We Shall Be Monsters by Alyssa Wees

Title: We Shall Be Monsters 

Series: n/a
Author: Alyssa Wees
Source/Format: NetGalley; eARC
More Details: Fantasy
Publisher/Publication Date: Del Rey; November 12, 2024

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Synopsis from Goodreads...

A dark, lyrical fantasy blending the world of the Fae with the stories mothers tell to keep their daughters safe - and the consequences of disregarding the truth, no matter how sinister.

Gemma lives with her mother in an isolated antique shop in Michigan, near a small patch of woods that conceals an enchanted gateway to fairyland. She knows she's not supposed to go into the woods - her mother Virginia has warned her multiple times about the monsters that lurk there - and yet defiantly, curiously, she goes anyway. Virginia understands her daughter's defiance. She knows the lure of the woods all too well. Her own mother warned her about the monsters that resided there, and she also did not listen. Until a witch cursed her true love, Ash - Gemma's father - into the form of a beast in the days before Gemma's birth. And if Virginia cannot break the curse before her daughter turns fifteen, Ash will eat Virginia's heart and Gemma will belong to the witch. So Virginia will do whatever she can to protect her daughter - even if it means stealing Gemma's memories away. But everything changes when Gemma inadvertently gets too close to the truth, and the witch steals Virginia away instead. Now it is up to Gemma to venture deep into Fae lands to try and rescue her mother and break the curse.

Told in alternating viewpoints between Gemma and Virginia, this lyrical novel is not only a tale of a girl's fantastical quest through a darkly magical fairyland, but also an examination of the complex bonds of love and resentment that lie between parents and their children.

Some of my favorite fantasy tropes include fairies (or fey equivalent) and woods that may or may not be friendly. Novik’s Uprooted and Spinning Silver come to mind, as well as Ava Reid’s A Study in Drowning, which is why I was drawn to the new Alyssa Wees novel, We Shall Be Monsters.

We Shall Be Monsters had fairies, monsters, and an antique shop wrapped up in a story about mothers and daughters and the three generations that have lived next to and seen the good as well as the worst the nearby woods have to offer. Oh, and the breaking of curses and the unraveling of long held secrets. So when the synopsis called this book a “dark, lyrical fantasy,” that description is accurate. We Shall Be Monsters has its whimsical and magical moments, but it was, at its heart, a darker story that, at times, felt much closer to horror. The woods were eerie, dangerous, and inhabited by fairies and other creatures, some friendly, some who offered dubious ties, or even those that were entirely driven by appetite or greed. There was also imagery of body related horror. However, those aspects worked well, since part of what the book tackled overall was the question of what truly makes a monster; and explored the divide between a hero and a killer. The characters made mistakes and payed for them, but they also learned from them. In that regard, We Shall Be Monsters is a nuanced story, and the characters that inhabited the pages were just as complicated.

Generally, I liked how Wees handled the viewpoints. It was first person, but Gemma and her mother, Virginia, each had quirks in the way they were written, which made it easy to tell them apart.

Gemma, like her mother and grandmother before her, was fascinated by the woods and didn’t recognize the danger posed by it, before she was confronted with the truth and tasked with a dangerous quest. Virginia was stuck in the past, figuratively and literally. Her history had everything to do with the issues that arose in the current timeline of the book, affecting not only her, but her daughter as well.

We Shall Be Monsters was, at the end of the day, right up my alley, and I recommend it to anyone looking for a dark fantasy story.

 

About the author....

Alyssa Wees is the acclaimed author of The Waking Forest and Nocturne. She grew up writing stories about her Beanie Babies in between ballet lessons. She earned a BA in English from Creighton University and an MFA in fiction writing from Columbia College Chicago. Currently she works as an assistant librarian in youth services at an awesome public library. She lives in the Chicagoland area with her husband and their two cats.

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Disclaimer: this copy of the book was provided by the publisher (Del Rey) via NetGalley in exchange for an honest review, thank you! 

Music Monday (305): Tempest, Oceans of Slumber, Rose Royce

Rules:

• Music Monday is a weekly meme hosted by Lauren Stoolfire at Always Me that asks you to share one or two songs that you've recently enjoyed. For the rules, visit the page HERE 

Breana: I recently started listening to Tempest's music, specifically her Ep, The Ranch. One of my favorite songs is Worthy. Give it a listen!

Adri: I'm still mostly listening to my metal playlist, and what I currently have on repeat is  Oceans of Slumber's newest album, Where Gods Fear to Speak. My pick for today is The Given Dream.

Andrea: Hi all! This week I'm listening to I Wanna Get Next To You by Rose Royce. Have an amazing week!

What are you listening to this week?

The Friday 56 (250) & Book Beginnings: The Raven King by Maggie Stiefvater

The Friday 56 is a weekly meme hosted by Freda's Voice where every Friday you pick a book and turn to page 56 or 56%, and select a sentence or a few, as long as it's not a spoiler. **Note: Freda @ Freda's Voice is taking a break from The Friday 56; Anne @Head is Full of Books is hosting for now.**

Book Beginnings is a weekly meme hosted by Rose City Reader that asks you to share the first sentence (or so) of the book you're reading.

Synopsis from Goodreads...

All her life, Blue has been warned that she will cause her true love's death. She doesn't believe in true love and never thought this would be a problem, but as her life becomes caught up in the strange and sinister world of the Raven Boys, she's not so sure anymore.

Beginning: "Richard Gansey III had forgotten how many times he had been told he was destined for greatness."

56: "These days, they all had their hands thrust into the sky, hoping for comets."

Comments: I have finally finished reading the first four books of The Raven Cycle series. I liked this one as much as the other three. What are you reading this week?

Music Monday (304): Charli XCX, Caroline Polachek

Rules:

• Music Monday is a weekly meme hosted by Lauren Stoolfire at Always Me that asks you to share one or two songs that you've recently enjoyed. For the rules, visit the page HERE 

Breana: I've been listening to the Charlie XCX's remix album, Brat and it's completely different but also still brat. One of my favorite songs is Everything is Romantic featuring Caroline Polachek.

What are you listening to this week?

Short Stories I Read In September

It’s October twenty-ninth. So it’s time to write about the short stories, miscellaneous posts, and podcast episodes I read or listened to in September.

The 6% Squeeze by Eddie Robson (Uncanny Magazine; Issue Sixty)

The 6% Squeeze by Eddie Robson was an uncanny and engrossing short story (no pun intended) with hints of absurd and horror, about a man—Miles—and the design of a product package, for a brand referred to as “Mr Zeb.” Seems pretty mundane right? Well, the story quickly took a turn, and the instructions for how to design the packaging read like a manual for a cult, as Miles discovers just who he’s doing freelance for. I liked this story. It had a great, eerie atmosphere, and the build-up toward the reveal and the end was tense.

The Music Must Always Play by Marissa Lingen (Clarkesworld Magazine; Issue 216 September 2024)

The next short story I checked out was Marissa Lingen’s The Music Must Always Play. This is the second story I've read from this author this year (the other one was And the Dreams That You Dare to Dream). This one was a first contact story set in Mankato, Minnesota, after an alien ship crash landed. The aliens were significant but also a small part of the story. They weren’t the focus, rather it was the aftermath of the crash, and a linguists, Maryam Mohamed’s, attempts to understand the clues they left behind. There was nothing dramatic, in terms of twists, due to how the emotional arc in this character sturdy was the point. I liked what Lingen did with Maryam. She was a complicated character, who was caught between her dedication to linguistics and the once-in-a-lifetime opportunity to study an alien language and her desire to be closer to her family during her father’s illness. All-in-all, The Music Must Always Play was a good one. 

From around the web…

• The Moonlight Market by Joanne Harris is Full of Charm [Liz Bourke; Reactor Magazine; September 30 2024]