Rules:
Monday, November 4, 2024
Music Monday (304): Charli XCX, Caroline Polachek
Tuesday, October 29, 2024
Short Stories I Read In September
The 6% Squeeze by Eddie Robson (Uncanny Magazine; Issue Sixty)
The 6% Squeeze by Eddie Robson was an uncanny and engrossing short story (no pun intended) with hints of absurd and horror, about a man—Miles—and the design of a product package, for a brand referred to as “Mr Zeb.” Seems pretty mundane right? Well, the story quickly took a turn, and the instructions for how to design the packaging read like a manual for a cult, as Miles discovers just who he’s doing freelance for. I liked this story. It had a great, eerie atmosphere, and the build-up toward the reveal and the end was tense.
The Music Must Always Play by Marissa Lingen (Clarkesworld Magazine; Issue 216 September 2024)
The next short story I checked out was Marissa Lingen’s The Music Must Always Play. This is the second story I've read from this author this year (the other one was And the Dreams That You Dare to Dream). This one was a first contact story set in Mankato, Minnesota, after an alien ship crash landed. The aliens were significant but also a small part of the story. They weren’t the focus, rather it was the aftermath of the crash, and a linguists, Maryam Mohamed’s, attempts to understand the clues they left behind. There was nothing dramatic, in terms of twists, due to how the emotional arc in this character sturdy was the point. I liked what Lingen did with Maryam. She was a complicated character, who was caught between her dedication to linguistics and the once-in-a-lifetime opportunity to study an alien language and her desire to be closer to her family during her father’s illness. All-in-all, The Music Must Always Play was a good one.
Monday, October 28, 2024
Music Monday Halloween Edition (2024)
Rules:
Friday, October 25, 2024
Sabriel by Garth Nix
Series: The Old Kingdom #1
Author: Garth Nix
Source/Format: Purchased; Paperback
More Details: Fantasy
Publisher/Publication Date: Harper Collins; January 1, 1995
Goodreads
Synopsis from Goodreads...
As a child, Sabriel was sent across the Wall to Ancelstierre to safety. Now eighteen years old, she receives a cryptic and desperate message from her father, the Abhorsen—the magical protector whose task it is to bind and send back to Death those who won’t stay Dead. Fiercely determined to help her father, who is perilously trapped in Death, and save him from the sinister Free Magic entity that has somehow ensnared him, Sabriel must prepare to enter Death herself—and find her destiny. To preserve life, the Abhorsen must enter death.
Sabriel was a phenomenal novel, and had almost everything I love about fantasy. There was a good deal of traveling the main character, Sabriel, undertook during her adventure. However, each step of the way presented its own pitfalls, ensuring the story kept a sense of urgency. It was part cat-and-mouse game, part fetch quest, and there was no happy ending guaranteed in a story that dealt with so much death.
The magic had a cool system, essentially necromancy, which required literally stepping into death as well as a set of very particular bells. I loved this aspect of the story and the details that went into developing it. After all, each bell was imbued with a different power—and had varied consequences for ringing them—which only added another layer of detail to a magic system that was already working within a clear set of relatively unique rules.
There were two primary places where the story took place. There’s Ancelstierre, where Sabriel attended Wyverly College, which—although a fantasy country—could have been reality, albeit a historical time period. There were cars, electricity, and even weapons. The Old Kingdom, by contrast, was pure fantasy and entirely bleak; a place that was clearly on the losing side of a conflict. And it was into the horror left behind and the grueling battle against “those who won’t stay dead,” that Sabriel enters as a begrudging player, in the grand scheme of things. She didn’t want the job, more than that, however, she wanted to find her father, the Abhorsen. And her anxiety is part of what propels the story, at least early on, before she gained allies and came to understand the greater danger posed to everything and everyone. As a result, the story had intensity to it, and I enjoyed every second of it.
All in all, I adored this novel, and I’m looking forward to eventually continuing with this series.
Wednesday, October 23, 2024
I Listened to Alligator Bites Never Heal by Doechii
Doechii is one of my favorite rappers recently, alongside the likes of Megan Thee Stallion. 2024 has been a busy year, with numerous releases including standalone singles like Alter Ego featuring JT and Pacer, and a series called Swamp Sessions—which proceeded the release of this mixtape. Titled Alligator Bites Never Heal, Doechii’s latest was released on August twenty-third. And with that, welcome back to the music minded corner of Our Thoughts Precisely!
Doechii is a great rapper, as proven by her earlier work, and that trend continued with this mixtape. This is some of her best work and, honestly, it didn’t even feel like a mixtape while I was listening to it. If someone told me this was an album, I’d buy it—I had a similar opinion about FKA Twigs mixtape, Caprisongs.
Alligator Bites Never Heal is grungy, reflective, open, and defined by some incredible flows and production that tended to get creative (for example Boiled Peanuts, GTFO, and Skipp). It felt, at times, like hip-hop and rap from the early 2000s and 90s with a classic/timeless vibe. There was everything from the bite-size Swamp Sessions songs on the album (Bullfrog, Catfish, Nissan Altima, and Boom Bap), to the reflective intro Stankapoo, and the almost pop adjacent Beverly Hills where Doechii shows off her singing chops. There are plenty of other great songs on this one too like Fireflies, HUH, and Wait, just to name a few.
So, Alligator Bites Never Heal was a great collection of music from Doechii.