So, I Watched Matilda the Musical

One of the first movies I watched this year was the Matilda the Musical on Netflix. The trailer was enough of a hook, but, my co-blogger, Adri, watched it before I could and recommended it. For context, the 1996 film is one of my favorites. It was charming, but it also had frank commentary mixed in with plenty of literature themes, and creative (and justified) uses for telekinesis alongside a handful of comedic moments. There’s also the narrator, who interjected at just the right moment. So, I was interested in Netflix’s version, since, as I read, it’s an adaptation of the stage musical—which is a version of Matilda I haven’t seen before.

There were notable differences, but I didn’t go in expecting the musical to be a perfect match for the 1996 film. Either way, I was hooked.

The intro is almost whimsical and colorful, but it’s also entirely ironic, given the substance of the majority of the rest of the film. However, it introduced Matilda’s parents as well as her circumstances in a succinct way. To quote Adri, “It’s an intro I didn’t skip.” It also served as an early offering of the kind of musical numbers to expect going forward. And that aspect was really well-done!

Like the earlier movie, the musical didn’t shy away from the tougher subjects present in the titular character’s story. Agatha Trunchbull is still terrible—personality wise, but also by her actions and behavior towards others. But, I liked the way it was handled, especially how some of the song portions accentuated the narrative.

Overall, Matilda the Musical was bittersweet but hopeful, and the ending was expected, especially if you’ve seen the 1996 film. But, after everything, it was entirely satisfying to finally get there.