Friday, April 12, 2024

The Friday 56 (247) & Book Beginnings: Cathedral, Forge, and Waterwheel: Technology and Invention in the Middle Ages by Frances & Joseph Gies

The Friday 56 is a weekly meme hosted by Freda's Voice where every Friday you pick a book and turn to page 56 or 56%, and select a sentence or a few, as long as it's not a spoiler. **Note: Freda @ Freda's Voice is taking a break from The Friday 56; Anne @Head is Full of Books is hosting for now.**

Book Beginnings is a weekly meme hosted by Rose City Reader that asks you to share the first sentence (or so) of the book you're reading.


Synopsis from Goodreads...
In this account of Europe's rise to world leadership in technology, Frances and Joseph Gies make use of recent scholarship to destroy two time-honored myths.

Myth One: that Europe's leap forward occurred suddenly in the Renaissance, following centuries of medieval stagnation. Not so, say the Gieses: Early modern technology and experimental science were direct outgrowths of the decisive innovations of medieval Europe, in the tools and techniques of agriculture, craft industry, metallurgy, building construction, navigation, and war. Myth Two: that Europe achieved its primacy through Western superiority. On the contrary, the authors report, many of Europe's most important inventions--the horse harness, the stirrup, the magnetic compass, cotton and silk cultivation and manufacture, papermaking, firearms, Arabic numerals--had their origins outside Europe, in China, India, and Islam. The Gieses show how Europe synthesized its own innovations--the three-field system, water power in industry, the full-rigged ship, the putting-out system--into a powerful new combination of technology, economics, and politics. From the expansion of medieval man's capabilities, the voyage of Columbus with all its fateful consequences is seen as an inevitable product, while even the genius of Leonardo da Vinci emerges from the context of earlier and lesser-known dreamers and tinkerers.


Beginning: "In the centuries following the Middle Ages, thinkers of the European Enlightenment looked back on the previous period as a time "quiet as the dark of the night," when the world slumbered and man's history came to "a full stop.""

56: "When European horsemen finally adopted the stirrup and matched it with the contoured saddle, they gained a dramatic advantage."


Comments: This book has, admittedly, been on my shelf for a while. I was in the mood for nonfiction and finally picked it up. I enjoyed it. What are you reading this weekend?

Wednesday, April 10, 2024

I Listened to World Wide Whack by Tierra Whack

 
Tierra Whack is one of my favorite artists. She is creative and unafraid to experiment and take risks with her music—i.e. her debut album, Whack World (2018), had fifteen songs and none of them were longer than one minute in length. So, when Tierra Whack is involved, I’ve come to expect the unexpected. And with that, welcome back to the music minded corner of Our Thoughts Precisely!

Don’t let the cheery, quirky, and colorful imagery—or its most lighthearted tracks like Shower Song and Moovies—fool you. Tierra Whack’s new album, World Wide Whack, released on March fifteenth, is a deep, contemplative body of work that often approaches (and examines) darker topics—think depression and so forth. It opens with Mood Swing, setting the tone for what’s next. And then it transitions into tracks like Ms Behave, Difficult, and Numb, before ending with 27 Club—which really drove home the themes and statements present on the album.

Tierra Whack’s production is always quite interesting to take a look at, and it’s a highlight of the album. She can catch a beat when rapping (Ms Behave, Snake Eyes, and X), and the background music perfectly meshed with her vocals and, ultimately, suited the tone of any given track, even if it didn’t seem like it would work.

As far as second albums go, World Wide Whack is an excellent one.

Monday, April 8, 2024

Music Monday (280): Beyoncé, Lion Babe, WILLOW

Rules:

  • Music Monday is a weekly meme hosted by Lauren Stoolfire at Always Me that asks you to share one or two songs that you've recently enjoyed. For the rules, visit the page HERE 
Breana: I'm still listening to Cowboy Carter. Another one of my favorite songs is Beyoncé and Miley Cyrus's duet, II Most Wanted.


Adri: I'm listening to So Pretty by Lion Babe. I absolutely love how cheery it sounds.


Andrea: Hi all! This week I'm listening to Symptom of Life and Wait a Minute by WILLOW. I hope everyone has an amazing week!




What are you listening to this week?

Friday, April 5, 2024

I Listened to Act ii: Cowboy Carter by Beyoncé

I’ve been anticipating the next part of Beyoncé’s trilogy project, which began with Renaissance’s release in 2022. Now, about two years later, she’s returned with Act ii: Cowboy Carter, which was supported by two singles (16 Carriages, Texas Hold ‘Em) released on February 11th, after a commercial that aired during this year’s Super Bowl. And with that, welcome back to the music minded corner of Our Thoughts Precisely!

When Beyoncé said Cowboy Carter was a Beyoncé album, rather than just a country one, she was telling the truth. There are hallmarks of the genre present throughout, but it’s a Beyoncé album: pitch switches, harmonies, and superb production with incredibly smooth transitions. As a follow up to Renaissance—one of my favorite albums—Cowboy Carter, with twenty-seven tracks, exceeded my expectations. From the artists she collaborated with, to covering classics— with Jolene and BlackBiird—with minimal (but meaningful) changes, to a wealth of original material, Cowboy Carter is an experience. It’s one that’s almost cinematic in the way it handles its concept and themes as well as smaller details—like having a full circle moment between the opening (Ameriican Requiem) and the closing track (Amen).

Like The Weeknd’s Dawn FM (2022), Cowboy Carter is structured like a radio broadcast complete with DJ interludes featuring artists like Linda Martell, Dolly Parton, and Willie Nelson (for example: Dolly P, Smoke Hour Willie Nelson, and The Linda Martell Show). But those weren’t the only artists featured on Cowboy Carter. There was Beyoncé’s duet with Miley Cyrus (II Most Wanted), her collaborations with Post Malone (Levii’s Jeans), Just For Fun with Willie Jones, and Sweet Honey Buckin’ with Shaboozey.

Cowboy Carter has Beyoncé’s vocal capacity and creativity on full display. As a sequel to Renaissance, it works. As a country album, it experiments, effectively creating a long but memorable listening experience. This is one of my favorite albums to come out in the first half of the year, and it set the bar high.

Wednesday, April 3, 2024

Quarterly Recap: January-March

It’s April and officially time for the first quarterly recap of the year. In this post, you’ll find links to reviews and other posts that have appeared on Our Thoughts Precisely from January to the end of March. As always, I’m starting with reviews.
January, February, and March Reviews...
Other January, February, and March Posts...
Looking ahead, I don’t have any specific plans for the next three months, other than continuing my goal for the year of finishing some of the series I started from what feels like ages ago.

Upcoming posts this month and beyond include more music reviews. The first quarter of the year has been busy with new music from Beyoncé, Brittany Howard, Tierra Whack, and more. And yet, there’s more on the horizon to look forward to.

Book wise, I have a nonfiction review that will be posted to the blog later this month. 


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