The God of Endings by Jacqueline Holland

Title: The God of Endings
Series: n/a
Author: Jacqueline Holland
Source/Format: Publisher; Paperback ARC
More Details: Fantasy; Historical Fiction; Horror
Publisher/Publication Date: Flatiron Books; March 7, 2023

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Synopsis from Goodreads...

By turns suspenseful and enchanting, this breathtaking first novel weaves a story of love, family, history, and myth as seen through the eyes of one immortal woman

Collette LeSange is a lonely artist who heads an elite fine arts school for children in upstate New York. Her youthful beauty masks the dark truth of her life: she has endured centuries of turmoil and heartache in the wake of her grandfather’s long-ago decision to make her immortal like himself. Now in 1984, Collette finds her life upended by the arrival of a gifted child from a troubled home, the return of a stalking presence from her past, and her own mysteriously growing hunger.

Combining brilliant prose with breathtaking suspense, The God of Endings serves as a larger exploration of the human condition in all its complexity, asking us the most fundamental question: is life in this world a gift or a curse?

One of the books I had my eye on this year was Jacqueline Holland’s The God of Endings. It’s few and far in between that a vampire book catches my attention in the way this one did, but I was intrigued by everything I’d seen about. The synopsis reminded me of The Invisible Life of Addie LaRue—a book I’ve still yet to read—with dual timelines and the exploration of character through the eyes of an immortal across a long period time. Rather than a Faustian bargain like Addie LaRue, The God of Endings has vampires.

This book is a blend of horror, fantasy, and historical fiction. There were many dark aspects of the story, including animal death. It also doesn’t shy from the darkness of history. It's main focus though was the myriad of struggles and all too brief moments of comfort/joy so closely tied into the life of Collette. As a vampire, she lived with the constant turmoil between what she’d been made into—contending with the hunger that comes with it—and her own sense of right and wrong in a reality that was difficult and full of tragedy. The story begins in much of the same manner, joy and sorrow, beginnings and endings. But, that was tied into the themes of the book, which played out in Collette’s present of 1984—as the owner and teacher of an art school for children—and her history beginning in the 1830s as the daughter of a gravestone carver. She didn’t always make the best decisions, reacted with her emotions or on assumptions, but that was the point of the story (where the best/logical/correct action isn't alway the one that's taken). Collette was fallible, but that added another layer of complexity. So, I appreciated the way Holland gradually built the story toward its inevitable conclusion. 

The God of Endings is a slow, contemplative, and meticulously detailed story. As a character study and exploration of the question posed by the synopsis, it worked. And, more often than not, I was anticipating the realizations long before Collette eventually made them. Her story was so haunting, and I was invested from the first page to the very last.

About the author....

Jacqueline Holland holds an MFA from the University of Kansas. Her work has appeared in Hotel Amerika and Big Fiction magazine, among others. She lives in the Twin Cities with her husband and two sons. The God of Endings is her first novel.

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Disclaimer: this copy of the book was provided by the publisher (Flatiron Books) in exchange for an honest review, thank you! 

Music Monday (233): Roy Orbison & Montell Jordan

Rules:

• Music Monday is a weekly meme hosted by Lauren Stoolfire at Always Me that asks you to share one or two songs that you've recently enjoyed. For the rules, visit the page HERE 

Breana: This week, I'm listening Roy Orbison's House Without Windows. It's a really great song, but I picked it because it was in the trailer for the upcoming Haunted Mansion movie (which I'm excited about).

 

Andrea: Hi all! This week I'm listening to This Is How We Do It by Montell Jordan. Have a great week!

What are you listening to this week?

A Deadly Education by Naomi Novik

Title: A Deadly Education
Series: The Scholomance #1
Author: Naomi Novik
Source/Format: Purchased; Paperback
More Details: Fantasy; Young Adult
Publisher/Publication Date: Del Rey Books; September 29, 2020 

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Synopsis from Goodreads...

Lesson One of the Scholomance: Learning has never been this deadly.

A Deadly Education is set at Scholomance, a school for the magically gifted where failure means certain death (for real) — until one girl, El, begins to unlock its many secrets. There are no teachers, no holidays, and no friendships, save strategic ones. Survival is more important than any letter grade, for the school won’t allow its students to leave until they graduate… or die! The rules are deceptively simple: Don’t walk the halls alone. And beware of the monsters who lurk everywhere. El is uniquely prepared for the school’s dangers. She may be without allies, but she possesses a dark power strong enough to level mountains and wipe out millions. It would be easy enough for El to defeat the monsters that prowl the school. The problem? Her powerful dark magic might also kill all the other students.

A Deadly Education has been out for a few years now. At the time when it was initially released, I wasn’t really looking to read any dark academia/fantasy (there was also a controversy because of a passage about dreadlocks; Novik apologized; and the edition I have is a later printing that doesn’t include the text in question). I recently decided to give it a try, since I have liked two of Novik’s novels before.

A Deadly Education’s synopsis and title tells you exactly what kind of story and characters you’re in for. It’s a slower kind of novel where the action is scattered and context is vital for understanding what’s going on. There was something of a social hierarchy and stiff competition between the students, particularly within the ranks of those in enclaves and those outside of them. And there were a few instances of good commentary about it. As for the action, when it did occur, there were some moments of pure horror with nightmarish imagery.

What I really enjoyed about the story was the complexity of the Scholomance as well as how detailed the magic was. It was a harder system, rather than the soft almost whimsical kind found in stories like Lud-in-the-Mist. In A Deadly Education, there were hard rules and clear consequences. As for the Scholomance, it was a complicated machine with a lot of moving parts, literally. On the surface, I wondered why anyone would want to go there, but, as the story explained, the school had a legitimate function in keeping the balance. It didn’t change the fact that it was a dangerous, isolated place full of all sorts of very hungry monsters, where being alone or with others determined whether you would survive or not. Or, at least, having a dependable group gives better odds. The way the actual education portions of the story were structured presented some interesting challenges too, to say the least, but I found the explanations (which were long at some points) pretty engaging regardless.

Galadriel (El) Higgins is grumpy, but her anger felt more like a knee-jerk defensive tactic rather than anything else. Her life has been what seemed like one nightmare after another, and with a dark prophecy hanging over her head, it didn’t make her time at the Scholomance any easier. I like the development her character went through in A Deadly Education, and it was satisfying to see the little changes as they occurred. Orion Lake was interesting. At first appearances, he’s overly strong and incredibly efficient at dispatching the monsters that also inhabited the school. But, he and El were more alike than I’d originally assumed, and the grudging friendship that developed between the two was very entertaining to read as it happened.

There was a host of secondary characters as well—Chloe, Liu, and Aadhya just to name a few. They, like everyone else, had their own motivations and methods for dealing with the challenges the Scholomance presented.

Overall, I had a lot of fun with A Deadly Education.

Short Stories I Read In January

It’s February 28th. So it’s time for the first Short Stories post of 2023. Today, I’m going to talk about the short stories, poetry, miscellaneous posts, and podcast episode I read or listened to in January.

Between the Stones and the Stars by A.L. Goldfuss (Lightspeed Magazine; Jan 2023 Issue 152)

The first story I read in January was Between the Stones and the Stars by A.L. Goldfuss. It’s basically about two lonely travelers (adventurers), a warrior and another with humble beginnings, who arrive at a summit that holds the chalice they both seek. When they meet, it provides something of a crossroad, for both of them. To be honest, it was an interesting concept to open with and one that proved to be an immediate hook. In a way the story turned into something of a character study, particularly in the narrator’s monologue. It was a quick read, but it was one I enjoyed.

Flower, Daughter, Soil, Seed by Eugenia Triantafyllou (Uncanny Magazine; Issue Fifty)

The next (and last) short story I read in January was Flower, Daughter, Soil, Seed. I was really excited to see this one come up, because some of my favorite stories from last year were written by Eugenia Triantafyllou. This story was just as good as the others. It had a real fairy tale-esque feel to it, since the narration starts by recounting the story of a yellow daffodil, and how it eventually spanned into years of a cycle of growing, living, moving or fleeing, death, and then rinse and repeat. The fantastical aspects were tied up in that cycle. And, while only a short time was spent with each generation, the story excelled at making me care about them anyway. All-in-all, this was another great story from Triantafyllou!

From around the web…

• In Search of New Reading Rituals [Molly Templeton; Tor.com; January 12, 2023]
• A (Brief) Love Letter To The Chemistry Of Molecules [Ashley Deng; Clarkesworld; January 2023]
• Print Run Podcast Episode 138: The Books That Made Us
• Our Opinions Are Correct Episode 124: How to build a planet

 

Music Monday (232): Royal Philharmonic Orchestra, Rob Base & DJ EZ Rock

Rules:

• Music Monday is a weekly meme hosted by Lauren Stoolfire at Always Me that asks you to share one or two songs that you've recently enjoyed. For the rules, visit the page HERE 

Breana: This week, my pick is the Royal Philharmonic Orchestra's performance of the Perry Mason theme song (the original is by Fred Steiner). This is one of my favorite mystery/court procedural TV show tunes.  

Andrea: Hi all! This week I'm listening to It Takes Two by Rob Base & DJ EZ Rock. Have a great week!

What are you listening to this week?