The Friday 56 (195) & Book Beginnings: Heroine Complex by Sarah Kuhn

   

The Friday 56 is a weekly meme hosted by Freda's Voice where every Friday you pick a book and turn to page 56 or 56%, and select a sentence or a few, as long as it's not a spoiler. For the full rules, visit the the page HERE

Book Beginnings is a weekly meme hosted by Rose City Reader that asks you to share the first sentence (or so) of the book you're reading.

Synopsis from Goodreads...

Being a superheroine is hard. Working for one is even harder.

Evie Tanaka is the put-upon personal assistant to Aveda Jupiter, her childhood best friend and San Francisco's most beloved superheroine. She's great at her job—blending into the background, handling her boss's epic diva tantrums, and getting demon blood out of leather pants. Unfortunately, she's not nearly as together when it comes to running her own life, standing up for herself, or raising her tempestuous teenage sister, Bea. But everything changes when Evie's forced to pose as her glamorous boss for one night, and her darkest secret comes out: she has powers, too. Now it's up to her to contend with murderous cupcakes, nosy gossip bloggers, and supernatural karaoke battles—all while juggling unexpected romance and Aveda's increasingly outrageous demands. And when a larger threat emerges, Evie must finally take charge and become a superheroine in her own right... or see her city fall to a full-on demonic invasion

Beginning: "I peeked over the countertop, tightening my grip on my phone. Its plastic case was slippery with palm sweat. It was a cold sweat, though. No warmth. Never any warmth if I could help it."

56: "Despite the restaurant's name, there didn't seem to be an actual whistle theme to speak of. No collection dotting the walls, no wacky whistle-themed foo items, no "Mr.Whistle" managing the place."

Comments: I recently reread Sarah Kuhn's Heroine Complex. It's such a fun story, and I highly recommend it. What are you reading this week?

I Listened to III by Banks

 

Back in 2019, I never did get around to writing about III by Banks. It was one of the albums I was looking forward to that year, and I listened to it off and on through 2020. Recently, I finally sat down and gave it a proper listen. III is the kind of album that grew on me the more I listened to it, and by February 2021 I had a whole new appreciation for it.

III is a good album. Banks’s vocals are always fantastic, and I can say that the same quality can be found here too. Banks delivers a wide range of sound that incorporates all the hallmarks of pop with a somewhat sharper edge, which often treaded into electronic and synth as well. There weren’t dance tracks here, as the album seemed to favor a heavier sound. It worked well, given the emotionally charged and brooding atmosphere that seemed to be a signature of III—even more so than Banks’s previous album, The Altar.

A song like Stroke comes to mind as a good example of what I mean along with: Godless, Sawzall, Look What You’re Doing To Me, and The Fall among others. All you have to do is pay attention to the lyrics.

Music Monday (150): Laura Mvula, Jocelyn Brown

 Rules:

• Music Monday is a weekly meme hosted by Lauren Stoolfire at Always Me that asks you to share one or two songs that you've recently enjoyed. For the rules, visit the page HERE 

Breana: Laura Mvula is going to have new music later this year, and I'm excited about it. She also recently released an EP with new version of some of her songs and a cover of I'm Still Waiting by Diana Ross. I like all of  the songs on 1/f. Check out the original and the new version of Sing To The Moon.

Andrea: This week I'm listening to Somebody Else's Guy by Jocelyn Brown.

Have an amazing week!

What are you listening to this week?

Short Stories I Read In January

It’s the 26th of February. So it’s time to talk about all of the short stories, miscellaneous posts, and podcast episodes I read or listened to in January.

The Karyōbinga Sings To Jiro by Riyu Ando (Strange Horizons; Issue: 11 January 2021) Note: there is a podcast version of the story available from Strange Horizons

The first short story I read In January was The Karyōbinga Sings To Jiro by Riyu Ando. This was such a simple and lovely story. The writing flowed. The story was good. It seemed to deal with loss, remembrance, and staying in familiar and comfortable places and spaces. It was done so well and overall it was an excellent read.

#Selfcare by Annalee Newitz (Tor.com, January 19, 2021)

#Selfcare is the second short story I tackled in January. It was a lot, and I also loved it. #Selfcare was an easy read with a great message. It’s the kind of story that heavily focuses on social commentary—think gig economy and other topics relevant to today—except there was a slightly paranormal twist and a few hints of horror. This story had a great cast. I really liked Edwina, her friend, and the supporting characters. I also liked the direction Newitz took the plot. Overall, #Selfcare was pretty great.

Your Own Undoing by P H Lee (Apex Magazine, January 19, 2021)

Your Own Undoing was fantastic. It was an engrossing read, and I found it way too easy to really get into this story. For starters, it was written in first and second person, with a narrator telling the events of the story to another character. It was great. Your Own Undoing essentially tells how a scholar and sorcerer takes in a new pupil, whose penchant for darker magic and thirst for knowledge negatively effects everyone around them—specifically the character the story is being told to.

From around the web…

• Truth as Fiction: When the Tiger Came Down the Mountain by Nghi Vo (Alex Brown; Tor.com, January 6, 2020)
• Understanding Horses: Calculated (and Uncalculated) Risk (Judith Tarr; Tor.com, January 11, 2020)
• Sheree Renée Thomas: A Kind of Wonder (Locus Magazine, December 21, 2020)
• Andrea Hairston: Conjure the World (Locus Magazine, January 11, 2021)
• Milk Teeth (Octavia Cade; Uncanny Magazine, Issue Thirty-Eight, January & February) 

I Listened to Coping Mechanisms by Tayla Parx

One artist I’ve had my eye on is Tayla Parx. I knew her first through her work for other artists like Ariana Grande (Thank U, Next) and Khalid (Love Lies, featuring Normani). Her debut studio album was one of my favorites of the year it was released, and since then I’ve been eagerly waiting for the follow-up to We Need to Talk. Well, that second studio album is here. Coping Mechanisms was released on November 20, 2020. I was pretty late getting to the album, but I’m glad I made time to give it a full listen.  

We Need To Talk had a very mainstream pop feel and sound to it. While Coping Mechanisms has a somewhat different tone without losing the essence of its pop roots, and there were other sounds mixed in—think R&B. As a consequence, Coping Mechanisms feels like Tayla Parx honed familiar sounds into a style distinctly her own.

Coping Mechanisms opens with a song called Sad. It had a mellow vibe that acts as a perfect way to ease into what’s to come after. It goes right into Dance Alone, which is one of my top favorite tracks from the album and gives a smooth funky vibe with the guitar and synth sounds in the backtrack. While System—another favorite of mine—had a harder tone and electronic vibes. It was as equally good as the rest of the album. Some of my other top favorites included Fixerupper, Bricks, and Residue.

Coping Mechanisms was a fantastic, fun, and memorable foray into Tayla Parx’s work. It was a solid album, with excellent lyrics and catchy beats found on every track on its twelve song list. I was left with an overall positive impression.