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What Happened to the Heart? was supported by a handful of singles—I mentioned a couple of them previously as my picks for different Music Monday posts. These include songs like Your Blood, Some Type of Skin, The Conflict of the Mind, To Be Alight, and Starvation. I already liked what I’d heard, and it built up a high expectation for the album, on my end.
And yet, in the end, I was still surprised, especially hearing the singles in the context of the album as a whole. It created a cohesive listening experience without being repetitive. Every song felt like its own self-contained chapter within the album. It was indie pop with some disco and techno influences, as well as dipping its toes into a folksy flare at times (for example A Soul With No King). It was grounded in the core theme surrounding the question posed by the title, delivered with Aurora’s distinctive vocals. As I mentioned above, everything was done to great effect.
I could go on and on all day about What Happened to the Heart?, but the best way to experience the album is by actually listening to it. This is one of Aurora's best. So, if you can’t tell, I highly recommend it.
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A lot of good music came out in January of this year. First with FKA Twigs’s mixtape, Caprisongs, and now with Aurora’s album: The Gods We Can Touch.
With Aurora, I already guessed that the album would be thematic, and I was right. The six singles—Cure For Me, Giving In To The Love, Exist for Love, Heathens, A Dangerous Thing, and Everything Matters featuring Pomme—offered a taste of the tone of the album, and the title paints a pretty clear picture of what to expect.
The Gods We Can Touch was emotional and topical, but ultimately it was lighter and different than some of Aurora’s previous music. It felt a lot more experimental and upbeat, bringing in notes of electro-pop without losing the ethereal/dreamy nature adjacent quality that I liked about Aurora’s backlist tracks. Some of my favorites from this particular album include: Cure For Me, Blood Like Wine, Exhale Inhale, and A Dangerous Thing.
In some ways, it reminded me of Halsey’s 2021 album: If I can’t Have Love, I Want Power. They both have historical and mythology references, but the albums go about the presentation of themes in a way unique to the respective artist.
So, The Gods We Can Touch was one of my most anticipated albums of 2022. My expectations were sky high, considering how good the singles preceding its release were. Overall, this was a great album, and I’m looking forward to Aurora’s next project.
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