The Friday 56 is a weekly meme hosted by Freda's Voice where every Friday you pick a book and turn to page 56 or 56%, and select a sentence or a few, as long as it's not a spoiler. For the full rules, visit the the page HERE
"Then one night I thought about Jim Rockford and The Avengers--the UK ones I mean--for whatever reason, and I found my book. So I had to repitch. I got it, luckily, but everyone thoughts I was nuts. Anyway."--Words for Pictures by Brian Michael Bendis
What's on your page 56 this week?
Showing posts with label Words for Pictures. Show all posts
Showing posts with label Words for Pictures. Show all posts
Friday, December 5, 2014
Wednesday, December 3, 2014
Review: Words for Pictures by Brian Michael Bendis
Title:Words for Pictures: The Art and Business of Writing Comics and Graphic Novels
Author: Brian Michael Bendis, Foreword by Joe Quesada
Source/Format: Blogging for Books, Review Copy
Age Range: anyone
Publisher/Publishing Date: Watson-Guptill, July 22, 2014
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Book Summary from Goodreads...
One of the most popular writers in modern comics, Brian Michael Bendis reveals the tools and techniques he and other top creators use to create some of the most popular comic book and graphic novel stories of all time.Words for Pictures shows readers the creative methods of a writer at the very top of his field. Full Summary Here
Words for Pictures (The Art and Business of Writing Comics and Graphic Novels) by Brian Michael Bendis, is a great guide for tips on how to structure stories for comics. It also offers an insight into the business aspect of the comic industry, and offers easy guidelines to remember.
In the beginning, this book goes over type A and B artists to give an example. But it makes a strong point, and it was all within a few paragraphs. There’s always room for improvement, and I like how the information was presented. It states some very true points on criticism and how some could take it more personal than others.
There’s a lot to learn in this book, and I like how Bendis handled the explanation on the topics. I especially like the examples given on pitch documents, story outlines, the pros and cons of using a full script, and “a marvel style situation.” The script examples were also nice.
There was never a truer statement—and it applies to all forms of writing. The book stresses the idea of developing your own individual styles, but also offers handy explanations on what different people do when working in groups. So, in the end I enjoyed reading Words for Pictures, and I will definitely keep this book on hand as a reference.
Author: Brian Michael Bendis, Foreword by Joe Quesada
Source/Format: Blogging for Books, Review Copy
Age Range: anyone
Publisher/Publishing Date: Watson-Guptill, July 22, 2014
Goodreads Amazon Barnes & Noble
Book Summary from Goodreads...
One of the most popular writers in modern comics, Brian Michael Bendis reveals the tools and techniques he and other top creators use to create some of the most popular comic book and graphic novel stories of all time.Words for Pictures shows readers the creative methods of a writer at the very top of his field. Full Summary Here
Words for Pictures (The Art and Business of Writing Comics and Graphic Novels) by Brian Michael Bendis, is a great guide for tips on how to structure stories for comics. It also offers an insight into the business aspect of the comic industry, and offers easy guidelines to remember.
“He learned how to fail. This is the key to success” (p.xi).
In the beginning, this book goes over type A and B artists to give an example. But it makes a strong point, and it was all within a few paragraphs. There’s always room for improvement, and I like how the information was presented. It states some very true points on criticism and how some could take it more personal than others.
“If you’re not falling, you’re not really trying hard enough. This book is about falling, and it’s about failing. Any book that offers to provide you with a road map to success in any given field ultimately is about failure" (p.xii).
There’s a lot to learn in this book, and I like how Bendis handled the explanation on the topics. I especially like the examples given on pitch documents, story outlines, the pros and cons of using a full script, and “a marvel style situation.” The script examples were also nice.
“I don’t want you to write like me. I want you to write like you” (p.8).
There was never a truer statement—and it applies to all forms of writing. The book stresses the idea of developing your own individual styles, but also offers handy explanations on what different people do when working in groups. So, in the end I enjoyed reading Words for Pictures, and I will definitely keep this book on hand as a reference.
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