Music Monday (61): Tears for Fears

   Rules:

• Music Monday is a weekly meme hosted by Lauren Stoolfire at Always Me that asks you to share one or two songs that you've recently enjoyed. For the rules, visit the page HERE 

Breana: This week, I’m currently listening to one of my all-time favorite songs: Everybody Wants to Rule the World by Tears for Fears. I’ve listened to Lorde’s cover of this song, and while I’m a fan of it, the version I’m talking about today is my favorite….

What are you listening to this week?

Hilda....

I've been waiting for Netflix’s Hilda to come out since I first heard about it on Twitter a while ago. And, this show was delightful. I loved it. I got through most of the series in one day, because once I started watching, I couldn’t stop. Hilda is a show filled with a number of shining qualities. At times, Hilda dealt with serious topics—like the fear of moving to new places, etc.—while also maintaining a balance with lighthearted and fun moments. It was full of charm and whit with excellent dialogue, good animation, and characters I can’t help but want to see more of. Cough, clears throat…Netflix, I need a season two…cough-cough….

One of my favorite things is when fantasy elements—like magic or creatures—sits side by side with the ordinary, and I saw that a lot in this show. Hilda also had some major Gravity Falls vibes going on. And don’t get me wrong, the shows are their own separate things. What I mean by the comparison is the way the fantastical elements were integrated right into seemingly ordinary settings. With Hilda, the attitude toward those elements was a sort of general acceptance with those aspects being just another part of the world at large. And that mindset was more evident the farther into the series I got.

Speaking of the show design, I have to talk about it. It worked so well with the character design—particularly for the elves and giants, etc—as well as the background environments in each scene. And I like the fact that when the characters were small on screen, they were just miniaturized and simplified versions of themselves while maintaining the original integrity of the designs.

Another thing I enjoyed was the overall story. I liked each episode and the lessons Hilda learned through the adventures she went on and the other characters she met. While the focus was on Hilda, the relationship she had with her mother was one of the best things about the show. I liked how involved her mother was—that she knew about Hilda’s “friends” and accepted that—as well as her ability to listen to her daughter when she needed to talk/how they worked through their issues. I was also a huge fan of the secondary characters as well as the elves. They—the elves—were cute and reminded me of stick figures in clothes. I also enjoyed the occasional moments of fourth wall comedy.

Overall, Hilda was a great show. And if you haven’t watched it yet, I highly recommend that you do. And, you know, it’s October. And Hilda is a fall-ish kind of show with supernatural themes perfect to watch during this time of year....

Have you watched Hilda? If so, what are some of your favorite moments? And, if not, would you give the show a try?

Release Day Spotlight: In the Vanishers' Palace by Aliette de Bodard

Today, I'm spotlighting In the Vanishers' Palace by Aliette de Bodard. Check out the gorgeous cover and find out more about the book below....

About the book...

Title: In the Vanishers' Palace

Author: Aliette de Bodard

Series: n/a

More Details: Fantasy

Publisher/ Release Date: JABberwocky Literary Agency; October 16, 2018

Cover art by/cover design by: Kelsey Liggett; Rhiannon Rasmussen-Silverstein and Melanie Ujimori

Synopsis from Goodreads...

From the award-winning author of the Dominion of the Fallen series comes a dark retelling of Beauty and the Beast...

In a ruined, devastated world, where the earth is poisoned and beings of nightmares roam the land... A woman, betrayed, terrified, sold into indenture to pay her village's debts and struggling to survive in a spirit world. A dragon, among the last of her kind, cold and aloof but desperately trying to make a difference. When failed scholar Yên is sold to Vu Côn, one of the last dragons walking the earth, she expects to be tortured or killed for Vu Côn's amusement. But Vu Côn, it turns out, has a use for Yên: she needs a scholar to tutor her two unruly children. She takes Yên back to her home, a vast, vertiginous palace-prison where every door can lead to death. Vu Côn seems stern and unbending, but as the days pass Yên comes to see her kinder and caring side. She finds herself dangerously attracted to the dragon who is her master and jailer. In the end, Yên will have to decide where her own happiness lies—and whether it will survive the revelation of Vu Côn’s dark, unspeakable secrets....

Goodreads     Amazon     Barnes & Noble     Kobo     Google Play

Early Praise....

“Another stellar offering by Bodard. Her signature intensity is on display in this tale of people (and dragons) struggling to survive in the ruins of an alien conquest. Emotionally complex relationships interweave with richly drawn and deftly nuanced world-building.” —Kate Elliott, author of the Court of Fives series

“A transformative experience. With dragons.” —Fran Wilde, Hugo and Nebula nominated author of The Bone Universe and The Gemworld series

"Gorgeously atmospheric queer fantasy (…) Like Jane Eyre if Rochester was a woman plus a dragon."—Zen Cho, author of The Terracotta Bride and Sorcerer to the Crown

About the author...

Aliette de Bodard writes speculative fiction: her short stories have garnered her two Nebula Awards, a Locus Award and two British Science Fiction Association Awards. She is the author of the Xuya continuity, set in a galactic empire inspired by Vietnamese culture (The Tea Master and the Detective, The Citadel of Weeping Pearls, gOn a Red Station, Drifting), and of the Dominion of the Fallen series, set in a turn-of-the-century Paris devastated by a magical war, which comprises The House of Shattered Wings (2015 British Science Fiction Association Award, Locus Award finalist), and its standalone sequel The House of Binding Thorns (2017 European Science Fiction Society Achievement Award, Locus Award finalist). She lives in Paris....

Photo credit:  Lou Abercrombie.

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The Witch 2018 Repaint...

At the beginning of the month, I mentioned that I wanted to get back into making art related posts again. So, one of the things I wanted to do this October was redo some of the art I posted around this time last year. And the one that stood out to me first was the witch watercolor painting I did. I know I can do better now, and that’s the main reason why I wanted to tackle this project. Before I get into the process behind my updated version of this painting, I want to show the old one for comparison.

It’s not bad, but I can see all the places I went wrong on this painting. My layers were too dark too soon, and the colored pencils didn’t blend well at all unlike the Prismacolor ones I’m currently using.

The process…

Going into this project, I knew I wanted to take my time before I put paint to paper. I usually do some planning, but for this one I did more sketches before making a decision on which direction I wanted to go. I’ve been trying to change my process for more detailed pieces. So, I started out by looking at the original version + the old sketches and determining what I liked about them. From there, I made some new sketches for it while keeping in mind that I wanted to keep some of the key features including: the hat, the dress, and the two-tone hair. Once I was happy with the overall look, I started playing around with some of the other aspects of the sketch such as: the hat, and if I wanted to change the position of the arm and add a bird or not. However, I ended up scrapping the latter idea because I wanted to maintain some of the simplicity found in the original. I’d also decided to stick with watercolor and colored pencil instead of using a different medium like digital or acrylic paint.

Once I’d figured everything out, next was my favorite part: the actual painting part of the whole process. I enjoyed this part a lot. I had a loose idea of the colors I wanted to use, and in the end, I didn’t end up using as many darker tones as I thought I would. The purples, blues, oranges, pinks, and reds looked better when side by side with the other painting I’m going to be talking about later this month. After I was fine with where the color was at, I finished the painting off with colored pencil, bronze Sharpie, and little hints of white gel pen….

The finished painting…

Here’s a closer look at it....

Up next, I’m going to be talking about a different painting I worked on that I’ve nicknamed the Spider Bride….

Supply List...

Sakura Koi Watercolors 

Prismacolor Premier Colored Pencils 

Artist Loft Level 2 140lb watercolor paper 

Bronze Metallic Sharpie 

Gelly Roll white gel pen

Review: Mem by Bethany C. Morrow

Title: Mem
Series: n/a
Author: Bethany C Morrow
Source/Format: Borrowed from the library; hardcover
More Details: Science Fiction; Historical
Publisher/Publication Date:

Goodreads     Amazon     Barnes & Noble     Book Depository

Synopsis from Goodreads...

Set in the glittering art deco world of a century ago, MEM makes one slight alteration to history: a scientist in Montreal discovers a method allowing people to have their memories extracted from their minds, whole and complete. The Mems exist as mirror-images of their source ― zombie-like creatures destined to experience that singular memory over and over, until they expire in the cavernous Vault where they are kept. And then there is Dolores Extract #1, the first Mem capable of creating her own memories. An ageless beauty shrouded in mystery, she is allowed to live on her own, and create her own existence, until one day she is summoned back to the Vault....

I was immediately fascinated by the concept of Mem by Bethany C. Morrow. It’s a story that’s centered around extracting memories that become Mems, which linger for months or even years. The Mems are trapped in a single moment of time—often the reason for being extracted in the first place. Sounds terrible, right? Well, from the perspective of a Mem, it is. The case of the narrator differs from other Mems because she was capable of creating her own memories. And that was the greatest aspect of the book. Elsie is Delores Extract #1, and her story was as intriguing as it was, at times, heartbreaking. The circumstances she had to endure because of what she was—through no fault of her own—raised a lot of interesting questions about rights and control of one’s body when others don’t recognize your agency as a person. There was also a mixture of science fiction elements—the memory extractions, and the care of the Mems—as well as historical aspects that had to do with the art deco-esque setting. Overall, Mem left quite an impression for such a short novel. And it’s likely that I’ll end up reading Morrow’s next book....