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I’ve been anticipating the next part of Beyoncé’s trilogy project, which began with Renaissance’s release in 2022. Now, about two years later, she’s returned with Act ii: Cowboy Carter, which was supported by two singles (16 Carriages, Texas Hold ‘Em) released on February 11th, after a commercial that aired during this year’s Super Bowl. And with that, welcome back to the music minded corner of Our Thoughts Precisely!
When Beyoncé said Cowboy Carter was a Beyoncé album, rather than just a country one, she was telling the truth. There are hallmarks of the genre present throughout, but it’s a Beyoncé album: pitch switches, harmonies, and superb production with incredibly smooth transitions. As a follow up to Renaissance—one of my favorite albums—Cowboy Carter, with twenty-seven tracks, exceeded my expectations. From the artists she collaborated with, to covering classics— with Jolene and BlackBiird—with minimal (but meaningful) changes, to a wealth of original material, Cowboy Carter is an experience. It’s one that’s almost cinematic in the way it handles its concept and themes as well as smaller details—like having a full circle moment between the opening (Ameriican Requiem) and the closing track (Amen).
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In August, I bounced between two albums: Beyoncé’s Renaissance and Megan Thee Stallion’s Truamazine. They’re two very different albums—in terms of sound, theme, and genre—but I appreciate them for what they are.
Renaissance
- When I read about what kind of album Renaissance was supposed to be, I had high expectations. And every single one of them was met. The range in sound made every track feel different than the last, but the strong themes and genre influences—dance, house, R&B, and more—made the album feel cohesive. I mean, even the transitions between each song were smooth. Its music you can move to. Renaissance is a treat.
Traumazine
- Moving on, Traumazine was another excellent album to come out in the July-August months. It had its foot firmly in hip-hop and rap. The title is indicative of what you’ll get with this one, and the complexity and depth of the lyrics is what keeps drawing me back to this album. Traumazine features some of my favorite songs by Megan Thee Stallion. It also had a handful of interesting features including Rico Nasty, Latto, and Jhené Aiko among others.
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