Do you ever, on occasion, suddenly think about a band you haven’t listened to in what feels like ages? That’s my story here.
Early in March, I was cleaning up an old playlist, when I revisited my favorite tracks from Alabama Shake’s Sound & Color (2015). There was the vague expectation of more albums, other music, but the band is on indefinite hiatus since 2018. That, however, has spawned projects from its members like the group Sun On Shade and Brittany Howard’s solo career—beginning with Jamie (2019).
What Now, released on February 9, 2024, is Brittany Howard’s sophomore solo album and is also my reintroduction to her music. It was also the release I was least expecting and the one I was most surprised by; I’ve been missing out, because it’s one of the most creative bodies of work I’ve listened to so far this year. There is an infusion of everything from rock, R&B, soul, funk, synth, house, jazz, and electronic. Howard makes it work, and makes it seem effortless while creating a sonically interesting listening experience that showcases her vocals and creativity.
Some of my favorite tracks include Another Day, the titular What Now, Red Flags, and Power To Undo—which instantly made me think of Prince’s music—among others.
What Now is memorable and an absolute delight, and it’s going to stick with me for a while.
Friday, May 3, 2024
I Listened to What Now by Brittany Howard
Monday, April 29, 2024
Music Monday (283): Brittany Howard, Sid Sriram
Rules:
Friday, April 26, 2024
What I've Been Listening To
There has been so much music lately and, between backlist albums and releases from last year I missed, I’m here again with another “What I’ve Been Listening To.” And with that, welcome back to the music minded corner of Our Thoughts Precisely!
If there has been one group that’s come up in my recommendations multiple times in the past, it would be MÃ¥neskin, an Italian rock band. Originally released on January 20, 2023, their album Rush! was reissued in a deluxe version in November last year, called Rush! (Are U Coming?), adding five additional songs. I haven’t explored much of their discography yet, but I listened to this one. I love a good rock album and, when it comes to what I was looking for, Rush! (Are U Coming) ticked a lot of boxes. The guitar solos were fun, and there wasn’t a single point where it felt repetitive. Each song had its own thing going for it, and that’s what I loved most about it. I also like the songs added with the deluxe version, so it opens with Honey (Are U Coming?)—one of my favorites—instead of Own My Mind. But it also added Valentine, a soulful rock ballad accompanied by a black and white music video, and Trastevere, an acoustic track that’s in the same vein as the former. All in all, Rush! (Are U Coming?) was an excellent album.
Moving on, I also checked out Qveen Herby’s most recent EP (extended play). To date, Housewife is one of my favorite bodies of work by Herby, on the same level as Halloqveen (2021). It’s still in her usual style of music, a blend of singing and rapping, but I enjoyed the production—how the beats were arranged—as well as the feature by Oli VVV (which added another layer to the track.) Housewife was another strong EP release from Qveen Herby!
Last but not least, is the BB/ANG3L Experience by Tinashe. This one isn’t a new release per say, since, after all, it is a dance performance that goes with BB/ANG3L. It is a nice way to experience the album outside of its music videos, and it does play around with some of the beats, for example the one for Needs.
Some singles that have made it to my playlist include: In Your Hands by Halle, Overcompensate by Twenty One Pilots, Some Type of Skin by Aurora, Made For Me by Muni Long, Next Semester by Twenty One Pilots, and Saturn by SZA.
That’s all from me for today!
Wednesday, April 24, 2024
I Watched Marry My Husband (2024)
Marry My Husband (which is available to stream on Amazon Prime) is a good adaptation that captures the overall vibe of the series as a whole. But, it’s not a one-to-one 100% accurate adaptation that includes every plot point from the comic. Some of the most marked changes came from how little screen time was devoted to the development of the other relationships outside of the main protagonists (Kang Ji-won, Yoo Ji-hyuk) and antagonists (Park Min-hwan, Jeong Su-min). And instead it centers the story on Ji-won and Ji-hyuk, while also making some smart changes that really emphasized the point of it: of the necessity of Ji-won giving her fate to someone else to avoid the misery, betrayal, and tragedy that jumpstarts the story.
Despite all the changes, this was still a great adaptation. One, the majority of the scenes I wanted to see brought to life was there. Two, the series didn’t mince how awful, controlling, and abusive (including domestic violence) Su-min and Min-hwan actually were. I mean, with friends (and a significant other) like those, who needs enemies?
The back and forth of will Ji-won escape her future or won’t she provided the tension and driving force for the story. It was so fun and satisfying seeing her gain confidence and scheme, because—make no mistakes—this is a story that is as much about taking back control of one’s life and finding happiness just as much as it was about getting revenge. Along the way Ji-won also gained a system of support and genuine friends.
I did like the way they used flashbacks, particularly for scenes where there was conflict and turmoil as well as where the future and the past (Ji-won’s present) overlapped. It revealed more of the characters backstory and also imparted information about sticky situations, without slowing down the narrative too much.
At the end of the day, I liked what they did here. One of the main takeaways is how people could change, and it was those who didn’t (who grew more resolute in their toxicity and capacity to do harm to others for the benefit of themselves) who fared the worst—and justifiably so—in Marry My Husband.
Monday, April 22, 2024
Music Monday (282): Brittany Howard, No Doubt
Rules: