Music Monday (241): Florence + The Machine, Yukihiro Fukutomi & En Vogue

Rules:

• Music Monday is a weekly meme hosted by Lauren Stoolfire at Always Me that asks you to share one or two songs that you've recently enjoyed. For the rules, visit the page HERE 

Breana: I recently added Just A Girl by Florence + The Machine to my playlist. It's been some time since I listened to this group, but I instantly loved this song the first time I heard it on the trailer for the new season of Yellowjackets.

 

Adri: I'm currently listening to Peace by Yukihiro Fukutomi featuring Lady Alma.

Andrea: Hi All! This week I'm listening to Hold On by En Vogue. Have an amazing week!

What are you listening to this week?

The Thorns Remain by J.J.A. Harwood

Title: The Thorns Remain

Series: n/a
Author: J.J.A. Harwood
Source/Format: NetGalley; eARC
More Details: Historical Fantasy
Publisher/Publication Date: Harper360 & Magpie; May 2, 2023

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Synopsis from Goodreads...

A dance with the fae will change everything

1919. In a highland village forgotten by the world, harvest season is over and the young who remain after war and flu have ravaged the village will soon head south to make something of themselves. Moira Jean and her friends head to the forest for a last night of laughter before parting ways. Moira Jean is being left behind. She had plans to leave once – but her lover died in France and with him, her future. The friends light a fire, sing and dance. But with every twirl about the flames, strange new dancers thread between them, music streaming from the trees. The fae are here. Suddenly Moira Jean finds herself all alone, her friends spirited away. The iron medal of her lost love, pinned to her dress, protected her from magic. For the Fae feel forgotten too. Lead by the darkly handsome Lord of the Fae, they are out to make themselves known once more. Moira Jean must enter into a bargain with the Lord to save her friends – and fast, for the longer one spends with the Fae, the less like themselves they are upon return. If Moira Jean cannot save her friends before Beltine, they will be lost forever…

Completely bewitching, threaded with Highland charm and sparkling with dark romance, this is a fairytale that will carry you away.

I was looking for more stories in the same vein as A River Enchanted and The Fire Endless by Rebecca Ross, which happened to be two of my favorite books from 2022 and all-around an excellent duology full of magic and folklore. So I was intrigued by the way The Thorns Remain was described by its synopsis.

This book wasn’t exactly what I was looking to read at the time, and I found the story to just be fine. And though the synopsis claims that it’s “sparkling with dark romance,” it didn’t really feel very romantic, even as the story was heading toward its conclusion. Instead, Moira Jean’s story was more about manipulation, grief, and co-dependency. Where even the fantasy/folklore aspects kind of served the purpose of highlighting the way her life had stopped moving after a death left her grief stricken and prone to lamenting wistfully for the past. In that regard, the story did work. And Harwood really delved into the themes by presenting a situation where being surrounded by the familiar was almost like a curse in itself. And the relationships Moira Jean still had left (especially with her neighbors), was more often than not marred by a feeling of transaction—particularly with the endless amounts of monotonous and increasingly difficult work being fostered on her. It wasn’t healthy and carried its own bitter cost. And at several points though, I wanted Moira Jean to be angrier for herself, and it took a long time for her to finally admit what she really wanted.

Regarding The Thorns Remain having a romantic subplot—as hinted about in its synopsis—it didn’t really work for me. However, if you look at the story instead as a melancholic character study, it can be appreciated for its exploration of toxic relationships.

About the author....

JJA Harwood is an author, editor and blogger. She grew up in Norfolk, read History at the University of Warwick and eventually found her way to London, which is still something of a shock for somebody used to so many fields. When not writing, she can be found learning languages, cooking with more enthusiasm than skill, wandering off into clearly haunted houses and making friends with stray cats. THE SHADOW IN THE GLASS is her debut novel.

Goodreads     Website     Instagram

Disclaimer: this copy of the book was provided by the publisher (Harper360 & Magpie) via NetGalley in exchange for an honest review, thank you! 

Music Monday (240): The NYChillharmonic

Rules:

• Music Monday is a weekly meme hosted by Lauren Stoolfire at Always Me that asks you to share one or two songs that you've recently enjoyed. For the rules, visit the page HERE 

Breana:  The NYChillharmonic is currently one of my favorite bands, and they recently released a new song. It's called To Covet A Quiet Mind. It's in the same style as their other music, and I love it! 

 

What are you listening to this week?

Short Stories I Read In March

It’s the twenty-ninth of April. So it’s time to talk about the short stories, miscellaneous posts, and podcast episodes I read or listened to in March!

Yingying—Shadow by Ai Jiang (Uncanny Magazine; Issue Fifty-One)

Yingying-Shadow by Ai Jiang is an evocative piece of flash fiction. At its focal point are family issues—between a child and a father—combined with a melancholic atmosphere in the face of a figurative and literal haunting.

The Gratitude of Mice by Yume Kitasei (Strange Horizons; Issue: 6 March 2023)

I didn’t know what to expect going into the Gratitude of Mice by Yume Kitasei, but, like Yingying—Shadow, this story was also short but with a tightly woven (and eerie) narrative. It largely reminded me of folklore Brownies—or tales about other kinds of household spirits—except with mice in the role instead (and a warning about greed). All-in-all, The Gratitude of Mice was a really good read!

Our Exquisite Delights by Megan Chee (Lightspeed Magazine; Mar. 2023 (Issue 154))

I like this story. It’s kind of like the Wayward Children’s series by Seanan McGuire, except the doors can appear to anyone instead of just children. And the portal fantasy aspect is limited to various rooms, which the story describes to the reader with an almost omnipresent narrator. It was an interesting mix of fantasy and horror-ish imagery, so I’ll definitely be on the lookout for more stories by Megan Chee.

From around the web…

• “The Greenery Around Me Held Secrets I Would Never Learn”: Plant Life In Contemporary Science Fiction [Samantha Hind; Clarkesworld Magazine; Issue 198—March 2023]
• Print Run Podcast Episode 159: All The Strange Silences

So...I Played Aggro Crab's Going Under (2020)

If you read my “I’m Back” blog post at the beginning of the year, you’ll know that during my annual break from Our Thoughts Precisely I didn’t do as much reading as I thought I would. The reason for that was simple! Nintendo was having a sale on indie games, and some of the titles I’d had my eye on for a while were marked down to ridiculously good prices. One of the games that kept me preoccupied was Going Under. At the time of the “I’m Back” post, I hadn’t made much progress in the game. However, fast forward to March + a reading slump, I finally beat the main story for Going Under. I had so much fun playing this game!

I liked it, especially for how unusual of a setting it was for a dungeon crawler Roguelike. It was bright, colorful, and the visual design style was very distinct. And the office/ failed startup setting provided the perfect opportunity for plenty of witty/ironic dialogue and commentary. That was combined with the principle storyline. It was a relatively simple straightforward narrative, but with a few surprising (and excellent) twists.

Basically, you play as Jackie, an intern for a drink company (Fizzle), which was acquired by a tech giant. There are three main failed startups to play through—Winkydink, Styxcoin, and Joblin—and each one had its own unique and appropriately business themed environments.

The game drops you right into the first battle then subsequently the first of the dungeons almost immediately, which was a crash course in the game’s battle mechanic. Win or lose the first go around, it was a challenging but fun experience. Weapons don’t last forever, and what you get per room was randomized. There was also the unpredictability of what “Skills” can be applied to the character—only one endorsed skill can be equipped, all others have to be found—which kept a level of interest (and required some strategizing) to the dungeons even after multiple runs. There was also “Business Cards”—which have information about the different monsters and NPCs—and mentors who added extra and helpful perks for navigating the dungeons.

**(Note: there is an assist mode that can be applied to each save profile before logging into the game. You can adjust stats like the amount of hearts you start each dungeon run with, weapon durability, enemy health, and etc..)**

There’s still one other mode to the game, but I can’t speak about that yet since I haven’t delved into it. That being said, overall, I really enjoyed Going Under.

 Check out Going Under's trailer!