Title: The Mortal Word
Series: The Invisible Library #5
Author: Genevieve Cogman
Source/Format: First to Read; eARC
More Details: Fantasy; Historical
Publisher/Publication Date: Ace; November 27, 2018
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Synopsis from Goodreads...
In the latest novel in Genevieve Cogman's historical fantasy series, the fate of worlds lies in the balance. When a dragon is murdered at a peace conference, time-travelling Librarian spy Irene must solve the case to keep the balance between order, chaos . . . and the Library. When Irene returns to London after a relatively straightforward book theft in Vienna, Bradamant informs her that there is a top secret dragon-Fae peace conference in progress that the Library is mediating, but that the second-in-command dragon has been stabbed to death. Tasked with solving the case, Vale and Irene immediately go to 1890s Paris. Once they arrive, it seems that the murder victim had uncovered evidence suggesting that he may have found proof of treachery by one or more Librarians. But to ensure the peace of the conference, some Librarians are already hostages in the dragon and Fae courts. To save the captives, including her parents, Irene must get to the bottom of this murder—but was it dragon, Fae, or even a Librarian who committed the crime?
The Invisible Library is one of those series that keeps getting better and better. And while I’m guilty of not keeping up with this series as much as I should have—and I really need to—I had no problem reading The Mortal Word. This book was fantastic. The mystery kept me guessing and the action and danger made the story that much more exciting. There was a hefty dose of political intrigue and maneuvering as the Dragons, Fae, and Library all came together for a peace conference.
I have to say that I thoroughly enjoyed this story. Right from the start, it opens with Irene doing what she does best: retrieving books. But as it quickly became apparent, there was so much more going on this time around. There was a multitude of characters in a situation best described as volatile and high stakes. There were a lot of different sides to keep up with such as the Fae and their nature, some of the inner workings of the Dragon society, and how past animosity came into play while trying to make negotiations. So, there was never a boring moment. I also liked all the details about how the idea for the conference came about + all of the danger that came with it. As such, it was interesting to see how the opposing forces affected the setting—an alternative version of Paris—where the story took place.
The overall plot was fantastic, because, I’m going to be honest, there were a lot of characters with dubious motivations who did a number of questionable actions. It’s one of the things that made the mystery at the core of The Mortal Word as interesting as it was, which was why the buildup to the twists were all that more rewarding by the time the book was over. The ending was a satisfying conclusion to The Mortal Word while also leaving room for the story to continue.
The characters from this series have always been interesting, and there were a lot of familiar faces that appeared in The Mortal Word. Irene is, of course, my favorite character. I like her personality. Her job is pretty cool at times. And I also liked how she handled herself during some of the tensest moments of The Mortal Word. There was also Kai, and while he was present, his role was a little more in the background this time. Although, I enjoyed the moments where Kai and Irene got to interact.
All in all, The Mortal Word is one of the best books I’ve read so far this year. It’s effectively renewed my interest in The Invisible Library series. And after that ending, I hope there’s going to be another book after this one. If you’re a fan of this series, then The Mortal Word should be on your TBR list....
About the author...
Genevieve Cogman is a freelance author, who has written for several role-playing game companies. Her work includes GURPS Vorkosigan and contributions to the In Nomine role-playing game line for Steve Jackson Games: contributions to Exalted 2nd Edition and other contributions to the Exalted and Orpheuslines for White Wolf Publishing: Hearts, Swords and Flowers: The Art of Shoujo for Magnum Opus: and contributions to the Dresden Files RPG for Evil Hat Productions. She currently works for the NHS in England in the HSCIC as a clinical classifications specialist. She has had eight books of her series about the multidimensional Library accepted by Tor Books; the first three books, The Invisible Library, The Masked City, The Burning Page, and The Lost Plot are now available: the fifth, The Mortal Word, will be available in November 2018...
Disclaimer: this copy of the book was provided by First to Read for this review, thank you!
Title: Why We Sleep
After a quick search, I discovered that I still have two of my old Beyblades; although, the white one is missing a piece. But, they’re pretty old now. And I was actually surprised that after all these years, the stickers on the orange one are still there and recognizable/readable so I can’t really complain. But that was years ago. However, the funny thing is I just happened to be following NateWantsToBattle when he did the announcement video revealing that he did the vocals for Turbo. I like this song and wish there was a full (longer) version of it to purchase....
Around the time I was working on the witch painting, I did a quick sketch of another idea that I got out of the blue. I didn’t put too much effort into it, because at the time, I was just trying to parse out a general idea of it before I forgot. And ultimately, it didn’t fit with what I was trying to do with the Witch. So the idea landed on a different page, and that’s where it stayed until I decided that I also wanted to paint it. The Spider Bride is one of those sketches that happened to be good to go without too many alterations from the original version. Off to the side of the initial sketch, I played around with the option of doing a gothic cathedral inspired background. However, I ultimately abandoned that idea early on, because I didn’t like how it even appeared alongside the initial sketch for the Spider Bride.
When I mentioned on the Witch post that the color combinations for both paintings complimented each other, I honestly wasn’t kidding. I don’t know why, but I just didn’t go very dark with my color scheme. And the same thing applies for the Spider Bride. Once I started painting, my original warm/dark tones were tossed out the window in favor of the cooler tones I’m currently a fan of.
