I Listened to What Happened to the Heart? by Aurora

For the past few years I’ve been following Aurora’s music. Her last one, The Gods We Can Touch, was one of my favorite releases of 2022, so I was more than excited for what would come next. Aurora’s fifth studio album was released on June 7, 2024. Titled What Happened to the Heart?, it’s prefaced with a remark about a letter the artist read, which influenced the direction of this latest body of work, and it was to great effect. And with that, welcome back to the music minded corner of Our Thoughts Precisely!

What Happened to the Heart? was supported by a handful of singles—I mentioned a couple of them previously as my picks for different Music Monday posts. These include songs like Your Blood, Some Type of Skin, The Conflict of the Mind, To Be Alight, and Starvation. I already liked what I’d heard, and it built up a high expectation for the album, on my end.

And yet, in the end, I was still surprised, especially hearing the singles in the context of the album as a whole. It created a cohesive listening experience without being repetitive. Every song felt like its own self-contained chapter within the album. It was indie pop with some disco and techno influences, as well as dipping its toes into a folksy flare at times (for example A Soul With No King). It was grounded in the core theme surrounding the question posed by the title, delivered with Aurora’s distinctive vocals. As I mentioned above, everything was done to great effect.

I could go on and on all day about What Happened to the Heart?, but the best way to experience the album is by actually listening to it. This is one of Aurora's best. So, if you can’t tell, I highly recommend it.

Give Me Something Good To Eat by D.W. Gillespie

Title: Give Me Something Good to Eat

Series: n/a 
Author: D.W. Gillespie
Source/Format: NetGalley; eARC
More Details: Middle Grade; Horror
Publisher/Publication Date: Delacorte Press; August 13, 2024

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Synopsis from Goodreads...

Perfect for fans of Hocus Pocus and Stranger Things, this middle grade debut tells the story of a boy who travels into an alternate version of his Halloween-obsessed town to save his sister from an evil witch and free the town from the witch’s curse. 

Fear comes home.Welcome to Pearl, a town obsessed with the spooky decorations, the costumes, the candy. No one seems to notice that every October 31st, a kid goes missing. Mason Miller does, though. Somehow he’s the only one who has any memory the person existed at all.When Mason’s sister, Meg, vanishes while they’re trick-or-treating, Mason and his friends are pulled into an underworld where monsters roam the streets. They need to fight the evil taking over Pearl, but none of them know the true danger they're facing.Meg has been stolen by a witch who has no plans to let her go. Shadows of death curl around trees and behind doorways as Mason must use every ounce of bravery he has . . . or be haunted forever with the memory of a sister that only he remembers.

Living in a town like Pearl, which is obsessed with Halloween, seems like it should be fun, at least in theory anyway. Well, that gets put into frightening perspective in D.W. Gillespie’s new middle grade horror novel, Give Me Something Good to Eat. Billed as perfect for fans of Stranger Things and Hocus Pocus, the story is a magical and nightmarish foray into spells, monsters, and what is functionally a curse lurking under the veneer of what should be all fun and games.

Mason Miller has something better and more important to do than take his little sister, Meg, trick-or-treating. Kids are going missing, and he’s one of the few who remembers. So he enlists the help of his closest friend, Serge. And Meg just wants her brother to go back to how he used to be. Most of the character motivations were simple. Mason wants to be the hero of the story, but his drive to solve the mystery is also far more personal. Serge wants to help out his best friend, while juggling Halloween night and a crush. Meg just wants to have fun and is annoyed when the night isn’t turning out how she wanted. It set up a tense dynamic, which offered an opening to the villains of story. It was, effectively, all about cause and effect, despite the good intentions of the character’s involved—they were just kids, and mistakes were bound to happen.

The Stranger Things and Hocus Pocus comparison is apt. The story, very early on, felt like an echo to the start of the film, while the TV show’s comparison won’t make much sense until after the story takes off, and Meg winds up being the next kid to vanish on Halloween night. That in itself provided one of the more intense sequence of scenes in the novel, where the anxiety, fear, and frustration was almost palpable—but it was only the start. The pop culture references aren’t what make the story. Instead its Gillespine’s spin on the monster genre and creative usage of spells and magic—as well as how intrinsically it was linked to the underlying horror, tension, and stakes of Give Me Something Good to Eat—that does.

Give Me Something Good to Eat is another good foray into middle grade horror, and I would recommend it to those who have enjoyed books like It Came From the Trees by Ally Russell and Bumps in the Night by Amalie Howard.

 

About the author....

A long time fan of all things dark and spooky, D.W. Gillespie began writing monstrous stories while still in grade school. At one point, his mother asked the doctor if there was anything she should be concerned about, and he assured her that some kids just like stories about decapitations. He's been writing on and off for over a decade, quietly building a body of work that includes horror and dark sci-fi. His novels include Still Dark, The Toy Thief, and a short story collection titled Handmade Monsters. He lives in Tennessee with his wife and two kids, all three of which give him an endless supply of things to write about

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Disclaimer: this copy of the book was provided by the publisher (Delacorte Press) via NetGalley in exchange for an honest review, thank you! 

Holly Horror: The Longest Night by Michelle Jabès Corpora

Title: Holly Horror: The Longest Night

Series: Holly Horror #2
Author: Michelle Jabès Corpora
Source/Format: NetGalley; eARC
More Details: Young Adult; Horror; Paranormal
Publisher/Publication Date: Penguin Workshop; August 13, 2024

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Synopsis from Goodreads...

In this terrifying sequel, Evie Archer and her friends face a new evil ready to devour their town whole.

Find him, find me. It's been two weeks since Evie escaped the mines after solving the mystery of Holly's disappearance only to discover that Desmond followed her but never came back. Evie knows he’s alive, lost wherever the Patchwork Girl resides. When Evie tries to reach out to Holly again for help, she realizes that her connection to the Lost Girl—and the shadow world itself—has been severed. Desmond is gone, and it’s all her fault. Ravenglass slowly begins to move on from the tragedy of losing Desmond, but as winter creeps closer and the days grow shorter, a sinister being begins to threaten the lives of Ravenglass residents, stealing them away and bringing them back different. Wrong.Evie knows that the only way to stop it is to connect to Holly again. With the help of her friend Tina, and the troubled newcomer Sai, Evie begins to follow the clues Holly left behind, determined to find the Lost Girl once more, at any cost.

I read Holly Horror last year. And while it was a good story overall—and relatively self-contained—by the end there were still some lingering mysteries as well as the massive curveball thrown by the cliffhanger. As the saying goes, out of the oven and into the frying pan. So its sequel, titled Holly Horror: The Longest Night, was near the top of my list of sequels releasing in 2024. And it’s one of my favorites too.

Holly Horror: The Longest Night took what I liked about the previous installment and carried it over into Evie Archer’s second adventure, which pitted her against the shadowy and menacing forces buried beneath the town of Ravenglass.

Part of The Longest Night had aspects of a coming of age story, where Evie had to confront her past—her strained relationship with her father as well as her history with Holly Hobbie and Sarah Flower. She had a lot to work through in her personal life too. She was dealing with grief and guilt, which was tangled with the fallout from Holly Horror’s ending. And, considering how, in the previous book, she’d erroneously assigned blame to herself for the collapse of her family. She’d had this habit of hiding her emotions as well as her distrust of those who she should’ve been able to confide in the most, and it had opened her up to supernatural manipulation. In The Longest Night, enough time was devoted to fully exploring and resolving the complicated nature of Evie’s familial ties and her relationship to the abilities she was just beginning to accept. Her character arch is one of my favorite parts of this story.

On the other hand, the story had this creeping sense of dread, which was always in the background casting a shadow (both literally and figuratively) over the events of the story. One of the pivotal characters of these books, Desmond King, was missing. And the story was, ultimately, something of a race against time. And it was the case: Would they be able to save him or not? I knew something bad was going to go down, and it was about seeing when and how the shoe was going to drop. And Corpora did this to great effect, subtly building a mystery full of secrets around the spookiest aspects of The Longest Night.

The ending was effective with resolving the above mentioned mysteries, and even offered clarity to the tragedy that had given Hobbie House its nickname. Suffice it to say, the questions Holly Horror had left behind were more than answered in its sequel.

So, I got everything I was looking for out of Holly Horror: The Longest Night. It works as a sequel, and sufficiently wrapped up the story in a way that was satisfying for the mystery as well as the characters. And, if you’ve read Holly Horror, then this one is a must read.

 

About the author....

Michelle Jabès Corpora is a writer, editor, and martial artist. In addition to working in the publishing industry for more than seventeen years as an editor and concept developer, she is the author of two historical novels for middle grade readers, two horror novels for young adult readers, and soon-to-be the author of the Children of Khetara fantasy series for Young Adults. She has also ghostwritten five novels in a long-running middle grade mystery series. In her spare time, Michelle trains in Brazilian Jiu-Jitsu as a blue belt at Crazy 88 MMA, and enjoys making home-cooked meals, doing tarot readings, and playing Dungeons & Dragons with her friends. Michelle lives in Maryland with her husband, two daughters, two guinea pigs, and a dog named Charlie.

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Disclaimer: this copy of the book was provided by the publisher (Penguin Workshop) via NetGalley in exchange for an honest review, thank you! 

Music Monday (295): Tems, John Waite

Rules:

• Music Monday is a weekly meme hosted by Lauren Stoolfire at Always Me that asks you to share one or two songs that you've recently enjoyed. For the rules, visit the page HERE 

Breana: My original pick for the week was Do You Feel? by Aurora, but when I noticed the video was unavailable, I decided to change it. So instead I wanted to mention another one of my favorite songs from Tems' latest album (Born in the Wild). Check out Unfortunate!

Andrea: Hi all! This week I'm listening to Missing You by John Waite. Have an amazing week!

What are you listening to this week?

I Listened to Megan by Megan Thee Stallion

Another June release I was waiting for was Megan Thee Stallion’s self-title third studio album, Megan. This is her first major release under her independent label (Hot Girl Productions), since leaving her old record label. It was supported by three singles, Boa, Hiss, and Cobra. And with that, welcome back to the music minded corner of Our thoughts Precisely!

If you’ve listened to any of Megan Thee Stallion’s music before, then you pretty much know what to expect. For me, though. Megan was like a palate cleanser after all the other music I listened to and wrote about in June. It was released on the twenty-eighth, so it capped off the month quite nicely. Its solid hip-hop and rap with Megan Thee Stallion’s lightning quick lyric delivery and a creative direction in terms of beats, samples, and pop culture references (for the latter look no further than Boa and it’s video game inspiration as well as and Otaku Hot Girl, which had lyrics about Naruto and Jujutsu Kaisen).

Some of it was introspective—such as the single Cobra, which on the album was preceded by Moody Girl (the two complimented each other tonally). On other avenues, parts of the album showcased Megan Thee Stallion’s interests (Boa and Otaku Hot Girl). Plus it had good mixture of features: Kyle Richh on B.A.S., Yuki Chiba on Mamushi, GloRilla on Accent, Victoria Monet on Spin, UGK on Paper Together, and Big K.R.I.T. with Buddah Bless on Miami Blue.

Megan Thee Stallion knocked it out of the park with Megan. It was creative and just enjoyable to listen to.