I Listened To: October Music Roundup

Last week, I talked about Rina Sawayama’s 2022 album, Hold The Girl. So today, I wanted to devote a post to all the other music that kept me entertained in October. I have two to talk about: Dirt Femme by Tove Lo and Midnights by Taylor Swift.

--Dirt Femme by Tove Lo (Release Date: October 14, 2022)--

I’ve enjoyed Tove Lo’s work since the Queen of the Cloud (2014) days, and I was pretty excited when I heard she was coming out with new music in 2022. Sunshine Kitty (2019) was one of my favorites the year it released, and that influenced the expectations I had going into Dirt Femme. Tove Lo has always done pop with a grungy edge. Dirt Femme felt a little lighter, and was sold as dance/pop by the four singles that proceeded its release—How Long, No One Dies from Love, True Romance, and 2 Die 4—but the usual lyric and vocal complexity was present. Even the tracks where the production was scaled down and Tove Lo’s vocals were the focal point (I’m To Blame and True Romance) were songs I had on repeat so I could catch the full meaning of the lyrics. The album was telling a story, and I was along for the ride. Dirt Femme is another great one from Tove Lo!

--Midnights by Taylor Swift (Release date: October 21, 2022)--

I’m not a consistent follower of Taylor Swift, but, over the years, I’ve amassed a list of favorite songs anyway. There’s been a plenty of good music released this year, so when I heard about her latest album, Midnights, I was interested in it too. This is probably my favorite Taylor Swift album to date, and I enjoyed pretty much everything about it. I have to give a special nod towards the production—which was consistent across-the-board—as well as the lyrics, for how poetic it was. There are so many examples I could give, but then I’d have to list the whole track list. Like I said above, it was consistent in its quality. All around, Midnights was an excellent album!