Rules:
From the New York Times bestselling author of Mexican Gothic and Velvet Was the Night comes a dreamy reimagining of The Island of Doctor Moreau set against the backdrop of nineteenth-century Mexico.
Carlota Moreau: a young woman, growing up in a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula. The only daughter of either a genius, or a madman. Montgomery Laughton: a melancholic overseer with a tragic past and a propensity for alcohol. An outcast who assists Dr. Moreau with his scientific experiments, which are financed by the Lizaldes, owners of magnificent haciendas and plentiful coffers. The hybrids: the fruits of the Doctor’s labor, destined to blindly obey their creator and remain in the shadows. A motley group of part human, part animal monstrosities. All of them living in a perfectly balanced and static world, which is jolted by the abrupt arrival of Eduardo Lizalde, the charming and careless son of Doctor Moreau’s patron, who will unwittingly begin a dangerous chain reaction. For Moreau keeps secrets, Carlota has questions, and in the sweltering heat of the jungle, passions may ignite.
THE DAUGHTER OF DOCTOR MOREAU is both a dazzling historical novel and a daring science fiction journey.
Silvia Moreno-Garcia is the author of Velvet Was the Night, Mexican Gothic, Gods of Jade and Shadow, and many other books. She has won the Locus and British Fantasy awards for her work as a novelist, and the World Fantasy Award as an editor.
Rules:
I’ve listened to The Weeknd on and off over the years. I’ve certainly had my favorite songs. With the release of Star Boy (2016), I started following his music more closely. I enjoyed that album, especially for the collaboration with Daft Punk. After Hours (2020) produced some of my favorite tracks: Blinding Lights, Save Your Tears, Too Late, Hardest To Love, the titular After Hours, etc. It felt reflective, and it was also a tonal shift.
I finally got around to listening to The Weeknd’s 2022 album, Dawn FM. There are no words to describe how much I’ve been enjoying it. I’ve replayed it in full too many times to count, before I finally decided to dedicate a post to it.
The Weeknd does retro pop so well, and each track was precise in its messaging and consistently good in its lyrics and backtracks. All the hallmarks of dance and synth were present, but the album excels at feeling fresh and current. I really can’t name a single song that’s greater than the other, because Dawn FM was just one of those albums where I enjoy every track on its list.
I loved the concept here, as well as the delivery. It was styled after the experience of listening to the radio. Jim Carrey narrates the album, acting as a guide through The Weeknd’s version of purgatory. And the dark imagery I’ve come to associate with his style was present in the music videos that were released in support of Dawn FM.
All that to say: Dawn FM is one of my favorite albums of 2022.
