I Listened to Alligator Bites Never Heal by Doechii

Doechii is one of my favorite rappers recently, alongside the likes of Megan Thee Stallion. 2024 has been a busy year, with numerous releases including standalone singles like Alter Ego featuring JT and Pacer, and a series called Swamp Sessions—which proceeded the release of this mixtape. Titled Alligator Bites Never Heal, Doechii’s latest was released on August twenty-third. And with that, welcome back to the music minded corner of Our Thoughts Precisely!

Doechii is a great rapper, as proven by her earlier work, and that trend continued with this mixtape. This is some of her best work and, honestly, it didn’t even feel like a mixtape while I was listening to it. If someone told me this was an album, I’d buy it—I had a similar opinion about FKA Twigs mixtape, Caprisongs.

Alligator Bites Never Heal is grungy, reflective, open, and defined by some incredible flows and production that tended to get creative (for example Boiled Peanuts, GTFO, and Skipp). It felt, at times, like hip-hop and rap from the early 2000s and 90s with a classic/timeless vibe. There was everything from the bite-size Swamp Sessions songs on the album (Bullfrog, Catfish, Nissan Altima, and Boom Bap), to the reflective intro Stankapoo, and the almost pop adjacent Beverly Hills where Doechii shows off her singing chops. There are plenty of other great songs on this one too like Fireflies, HUH, and Wait, just to name a few.

So, Alligator Bites Never Heal was a great collection of music from Doechii.     

I Listened to Paradise State of Mind by Foster the People

Now, I’m not as familiar with the indie pop band, Foster The People as I am with other artists I’ve mentioned for the music related posts on Our Thoughts Precisely. That can be explained by the seven year gap between their last and current major musical project. However, I was anticipating their fourth studio album anyway, Paradise State of Mind, after listening to the single, Lost in Space, in May of this year. And with that, welcome back to the music minded corner of Our Thoughts Precisely!

Released on August 16, 2024, Paradise State of Mind was preceded by three singles: Lost in Space, Chasing Low Vibrations, and Take Me Back. And it can be summed up as an infusion of genres—funk, some jazz, disco, and even some notes of gospel tossed in there—with quality production. It’s not the longest album I’ve listened to lately with just eleven songs, but it’s a cohesive listening experience that felt just right, in terms of length and substance. In some ways, it had a Very retro feel to it, particularly around the 1970s style of music, but it was a great combination that didn’t feel dated! For example: Glitchzig, the opening See You In The Afterlife, the titular Paradise State of Mind, and even the closing track A Diamond To Be Born.

So, Paradise State of Mind wasn’t an album I started the year anticipating, but as the singles were released, my hype only grew. And, ultimately, I ended up loving it.

 

I Listened to Imaginal Disk by Magdalena Bay

Magdalena Bay is one of my favorite music duos on the scene right now. I know their music best by their debut album, Murcurial World (2021), as well as their extended plays (EP)—Mini Mix volumes 1-3 (2019-2023), and A Little Rhythm and a Wicked Feeling (2020). Now, they’re back with their second studio album, Imaginal Disk. Released on August 23, 2024, this latest offering follows the same vein as a lot of their previous work, while also keeping it fresh and interesting. And with that, welcome back to the music minded corner of Our Thoughts Precisely!

Imaginal Disk falls right into synth/dance pop, and it’s done with Magdalena Bay’s usual flare. A little strange, completely fun, thematic, and with something a little dark but also light and dreamy to it (which was really sticking to the concept behind the album). (And if you have the chance, I recommend reading about it.) It also brought in some rock influences, such as on the single Tunnel Vision—one of my personal favorites off the album—That’s My Floor, and Love Is Everywhere. It also wasn’t afraid to slow the tempo down by a notch on tracks like Vampire in the Corner, Cry for Me, and Watching T.V., without losing the almost cinematic atmosphere that defines much of the album.

Magdalena Bay knocked it out of the park with Imaginal Disk. It was dramatic in all the right ways, and honestly, at the end of the day, just good music. So if you’ve enjoyed this duo’s music in the past, you’ll likely love Imaginal Disk too.

I Listened to What Happened to the Heart? by Aurora

For the past few years I’ve been following Aurora’s music. Her last one, The Gods We Can Touch, was one of my favorite releases of 2022, so I was more than excited for what would come next. Aurora’s fifth studio album was released on June 7, 2024. Titled What Happened to the Heart?, it’s prefaced with a remark about a letter the artist read, which influenced the direction of this latest body of work, and it was to great effect. And with that, welcome back to the music minded corner of Our Thoughts Precisely!

What Happened to the Heart? was supported by a handful of singles—I mentioned a couple of them previously as my picks for different Music Monday posts. These include songs like Your Blood, Some Type of Skin, The Conflict of the Mind, To Be Alight, and Starvation. I already liked what I’d heard, and it built up a high expectation for the album, on my end.

And yet, in the end, I was still surprised, especially hearing the singles in the context of the album as a whole. It created a cohesive listening experience without being repetitive. Every song felt like its own self-contained chapter within the album. It was indie pop with some disco and techno influences, as well as dipping its toes into a folksy flare at times (for example A Soul With No King). It was grounded in the core theme surrounding the question posed by the title, delivered with Aurora’s distinctive vocals. As I mentioned above, everything was done to great effect.

I could go on and on all day about What Happened to the Heart?, but the best way to experience the album is by actually listening to it. This is one of Aurora's best. So, if you can’t tell, I highly recommend it.

I Listened to Megan by Megan Thee Stallion

Another June release I was waiting for was Megan Thee Stallion’s self-title third studio album, Megan. This is her first major release under her independent label (Hot Girl Productions), since leaving her old record label. It was supported by three singles, Boa, Hiss, and Cobra. And with that, welcome back to the music minded corner of Our thoughts Precisely!

If you’ve listened to any of Megan Thee Stallion’s music before, then you pretty much know what to expect. For me, though. Megan was like a palate cleanser after all the other music I listened to and wrote about in June. It was released on the twenty-eighth, so it capped off the month quite nicely. Its solid hip-hop and rap with Megan Thee Stallion’s lightning quick lyric delivery and a creative direction in terms of beats, samples, and pop culture references (for the latter look no further than Boa and it’s video game inspiration as well as and Otaku Hot Girl, which had lyrics about Naruto and Jujutsu Kaisen).

Some of it was introspective—such as the single Cobra, which on the album was preceded by Moody Girl (the two complimented each other tonally). On other avenues, parts of the album showcased Megan Thee Stallion’s interests (Boa and Otaku Hot Girl). Plus it had good mixture of features: Kyle Richh on B.A.S., Yuki Chiba on Mamushi, GloRilla on Accent, Victoria Monet on Spin, UGK on Paper Together, and Big K.R.I.T. with Buddah Bless on Miami Blue.

Megan Thee Stallion knocked it out of the park with Megan. It was creative and just enjoyable to listen to.

 

I Listened to Dopamine by Normani

Normani is one of those artists where you had to wait and then wait a little more for that album. Originally part of the girl group, Fifth Harmony, she branched out on her own after the group went on hiatus in 2018, with songs like Motivation (2019) and Diamonds (2020) featuring Megan Thee Stallion. Well, after a few years, Normani’s long awaited solo debut album, Dopamine, was finally released on the 14th of June 2024 with thirteen songs. And with that, welcome back to the music minded corner of Our Thoughts Precisely!

Dopamine pretty much met all of my expectations, especially based on the direction I assumed it was going in, which was hinted by the singles supporting its release (Wild Side featuring Cardi B, 1:59, and Candy Paint). I was, generally, pleased with it, because it’s the kind of fun music I can relax to or have on in the background while I read. 

It’s firmly planted in the R&B and pop sphere with some creative direction with its arrangements, particularly on some of my top-favorite tracks on the album—Insomnia, Lights Out, and Big Boy featuring Starrah. It also had some good features, including the aforementioned Starrah as well as Cardi B, Gunna, and James Blake.

Overall, Dopamine was a great album.

I Listened to Brat by Charli XCX

I’ve listened to Charli XCX’s music since the True Romance days in 2013. So, I was moderately looking forward to her sixth studio album, Brat, which was released on the seventh of June. And then on the tenth of the month, a deluxe version—Brat and It’s the Same But There’s Three More Songs So It’s Not—was released under a very ironic title. And with that, welcome back to the music minded corner of Our Thoughts Precisely!

Brat was bold, loud, and full of hyper and electronic pop club friendly beats—for example Von Dutch, 360, Apple, and Club Classics, among others. Those aspects of the album were fun and, essentially, the kind of music you can move to. They also showcased the inspiration behind the album, which I’d read previously was pulling from “London rave.” While songs like I Might Say Something Stupid and So I slowed it down by a notch, and they were among some of the most vulnerable tracks on Brat. 365 closes the initial album with lyrics and a beat recycled from 360, but remixes it enough so while it was a full circle moment, the track still stood on its own.

On the other hand, Brat and It’s the Same But There’s Three More Songs So It’s Not adds Hello Goodbye, Guess, and Spring Breakers to the original track list. The three songs were fine, and complemented the album.

All in all, Brat was a pretty solid album for me.

I Listened to Born in the Wild by Tems

Tems has steadily released music since 2018, including work with other artists and two extended plays—For Broken Ears (2020) and If Orange Was a Place (2021). And while I’m not as familiar with her discography as some of the other artists I’ve mentioned for this segment on Our Thoughts Precisely, I was still looking forward to her 2024 album after I watched the livestream of her performance at this year’s Coachella. Titled Born in the Wild, Tems’ debut was released on June seventh with eighteen songs, including the singles Love Me Je Je and Me & U. And with that, welcome back to the music minded corner of Our Thoughts Precisely!

I’ve loved a number of the R&B albums being released this year, and Born in the Wild is one of the best I’ve listened to so far in 2024. It sits solidly in its genre, but the quality and creativity of the lyrics and production made for an engrossing listening experience. And I have to praise Tems’ vocal performance. She has a very distinct voice, and the delivery across the track list was consistent. Born in the Wild also had two features, from the artists J. Cole and Asake, on Free Fall and Get It Right respectively.

At the end of the day, Born in the Wild was stylish and lyrically complex, and a great body of work showcasing Tems’ talent.

I Listened to Found Heaven by Conan Gray

I’ve heard of Conan Gray off and on since his 2020 album Kid Krow. It wasn’t until more recently, when he started releasing singles for his new album—such as Never Ending Song—that I finally decided to pay more attention to this artist. On April fifth, Conan Gray released his third studio album, Found Heaven. It was supported with five singles: Never Ending Song, Winner, Killing Me, Lonely Dances, and Alley Rose. And with that, welcome back to the music minded corner of Our Thoughts Precisely!

Honestly, Found Heaven is a vibe. And I can best describe it as retro with a 80s aesthetic, especially in terms of the background arrangement and the visuals—for the music videos accompanying Never Ending Song and Lonely Dancers as well as the lyric visualizers (invoking the grainy images of old camcorder footage). It doesn’t stick too hard and fast to its influences that it becomes redundant. Instead, Conan Gray’s modern interpretation of these familiar aspects unabashedly invokes a feeling of nostalgia, which was complimented by his dynamic vocal performance across the album’s thirteen tracks.

Found Heaven is a cohesive album and just a lot of fun to listen to. This is easily one of my favorites of the year so far.

I Listened to What Now by Brittany Howard

Do you ever, on occasion, suddenly think about a band you haven’t listened to in what feels like ages? That’s my story here.

Early in March, I was cleaning up an old playlist, when I revisited my favorite tracks from Alabama Shake’s Sound & Color (2015). There was the vague expectation of more albums, other music, but the band is on indefinite hiatus since 2018. That, however, has spawned projects from its members like the group Sun On Shade and Brittany Howard’s solo career—beginning with Jamie (2019).

What Now, released on February 9, 2024, is Brittany Howard’s sophomore solo album and is also my reintroduction to her music. It was also the release I was least expecting and the one I was most surprised by; I’ve been missing out, because it’s one of the most creative bodies of work I’ve listened to so far this year. There is an infusion of everything from rock, R&B, soul, funk, synth, house, jazz, and electronic. Howard makes it work, and makes it seem effortless while creating a sonically interesting listening experience that showcases her vocals and creativity.

Some of my favorite tracks include Another Day, the titular What Now, Red Flags, and Power To Undo—which instantly made me think of Prince’s music—among others.

What Now is memorable and an absolute delight, and it’s going to stick with me for a while.

I Listened to World Wide Whack by Tierra Whack

 
Tierra Whack is one of my favorite artists. She is creative and unafraid to experiment and take risks with her music—i.e. her debut album, Whack World (2018), had fifteen songs and none of them were longer than one minute in length. So, when Tierra Whack is involved, I’ve come to expect the unexpected. And with that, welcome back to the music minded corner of Our Thoughts Precisely!

Don’t let the cheery, quirky, and colorful imagery—or its most lighthearted tracks like Shower Song and Moovies—fool you. Tierra Whack’s new album, World Wide Whack, released on March fifteenth, is a deep, contemplative body of work that often approaches (and examines) darker topics—think depression and so forth. It opens with Mood Swing, setting the tone for what’s next. And then it transitions into tracks like Ms Behave, Difficult, and Numb, before ending with 27 Club—which really drove home the themes and statements present on the album.

Tierra Whack’s production is always quite interesting to take a look at, and it’s a highlight of the album. She can catch a beat when rapping (Ms Behave, Snake Eyes, and X), and the background music perfectly meshed with her vocals and, ultimately, suited the tone of any given track, even if it didn’t seem like it would work.

As far as second albums go, World Wide Whack is an excellent one.

I Listened to Act ii: Cowboy Carter by Beyoncé

I’ve been anticipating the next part of Beyoncé’s trilogy project, which began with Renaissance’s release in 2022. Now, about two years later, she’s returned with Act ii: Cowboy Carter, which was supported by two singles (16 Carriages, Texas Hold ‘Em) released on February 11th, after a commercial that aired during this year’s Super Bowl. And with that, welcome back to the music minded corner of Our Thoughts Precisely!

When Beyoncé said Cowboy Carter was a Beyoncé album, rather than just a country one, she was telling the truth. There are hallmarks of the genre present throughout, but it’s a Beyoncé album: pitch switches, harmonies, and superb production with incredibly smooth transitions. As a follow up to Renaissance—one of my favorite albums—Cowboy Carter, with twenty-seven tracks, exceeded my expectations. From the artists she collaborated with, to covering classics— with Jolene and BlackBiird—with minimal (but meaningful) changes, to a wealth of original material, Cowboy Carter is an experience. It’s one that’s almost cinematic in the way it handles its concept and themes as well as smaller details—like having a full circle moment between the opening (Ameriican Requiem) and the closing track (Amen).

Like The Weeknd’s Dawn FM (2022), Cowboy Carter is structured like a radio broadcast complete with DJ interludes featuring artists like Linda Martell, Dolly Parton, and Willie Nelson (for example: Dolly P, Smoke Hour Willie Nelson, and The Linda Martell Show). But those weren’t the only artists featured on Cowboy Carter. There was Beyoncé’s duet with Miley Cyrus (II Most Wanted), her collaborations with Post Malone (Levii’s Jeans), Just For Fun with Willie Jones, and Sweet Honey Buckin’ with Shaboozey.

Cowboy Carter has Beyoncé’s vocal capacity and creativity on full display. As a sequel to Renaissance, it works. As a country album, it experiments, effectively creating a long but memorable listening experience. This is one of my favorite albums to come out in the first half of the year, and it set the bar high.

I Listened to Girl With No Face by Allie X

Before February was over, there was one last music release I was waiting on: Allie X’s highly anticipated third studio album, Girl With No Face. For context, it’s been four years since Cape God (2020)—and three from the release of its deluxe edition with five additional songs (Cape God Theme, Milk, Limited Love, Anchor, and Rising Tide). There was plenty of time to build anticipation for Allie X’s next project, and, going into 2024, Girl With No Face was at the top of my list for albums releasing in the first quarter of the year.

On February 23, Girl With No Face arrived. Before then, the direction of the sound, aesthetic, and themes were teased for months with the release singles like Black Eye and the titular Girl With No Face. This album is a blend of pop, synth, and a little bit of glam rock. It feels very retro, especially in terms of how the beats are arranged. But Allie X manages to set her music apart with her vocals and lyrical depth, which keeps the album from feeling redundant.

Some of my favorite tracks (not including the singles) were Galina, You Slept On Me, Staying Power, and even the closing song, Truly Dreams. Another good one is Hardware/software, which sounds, honestly, like a soundtrack you would find in a video game from the eighties.

 
Girl With No Face was another excellent project by Allie X. Even the most upbeat track on the album—in terms of sound anyway—deserves more than a passing listen. There’s so much to sit with and chew on, and I know I’ll be thinking about this one for a long time. For today, however, I’ll leave it here. Just know: I enjoyed every second of my listening experience.   

I Listened to So Much (For) Stardust by Fall Out Boy

Fall Out Boy was one of the bands that got me into rock music—particularly the rock/pop/punk scene—and their albums have been a staple on my playlists since the 2000s. It’s been about five years since the band’s last album. And among the big releases on my radar for March 2023—supported by singles such as Love On The Other Side and Heartbreak Feels So Good—Fall Out Boy’s eighth studio album, So Much (For) Stardust, was very anticipated on my end.

So Much (For) Stardust really felt like a return to some of Fall Out Boy’s earlier music. It had less of the style and sounds that dominated Mania (2018), and it went heavier on the aspects that really made me love the band’s music. It was nostalgic in the right ways but doesn’t lean too much on what they’ve already done. Instead it offered a sort of sequel—especially with the visuals for Hold Me Like a Grudge (a continuation of the music video for This Ain’t a Scene, It’s an Arms Race)—by delivering songs that felt refreshing.

As a longtime fan of Fall Out Boy, I’m so happy with this album!

 

I Listened to 1 by The NYChillharmonic

So, this year, I’m getting back into using Spotify regularly. After all, all of my current favorite podcasts are there too, and the recommendations are useful for finding more content to enjoy. Under one such recommendation page was I Lost It All by Aberdeen and The NYChillharmic. It was an interesting collaboration and one that I instantly loved. And that’s how I got introduced to what has fast become some of my top favorite music. It’s called 1, and it’s the 2016 album by The NYChillharmonic.

Their music is, in terms of sounds—and as the band’s name suggests—very orchestral in nature, which is something I love about 1. Each track felt like its own lovely little journey, with the epic feel of work you would find from Two Steps From Hell but with a singer who delivered consistent vocals across 1’s seven songs.

Overall, there isn’t much more I can say about this album. In a number of ways, it’s a delightful listening experience that I’ve already revisited more than once since adding it to my Spotify library.

I Listened To: December Music Roundup

Well, it’s been a minute since I wrote about the music that’s kept me entertained. But, it’s a new year, and I thought it would be a good idea to do a roundup of what I was listening to in December.

Of course, there are the usual holiday favorites, as well as some new additions to my playlist—which were my Music Monday picks during the month.

Besides the holiday stuff, I collected a few more individual tracks as well. One of the songs that made it onto my playlist was Girlfriend by Hemlocke Springs. It’s quirky. But, it has a really good sound, and it’s also incredibly catchy. Another newish artist I want to see more from is Adanna Duru. I’m a fan of what I’ve heard so far, particularly with the song that introduced me to Duru’s music, POP. Then, there was the song—Heads Will Roll—from the Gotham Knights trailer. I haven’t played the game and have no plans to. I just kept getting the trailer as an ad, and when I was searching around for the song, I stumbled onto the original. It’s by a band called Yeah Yeah Yeahs. I really can’t pick between the original and the cover, because both are great in their respective ways. Then, of course, there was Doechii’s live performance (for Billboard and Honda), which is one of my favorite versions of Stressed. The set design is topnotch, and Doechii nailed that performance.

In December, I mainly revisited a lot of music, since the year was winding down and I was due for my annual break from the blog. And, as a consequence, there was only one new album I listened to: SOS by SZA. I wasn't expecting it in 2022, but, as soon as it was announced (which was relatively close to its release date), I was more than excited. SOS is a long album, but I love every second of it! SZA does R&B so well, with unique sounds, creative lyrics, and her signature vocals. And it makes the wait time between each album, single, or feature worth it. Some of my favorites from it were Seek & Destroy, Kill Bill, Good Days, and Too Late. I can’t recommend it enough!

I Listened To: October Music Roundup

Last week, I talked about Rina Sawayama’s 2022 album, Hold The Girl. So today, I wanted to devote a post to all the other music that kept me entertained in October. I have two to talk about: Dirt Femme by Tove Lo and Midnights by Taylor Swift.

--Dirt Femme by Tove Lo (Release Date: October 14, 2022)--

I’ve enjoyed Tove Lo’s work since the Queen of the Cloud (2014) days, and I was pretty excited when I heard she was coming out with new music in 2022. Sunshine Kitty (2019) was one of my favorites the year it released, and that influenced the expectations I had going into Dirt Femme. Tove Lo has always done pop with a grungy edge. Dirt Femme felt a little lighter, and was sold as dance/pop by the four singles that proceeded its release—How Long, No One Dies from Love, True Romance, and 2 Die 4—but the usual lyric and vocal complexity was present. Even the tracks where the production was scaled down and Tove Lo’s vocals were the focal point (I’m To Blame and True Romance) were songs I had on repeat so I could catch the full meaning of the lyrics. The album was telling a story, and I was along for the ride. Dirt Femme is another great one from Tove Lo!

--Midnights by Taylor Swift (Release date: October 21, 2022)--

I’m not a consistent follower of Taylor Swift, but, over the years, I’ve amassed a list of favorite songs anyway. There’s been a plenty of good music released this year, so when I heard about her latest album, Midnights, I was interested in it too. This is probably my favorite Taylor Swift album to date, and I enjoyed pretty much everything about it. I have to give a special nod towards the production—which was consistent across-the-board—as well as the lyrics, for how poetic it was. There are so many examples I could give, but then I’d have to list the whole track list. Like I said above, it was consistent in its quality. All around, Midnights was an excellent album!  

I listened to Hold The Girl by Rina Sawayama

One of my most anticipated albums of the year is Rina Sawayama’s sophomore album, Hold The Girl. Released on September 16, 2022, its two years since Sawayama’s self-titled debut. Since then, there have been a number of features, notably a duet with Elton John (Chosen Family) and Charli XCX’s Beg For You (Crash; 2022). However, I was more than ready to see what she would bring to the table with another solo studio album.

Hold The Girl is Pop, but it has a wide diversity of sound. Leading with the single, This Hell (one of my top favorites from the album), each track offered a different listening experience. There was a little bit of country, a little bit of R&B and rock with an early 2000s feel (It’s something she’s done before—for example STFU! from her debut album.) The songs here were bridged together by Sawayama’s vocals, lyric themes, and a smart arrangement.

Hold The Girl achieved an easy flow from one track to the next, and I was quickly immersed by the album. It was a lot of fun. And as far as sophomore albums go, this is a good one.

I Listened To: September Music Roundup

Some of the music that kept me entertained in September was Juno, Remi Wolf’s album, as well as the deluxe version of Magdalena Bay’s Mercurial World.

Juno is the October 2021 debut album by Remi Wolf. I came across it well after its release date, because the sixth song, Volkiano, crossed my feed. It was an instant hit for me, and I quickly went on to listen to the rest of Juno. This album is a strong debut for Remi Wolf. The songs were fun, and the execution of the lyrics and vocals was superb. I also liked the music videos that were released in support of Juno. They were colorful and retro—the filming had a soft grainy quality to it—which reminded me of old cartoons or shows from the 90s.

Magdalena Bay released a deluxe version of Mercurial World on September 23, almost a year after the original’s initial launch date of October 8, 2021. I’m always interested in special versions of albums, particularly to see what the artists decide to add. Mercurial World’s deluxe adds a couple of new songs, remixes, instrumental versions, and 15 “Secrets” divided between eight intermission-type tracks (which added to the immersion). Mercurial World was already a great album, and I thoroughly enjoyed the robust list of additions.

What have you been listening to lately?

I Listened To: August Music Roundup

In August, I bounced between two albums: Beyoncé’s Renaissance and Megan Thee Stallion’s Truamazine. They’re two very different albums—in terms of sound, theme, and genre—but I appreciate them for what they are.

Renaissance

• When I read about what kind of album Renaissance was supposed to be, I had high expectations. And every single one of them was met. The range in sound made every track feel different than the last, but the strong themes and genre influences—dance, house, R&B, and more—made the album feel cohesive. I mean, even the transitions between each song were smooth. Its music you can move to. Renaissance is a treat.

Traumazine

• Moving on, Traumazine was another excellent album to come out in the July-August months. It had its foot firmly in hip-hop and rap. The title is indicative of what you’ll get with this one, and the complexity and depth of the lyrics is what keeps drawing me back to this album. Traumazine features some of my favorite songs by Megan Thee Stallion. It also had a handful of interesting features including Rico Nasty, Latto, and Jhené Aiko among others.

What have you been listening to?