Rules:
The Friday 56 is a weekly meme hosted by Freda's Voice where every Friday you pick a book and turn to page 56 or 56%, and select a sentence or a few, as long as it's not a spoiler. For the full rules, visit the the page HERE
Shiori, the only princess of Kiata, has a secret. Forbidden magic runs through her veins. Normally she conceals it well, but on the morning of her betrothal ceremony, Shiori loses control. At first, her mistake seems like a stroke of luck, forestalling the wedding she never wanted, but it also catches the attention of Raikama, her stepmother. Raikama has dark magic of her own, and she banishes the young princess, turning her brothers into cranes, and warning Shiori that she must speak of it to no one: for with every word that escapes her lips, one of her brothers will die. Penniless, voiceless, and alone, Shiori searches for her brothers, and, on her journey, uncovers a conspiracy to overtake the throne—a conspiracy more twisted and deceitful, more cunning and complex, than even Raikama's betrayal. Only Shiori can set the kingdom to rights, but to do so she must place her trust in the very boy she fought so hard not to marry. And she must embrace the magic she's been taught all her life to contain—no matter what it costs her.
From the New York Times bestselling author of Mexican Gothic comes a “delicious, twisted treat for lovers of noir” about a daydreaming secretary, a lonesome enforcer, and the mystery of a missing woman they’re both desperate to find.
1970s, Mexico City. Maite is a secretary who lives for one thing: the latest issue of Secret Romance. While student protests and political unrest consume the city, Maite escapes into stories of passion and danger. Her next-door neighbor, Leonora, a beautiful art student, seems to live a life of intrigue and romance that Maite envies. When Leonora disappears under suspicious circumstances, Maite finds herself searching for the missing woman—and journeying deeper into Leonora’s secret life of student radicals and dissidents. Meanwhile, someone else is also looking for Leonora at the behest of his boss, a shadowy figure who commands goon squads dedicated to squashing political activists. Elvis is an eccentric criminal who longs to escape his own life: He loathes violence and loves old movies and rock ’n’ roll. But as Elvis searches for the missing woman, he comes to observe Maite from a distance—and grows more and more obsessed with this woman who shares his love of music and the unspoken loneliness of his heart. Now as Maite and Elvis come closer to discovering the truth behind Leonora’s disappearance, they can no longer escape the danger that threatens to consume their lives, with hitmen, government agents, and Russian spies all aiming to protect Leonora’s secrets—at gunpoint. Velvet Was the Night is an edgy, simmering historical novel for lovers of smoky noirs and anti-heroes.
Silvia Moreno-Garcia is the author of the novels Velvet Was the Night, Mexican Gothic, Gods of Jade and Shadow, and a bunch of other books. She has also edited several anthologies, including the World Fantasy Award-winning She Walks in Shadows (a.k.a. Cthulhu’s Daughters).
Rules:
At long last, Last Year Was Weird vol. 3 is finally here. This was another one of my most anticipated music releases of 2021, and Tkay Maidza’s third foray into the Last Year Was Weird mixtape series didn’t disappoint.
Besides the singles (Syrup, Cashmere, and Kim featuring Yung Baby Tate), some of top favorites from the mixtape were also Eden, So Cold, High Beams, and Breathe. The only two features (with Yung Baby Tate and UMI) here, were great, and their sections of the songs (Kim and Onto Me respectively) flowed well with Tkay Maidza’s voice.
When I look at the three releases all together, Last Year Was Weird vol. 3 was another strong release with the same high quality as the first two installments. The sound composition and Maidza’s overall delivery of the lyrics on the eight tracks, speaks to a clear artistic vision that blended a host of genres to create some truly memorable tracks.
Footnote: The Guardian actually has a great write up about Last Year Was Weird (HERE), which explained how the idea came about. I highly recommend giving that a read.
