norrie—who makes her laugh and reminds her so much of Reese—believe her? After the unthinkable happens, the scouts, armed with their wits and toiletries, band together to fight the monster and survive the night.


It Came from the Trees, Ally Russell’s debut, is a new middle grade paranormal horror novel set in the great outdoors. With a Black main character who loves camping and the wilderness, and a mystery surrounding strange occurrences (and disappearances) at Sturbridge Reservation, there was so much to like about It Came from the Trees.

Norrie, like Reese, was a character who could worm her way into anyone’s heart. And, in fact, the Owlet Scouts were a far more personable and colorful group to follow. And then there was Jenna, who was a great main character, and I liked her enthusiasm and knowledge about the outdoors. This was shaken, of course, with the disappearance of her best friend as well as the situation she subsequently found herself in, where she felt silenced and isolated. It was part of her character arc, where the author showed her bravery and determination but also didn’t shy away from her vulnerability and fear. Her POV was nerve-wracking to read, and I’d credit that how immersive and atmospheric the writing was.

Another area of note was how Russell utilized camping. The woods were the perfect location for the story, especially after the sun was down and visibility was low. There was no quick way to run from any issues.

The story also touched on a negligent troop leader who played favoritism and was willing to lie, if it meant covering her own culpability when one the scouts in her care went missing. It was a difficult (and frustrating) situation that felt all too familiar, but the author did a great job with it, creating a balance between real world issues and a story which was, at its heart, paranormal.

Going into It Came from the Trees, I was expecting Russell’s spin on Bigfoot. It’s one of the main hooks of the synopsis. However, even knowing that much didn’t erase how tightly the legend was woven into the story. The way it was written was enigmatic and incredibly menacing. It wasn’t an isolated occurrence only Jenna knew about either, but there were clues sprinkled throughout the book about how deeply the strange occurrences were connected to Sturbridge Reservation—even in the form of blog entries and comments. And while I was reading It Came from the Trees, I kept remarking to one of my co-bloggers about how much tension there was as well as the intensity of its most frightening scenes.

At the end of the day, It Came from the Trees was excellent, and it has plenty to offer for fans of middle grade horror.
About the author....
Ally grew up on a steady diet of Halloween parties, horror films, Unsolved Mysteries, and Goosebumps books. She has always loved scary stories, and got her MFA from Simmons University and, eventually, a job working in children’s publishing. She hails from Pittsburgh—ground zero for the zombie apocalypse. Ally lives with her husband and her two black cats, Nox and Fury. She’s afraid of the woods, the dark, and heights. It Came from the Trees is her debut novel.

Disclaimer: this copy of the book was provided by the publisher (Delacorte) via NetGalley in exchange for an honest review, thank you! 

Wednesday, May 8, 2024

The Brides of High Hill by Nghi Vo!

Title: The Brides of High Hill
Series: The Singing Hills Cycle #5
Author: Nghi Vo
Source/Format: NetGalley; eARC
More Details: Fantasy; Novella
Publisher/Publication Date: Tordotcom; May 7, 2024

Goodreads     Amazon     Barnes & Noble

Synopsis from Goodreads...
The Hugo Award-Winning Series returns with its newest standalone entry: a gothic mystery involving a crumbling estate, a mysterious bride, and an extremely murderous teapot.

The Cleric Chih accompanies a beautiful young bride to her wedding to an aging lord at a crumbling estate situated at the crossroads of dead empires. But they’re forgetting things they ought to remember, and the lord’s mad young son wanders the grounds at night like a hanged ghost.


One of my most anticipated releases of the year was Nghi Vo’s next novella in The Singing Hills’s Cycle, The Brides of High Hill, which the synopsis described as a gothic mystery. I’ve enjoyed books of that type from time to time, so, going into The Brides of High Hill, I was interested to see what Vo’s interpretation of it would look like.

The latest adventure of Cleric Chih takes a slight detour from the typical structure of the series, and puts them right in the thick of the action. There’s still a story that’s being told, but its clues can be subtle and are deeply embedded in the occurrences of the novella, rather than a story that is being imparted, in pieces, to Cleric Chih by other characters. The switch, however, works well, when the mystery and gothic aspects are taken into account. Atmosphere can be key—sometimes—and getting to see the faded or outright eerie elegance as well as the dilapidation that make up Doi Cao was a crucial part of setting the stage for the story.

And what a story it was. The twist managed to catch me by surprise, because it subverted the way I thought the story was going to go. But hindsight is 20/20. However, the ending is part of what I love most about Vo’s handling of The Brides of High Hill. It could have been straightforward, but it wasn’t. And I enjoyed that direction at lot more than my guesses.

At the end of the day, The Brides of High Hill is another great installment in the series.

About the author....
Nghi Vo is the author of the novels Siren Queen and The Chosen and the Beautiful, as well as the acclaimed novellas of the Singing Hills Cycle, which began withThe Empress of Salt and Fortune. The series entries have been finalists for the Locus Award and the Lambda Literary Award, and have won the Crawford Award, the Ignyte Award, and the Hugo Award. Born in Illinois, she now lives on the shores of Lake Michigan. She believes in the ritual of lipstick, the power of stories, and the right to change your mind.

Disclaimer: this copy of the book was provided by the publisher (Tordotcom) via NetGalley in exchange for an honest review, thank you! 
Related Posts Plugin for WordPress, Blogger...