Rules:
Monday, April 21, 2025
Music Monday (314): Banks, Kilo Kish, Muni Long
Wednesday, April 16, 2025
What I've Been Listening To (March)
Banks is one of my all-time favorite artists, and at the end of February, she returned with her latest album: Off With Her Head. This is one of Banks’s best (as well as cohesive) albums to-date, which leaned into this pop and alternative style of sound. Does it experiement as much as Serpentina? Well, no, but Off With Her Head still gets creative with what it does. At the end of the day, it was a VERY "Banks" kind of album, and that’s exactly what I was looking for.
Desires by Giift was an EP which popped up under my Spotify recommendations, and I’m so glad I gave it a chance, because it was fantastic. And, by the end, I was left wanting more. Desires had a particular vibe to it, which I enjoyed. It lands firmly in the R&B space, but it got creative with the sound, particularly on the closing song, All I Need (one of the best tracks).
Nao is another one of my favorite artists, and she was also back with new music. Jupiter was an R&B and Soul album done Nao’s way, and it was incredibly fun to listen to. Tonally, it was almost a sequel to her sophomore release, Saturn, back in October of 2018 (which remains one of my all-time favorite albums). And Jupiter lands pretty high on the list, when it comes to my the stuff I’ve listened to so far in 2025, and I appreciated it for its lighter tone and blend of genres.
Next, I checked out Antidote by SYNGA. This one was also a recommendation, and I was looking for something that had a similar vibe to Banks’s music, to tide me over during the seven days left before Off With Her Head was released. Antidote was moody pop music, so it checked all of those boxes and then some.
Michi is another new-to-me artist (found through a recommendation on Spotify), thanks to her new album, Dirty Talk. This was a solid funk and disco album with lyrics that often delved into the nuances of relationships, which offered a chill/smooth listening experience. If you listen to it, though, it’ll feel a little familiar around the edges, especially if you’ve listened to those genres before in any capacity, but it still feels lively and fresh—basically an updated and unique take while still paying homage to its inspiration.
And, of course, last but certainly not least was one of my most anticipated March releases: Lady Gaga’s Mayham. It was a callback to her other albums, but rather than remaining grounded in a vintage era, it was an upcycled affair doing what Lady Gaga does best with a blend of genres including rock, pop, and funk among others. The singles, Disease and Abracadabra, did have a bit of a different tone and substance than the later end of the album, but it was still a great album and a lot of fun to listen to. And it also reminded me of what makes Lady Gaga a great artist.
Some singles that have made it onto my playlist: Reprogram by Kilo Kish, Cut Up by SAILORR, Butterfly by Marina, Falling In Love by R.A.E., and Anxiety by Doechii.
Friday, April 11, 2025
Thought Corner: Revisiting How To Break Up With Your Phone by Catherine Price Seven Years Later
Even after six years, How To Break Up With Your Phone retains its timeliness, especially with its chapters about social media, memory, and the way technology intersects with our lives, in both helpful and harmful ways. It’s an excellent book. And, even though this was a reread, I was left with plenty to think about by the end of it (essentially food for thought), because when I thought about it, I’m not sure I fully appreciated everything this book does when I first read it. At least, the topic it covers wasn’t as relevant to me then as it is now, especially when lately I’ve been thinking more and more about how I want to engage with the internet and social media.
For example, at the beginning of 2025, I thought I would dust off my old Instagram account and start posting regularly about books again—even if it was only once a week—since I no longer use twitter to share even links to blog posts. But, then Meta changed its policy, and I was left in the same position as before. I know there are other platforms I could try, but I haven’t done that, especially when I know it’s just as easy to post things like reviews and photos to the blog too.
All that to say, How To Break Up With Your Phone offered plenty of information to engage with independently, but it could also serve as a starting point for conversations.
Monday, April 7, 2025
Music Monday (313): Olivier Deriviere, Nova Twins
Rules:
Friday, April 4, 2025
The Friday 56 (253) & Book Beginnings: How To Break Up With Your Phone by Catherine Price
The Friday 56 is a weekly meme hosted by Freda's Voice where every Friday you pick a book and turn to page 56 or 56%, and select a sentence or a few, as long as it's not a spoiler. **Note: Freda @ Freda's Voice is taking a break from The Friday 56; Anne @Head is Full of Books is hosting for now.**
Do you feel addicted to your phone? Do you frequently pick it up “just to check,” only to look up forty-five minutes later wondering where the time has gone? Does social media make you anxious? Have you tried to spend less time mindlessly scrolling—and failed? If so, this book is your solution.
Award-winning health and science journalist and TED speaker Catherine Price presents a practical, evidence-based 30-day digital detox plan that will help you break up—and then make up—with your phone. The goal: better mental health, improved screen-life balance, and a long-term relationship with technology that feels good. This engaging, user-friendly guide explains how our smartphones and apps are designed to be addictive and how the time we spend on them is increasing our anxiety and damaging our abilities to focus, think deeply, form new memories, generate ideas, and be present in our most important relationships. Next, it walks you through an effective and easy-to-follow 30-day plan that has already helped thousands of people worldwide break their phone addictions and feel more fully alive. Whether you need help for yourself or for your family, friends, students, colleagues, clients, or community, How to Break Up with Your Phone is the ultimate guide to digital detoxing. It’s guaranteed to help you put down your phone—and come back to life.
Wednesday, April 2, 2025
Quarterly Recap: January-March (2025)
It’s April…already. Somehow, we’ve made it four months into 2025, and so that means it’s time to look back at everything that’s been happening on the blog for the past three months. As always, I’m starting with reviews.
- A Harvest of Hearts by Andrea Eames
- The Witless Protection Program by Maria DiRico
- Written in the Waters by Tara Roberts
- What I've Been Listening To: January-February
- Doctor Who: Blink, Silence in the Library, and Forest of the Dead
- Short Stories I Read In January
- Nutcracker: The Motion Picture
- Short Stories I Read In February
- What I've Been Listening To: November-December 2024
- Happy New Year!
- New Year, New Stuff
- We're Back & Some House Keeping
Saturday, March 29, 2025
Short Stories I Read In February
This month was a much slower one, so I settled for reading a couple of stories from Naomi Novik’s short fiction collection, Buried Deep and Other Stories. I went into this one knowing I would likely encounter spoilers for Novik’s other series, including The Scholomance (which I have two books left to read). However, it doesn’t bother me or ruin my potential enjoyment, but it is something to keep in mind.
Araminta, Or, The Wreck Of The Amphidrake is the first story in the collection. Lady Araminta often went-against-the-grain, and as the story tells, she was caught reading a spellbook among other things. So a solution was reached: she was going to get married. But, as the way these things typically go in fiction, even the best laid plans can (and often do) go awry. I liked the seafaring and fantasy aspect of this story as well as Lady Araminta’s personality, her practical way of thinking, her inclination toward adventure, and her desire to do anything other than go home and do what was expected. That plus the environmental dangers and a rather inventive solution to Lady Araminta’s problems, made a story I found interesting and ultimately wanted more of.
Then there was After Hours, a story set in the Scholomance (and I believe it takes place after the end of the trilogy), about a mushroom witch who—after finding herself backed into a corner—enacts a desperate plan. But, the rules are there for a reason, and to break them is really at your own peril. And that was, ultimately, part of the lesson in the story for Beata. Oh, and it’s good to have friends/be on friendly terms with your roommate—because the Scholomance had its reasons for pairing people. Honestly, I adored this story, and I reminded me what I loved about A Deadly Education. And, hopefully, maybe, I’ll have time to take a look at the series again, like I did with The Raven Cycle.
From Around the Web…
- Thee Enduring Appeal of Magnificent Trees and Fantasy Forests [Kali Wallace; Reactor Magazine; January 30, 2025]: It's an essay about trees (both real world and of the magical/imagined variety from various works of fiction and media).
- Choose Your Fighter: YA versus Adult [Maggie Stiefvater Substack; December 6, 2024]: I enjoyed this essay from Maggie Stiefvater about her decision/mindset/approach to making the switch from YA to Adult fiction.
Monday, March 24, 2025
Music Monday (312): Michi, Mothica
Rules:
Wednesday, March 19, 2025
What I've Been Listening To: January-February
One type of media which has brought me some measure of joy and relaxation at the current moment is: music. January and February saw the release of some of my most anticipated albums, and with how many of them I enjoyed, the first quarter of 2025 has set the bar pretty high. And with that, welcome back to the music minded corner of Our Thoughts Precisely!
Hurry Up Tomorrow by The Weeknd is supposed to be his last under this particular name. Honestly, this album is a vibe. It was a sequel to Dawn FM and a callback to his previous work, mixing in references, themes, and dark imagery while also pulling in beats which could sound familiar at times but with a fresh take. Hurry Up Tomorrow was contemplative; an album that was in conversation with The Weeknd’s career and discography—the effects of the persona on the person behind the artist—while, at the same time, as the title suggests, it was looking forward.I’m an occasional listener when it comes to Kendrick Lamar, as such his latest album, GNX, wasn’t initially on my radar. However, I circled back to it after his Super Bowl Halftime performance, particularly in search of his collaboration with SZA, Luther, which was one of the songs they performed. GNX felt like a hip-hop and rap album from the early 2000s but with an update. Kendrick Lamar delivers some excellent verses over quality production.
Next, I checked out four artists—The Pocket Queen, ALT BLK ERA, Defences, and Justice— based on Adri’s recommendation.
Justice’s Hyperdrama is a solid electronic album with a number of great features including with Tame Impala (Neverender, One Night/All Night), Thundercat (The End), Miguel (Saturnine), RIMON (Afterimage), Connan Mockasin (Explorer), and The Flints (Mannequin Love).
Then Groove Theory Vol. 1 by The Pocket Queen is a short EP. I really like this artist’s style. Her music is almost like a drumming showcase while it also takes some influence from R&B and disco, for a very smooth listening experience—this is also true for her latest song, Good Vibes featuring Duckwrth.
Shadowlight by Defences and Rave Immortal by ALT BLK ERA scratched my itch for rock music. Shadwlight falls on the heavier side standing firmly in metal. All-in-all, it’s an incredibly enjoyable album. And then there’s Rave Immortal, which is the first of the two rave inspired albums I’ve listened to so far this year. It’s rock and, in the words of Adri, “dubstep,” but it isn’t all fun and game, there are some reflective songs there too (Straight To Heart and Come On Outside for example).
And last, but certainly not least: Eusexua by FKA Twigs. This was my most anticipated release for the first quarter of 2025, and it did everything I hoped it would. It kind of filled the space left by Brat with FKA Twigs’s take on rave. They’re two very different albums, and Eusexua, in particular, has a grungier party vibe—a little strange, a little ethereal—which was complimented by Twigs’s vocals.
Here are some singles which made it onto my playlist: Weight of Desire by Tennis, Disease and Abracadabra by Lady Gaga, Monsters by Nova Twins, Good Vibes by The Pocket Queen featuring Duckwrth, Meddle In The Mold-A Colors Show by Banks, and Butterfly by Marina.
Friday, March 14, 2025
Doctor Who: Blink, Silence in the Library & Forest of the Dead
Where to begin? Well, Blink, for starters, is one of my favorite episodes of Doctor Who. I always remembered it best for the montage of gargoyles and statues at the end, while the Doctor says “Don’t blink,” as well as for the design of the Weeping Angels and the menace they presented in the narrative. What I think is interesting is how little the Doctor and Martha appear in this episode but how impactful they still are to—who is arguably the main character in this story—Sally Sparrow, who is drawn in to this complex web, this almost cat and mouse game.
Then there’s the two part story: Silence in the Library and Forest of the Dead. The Doctor and Donna arrive at a library, one that’s the size of a planet, which presented a whole new complicated and puzzling set of circumstances. How can so many people be saved and yet there are no survivors? And it’s here where the Doctor and Donna’s paths crossed with River Song—who knew more about the Doctor than he knew of her—and a motley crew of explorers, tasked with figuring out what occurred in the library. Like Blink, Silence in the Library and Forest of the Dead was complex, engrossing, and eerie. It was a mission destined to go haywire. And, it had these emotional beats taking place, so when something occurred you kind of experience the horror of the situation as its happening to the characters.
Some of the reasons why these episodes resonate so much with me are because of the non-linear timelines affected how the Doctor and Donna or Martha interacted with other characters. And for the atmosphere, this almost thriller mystery-esque setup that wants to lean more toward horror, and it does with the way the events play out as well as how the Weeping Angels and the Vashta Nerada impact the stories.
It was nice to revisit Blink. And, it was great to finally see how River Song was introduced to the series.

















