Haunt Sweet Home by Sarah Pinsker

Title: Haunt Sweet Home

Series: n/a
Author: Sarah Pinsker
Source/Format: NetGalley; eARC
More Details: Paranormal; Novella
Publisher/Publication Date: TorDotCom; September 3, 2024

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Synopsis from Goodreads...

On the set of a kitschy reality TV show, staged scares transform into unnerving reality in this spooky ghost story from multiple Hugo and Nebula Award-winning author Sarah Pinsker.

“Don’t talk to day about what we do at night.”

When aimless twenty-something Mara lands a job as the night-shift production assistant on her cousin’s ghost hunting/home makeover reality TV show Haunt Sweet Home, she quickly determines her new role will require a healthy attitude toward duplicity. But as she hides fog machines in the woods and improvises scares to spook new homeowners, a series of unnerving incidents on set and a creepy new coworker force Mara to confront whether the person she's truly been deceiving and hiding from all along―is herself.

Eerie and empathetic, Haunt Sweet Home is a multifaceted, supernatural exploration of finding your own way into adulthood, and into yourself.

I’ve mentioned SurrealEstate on the blog before. Well, its second season had an episode that was essentially a parody (or recreation) of a ghost hunting show. It was comedic but also told a heartfelt story about the fictional show’s host, a parallel to the interpersonal arc of Luke Roman. The concept was simple: manufactured haunting on a niche show that inevitably encounter a scenario outside of their control. So I’m more than familiar with a setup like that, which was why I was looking forward to Sarah Pinsker’s latest, a novella called Haunt Sweet Home.

It’s no secret: I like house stories (or stories involving houses). It’s why a show like SurrealEstate was so appealing, and Haunt Sweet Home fell into that same category. It combined home renovation and supposedly haunted properties into the titular show, while also shaping up into a narrative of self-discovery for the story’s main character, Mara Billings.

Mara started things but never committed; she often thought of herself as the black sheep of her family and was uncertain of her future and struggled with building connections with others. So when she gets the opportunity to work for her cousin’s niche show as a production assistant for the night crew, she’s hopeful it’ll be the thing to stick. It wasn’t an easy job. However, half the fun of the story for the reader, was watching the scenarios unfold/ the show being filmed as well as how Mara would handle being so far outside of her element, with a secondary cast also navigating a cut throat environment. Mara was sympathetic but also at times abrasive. However, I liked the nuance of Pinsker’s characterization of Mara. She almost haunted the narrative, even when she wasn’t fulfilling the role of a ghost. So when the inevitable confrontation happens, the proverbial shoe drop, when she could no longer run from herself, the emotional payoff was just chef’s kiss.

In Haunt Sweet Home the houses were secondary while much of the page space was devoted to a great ghost story and an exceptional character exploration. I highly recommend this one!

 

About the author....

Sarah Pinsker is the author of over fifty works of short fiction, two novels, and one collection. Her work has won four Nebula Awards (Best Novel, A Song For A New Day; Best Novelette, "Our Lady of the Open Road," Best Novelette, "Two Truths And A Lie," Best Short Story, "Where Oaken Hearts Do Gather,"), two Hugo Awards ("Two Truths And a Lie" and "Where Oaken Hearts Do Gather"), the Philip K Dick Award, the Locus Award, the Eugie Foster Award, and the Theodore Sturgeon Award, and been nominated for numerous Nebula, Hugo, Locus, and World Fantasy Awards. Her fiction has been published translated into almost a dozen languages and published in magazines including Asimov's, Strange Horizons, Fantasy & Science Fiction, and Uncanny and in many anthologies and year's bests. Sarah's first collection, the Philip K Dick Award winning Sooner or Later Everything Falls Into the Sea: Stories, was published by Small Beer Press in March 2019, and her first novel, A Song For A New Day, was published by Penguin/Random House/Berkley in September 2019. Her latest book is We Are Satellites, published in May 2021. Her second collection, Lost Places, will be published by Small Beer Press in March 2023. She is also a singer/songwriter with four albums on various independent labels (the third with her rock band, the Stalking Horses). She lives in Baltimore, Maryland and can be found online at sarahpinsker.com and twitter.com/sarahpinsker.

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Disclaimer: this copy of the book was provided by the publisher (TorDotCom) via NetGalley in exchange for an honest review, thank you! 

Music Monday (297): Aurora, K. Michelle

Rules:

• Music Monday is a weekly meme hosted by Lauren Stoolfire at Always Me that asks you to share one or two songs that you've recently enjoyed. For the rules, visit the page HERE 

Breana: This week I wanted to mention another one of my favorite songs from Aurora's What Happened to the Heart? This one is called The Blade.

Andrea: Hi all! This week I'm listening to A Mother's Prayer by K. Michelle. Have an amazing week!

What are you listening to this week?

Devil is Fine by John Vercher

Title: Devil is Fine
Author: John Vercher
Source/Format: Celadon Books; Paperback ARC

More Details: Literary Fiction; Contemporary Fantasy
Publisher/Publication Date: Celadon Books; June 18 2024

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Synopsis From Celadon:

Reeling from the sudden death of his teenage son, our narrator receives a letter from an attorney: he has just inherited a plot of land from his estranged grandfather. He travels to a beach town several hours south of his home with the intention of immediately selling the land. But upon inspection, what lies beneath the dirt is much more than he can process in the throes of grief. As a biracial Black man struggling with the many facets of his identity, he’s now the owner of a former plantation passed down by the men on his white mother’s side of the family.

Vercher deftly blurs the lines between real and imagined, past and present, tragedy and humor, and fathers and sons in this story of discovery—and a fight for reclamation—of a painful past. With the wit of Paul Beatty’s The Sellout and the nuance of Zadie Smith’s On Beauty, Devil Is Fine is a darkly funny and brilliantly crafted dissection of the legacies we leave behind and those we inherit.

When I finished reading Devil is Fine by John Vercher, I had so many initial thoughts that it made it difficult to summarize what I felt about it. And I didn't even know where to start.

So I guess I'll start with the story. It revolves around the unnamed narrator's identity and the throes of that. While it mostly seemed to pertain to his professional life and having to deal with owning a plantation, it was also carefully woven into a story about a man dealing with grief and somehow coming to terms with where he is in life. Of course it was not a smooth road since there were odd and disconcerting experiences along the way. He was aided by the occasional words of wisdom from the more frequent characters, Freddy and Clarence. A bar owner and frequent bar customer respectively, their own life and experiences tended to add a different angle to what the narrator was going through. On the flip side, there were a lot of times where I wondered just why he was doing what he was, but some of that was answered much later on.

Another thing I noticed was the writing. It's in first person and begins shortly before the burial of the narrator's son, Malcolm. From the beginning to the end, the main character often thinks of and addresses him while chronicling his ongoing life. Sometimes he would wonder what Malcolm would say if he was there during a conversation, for example. Along with the main character's musings, it is mainly through occasional chapters in between that showed who Malcolm was growing up. I honestly wasn't sure how I felt about these chapters at first. But, about half way through, I felt it both added to and left breathing room from the tension that was building throughout the book. Some of that was also probably from the general back and forth of the current time and various past memories from the narrator's own life and experiences.

Speaking of that tension, I was constantly on the edge of my seat wondering what was going to happen next. Some of the story was predictable for me. But there were parts that weren't at all. The conclusion and ending are an examples of both of these feelings. Based on a few pages of conversations beforehand, I had thought that a particular scene was going to go a certain way. But I was wrong. Instead it was rather mundane (for the lack of more spoiler-y but probably better words I could use). It is at this point the character growth is fully realized with many truths coming to light. Even being a little sad and grim, overall it definitely felt more in line and satisfactory with the way the bulk of the story was written. So I was somewhat happy to be wrong. As for the last pages, the end? Well, it was a tear jerker.

As a whole, I truly liked Devil is Fine. The surreal nature of it, dialogue, complicated relationships, and even the tougher, more serious tones mixed with some lighter ones. All that to say, it became a page turner and I really enjoyed reading it.

Thanks for reading!

Disclaimer: I received an ARC copy of this book from Celadon Books for this review. Thank you!

Note: this review was originally posted on Toile, Think, Go (HERE)

Music Monday (296): Remi Wolf

Rules:

• Music Monday is a weekly meme hosted by Lauren Stoolfire at Always Me that asks you to share one or two songs that you've recently enjoyed. For the rules, visit the page HERE 

Breana: I'm currently listening to Remi Wolf's latest album, Big Ideas. One of my favorite songs is Soup.

What are you listening to this week?

I Listened to What Happened to the Heart? by Aurora

For the past few years I’ve been following Aurora’s music. Her last one, The Gods We Can Touch, was one of my favorite releases of 2022, so I was more than excited for what would come next. Aurora’s fifth studio album was released on June 7, 2024. Titled What Happened to the Heart?, it’s prefaced with a remark about a letter the artist read, which influenced the direction of this latest body of work, and it was to great effect. And with that, welcome back to the music minded corner of Our Thoughts Precisely!

What Happened to the Heart? was supported by a handful of singles—I mentioned a couple of them previously as my picks for different Music Monday posts. These include songs like Your Blood, Some Type of Skin, The Conflict of the Mind, To Be Alight, and Starvation. I already liked what I’d heard, and it built up a high expectation for the album, on my end.

And yet, in the end, I was still surprised, especially hearing the singles in the context of the album as a whole. It created a cohesive listening experience without being repetitive. Every song felt like its own self-contained chapter within the album. It was indie pop with some disco and techno influences, as well as dipping its toes into a folksy flare at times (for example A Soul With No King). It was grounded in the core theme surrounding the question posed by the title, delivered with Aurora’s distinctive vocals. As I mentioned above, everything was done to great effect.

I could go on and on all day about What Happened to the Heart?, but the best way to experience the album is by actually listening to it. This is one of Aurora's best. So, if you can’t tell, I highly recommend it.