Rules:
In this account of Europe's rise to world leadership in technology, Frances and Joseph Gies make use of recent scholarship to destroy two time-honored myths.
Myth One: that Europe's leap forward occurred suddenly in the Renaissance, following centuries of medieval stagnation. Not so, say the Gieses: Early modern technology and experimental science were direct outgrowths of the decisive innovations of medieval Europe, in the tools and techniques of agriculture, craft industry, metallurgy, building construction, navigation, and war. Myth Two: that Europe achieved its primacy through Western superiority. On the contrary, the authors report, many of Europe's most important inventions--the horse harness, the stirrup, the magnetic compass, cotton and silk cultivation and manufacture, papermaking, firearms, Arabic numerals--had their origins outside Europe, in China, India, and Islam. The Gieses show how Europe synthesized its own innovations--the three-field system, water power in industry, the full-rigged ship, the putting-out system--into a powerful new combination of technology, economics, and politics. From the expansion of medieval man's capabilities, the voyage of Columbus with all its fateful consequences is seen as an inevitable product, while even the genius of Leonardo da Vinci emerges from the context of earlier and lesser-known dreamers and tinkerers.
Rules:
The Friday 56 is a weekly meme hosted by Freda's Voice where every Friday you pick a book and turn to page 56 or 56%, and select a sentence or a few, as long as it's not a spoiler. **Note: Freda @ Freda's Voice is taking a break from The Friday 56; Anne @Head is Full of Books is hosting for now.**
In this account of Europe's rise to world leadership in technology, Frances and Joseph Gies make use of recent scholarship to destroy two time-honored myths.
Myth One: that Europe's leap forward occurred suddenly in the Renaissance, following centuries of medieval stagnation. Not so, say the Gieses: Early modern technology and experimental science were direct outgrowths of the decisive innovations of medieval Europe, in the tools and techniques of agriculture, craft industry, metallurgy, building construction, navigation, and war. Myth Two: that Europe achieved its primacy through Western superiority. On the contrary, the authors report, many of Europe's most important inventions--the horse harness, the stirrup, the magnetic compass, cotton and silk cultivation and manufacture, papermaking, firearms, Arabic numerals--had their origins outside Europe, in China, India, and Islam. The Gieses show how Europe synthesized its own innovations--the three-field system, water power in industry, the full-rigged ship, the putting-out system--into a powerful new combination of technology, economics, and politics. From the expansion of medieval man's capabilities, the voyage of Columbus with all its fateful consequences is seen as an inevitable product, while even the genius of Leonardo da Vinci emerges from the context of earlier and lesser-known dreamers and tinkerers.
Tierra Whack is one of my favorite artists. She is creative and unafraid to experiment and take risks with her music—i.e. her debut album, Whack World (2018), had fifteen songs and none of them were longer than one minute in length. So, when Tierra Whack is involved, I’ve come to expect the unexpected. And with that, welcome back to the music minded corner of Our Thoughts Precisely!
Don’t let the cheery, quirky, and colorful imagery—or its most lighthearted tracks like Shower Song and Moovies—fool you. Tierra Whack’s new album, World Wide Whack, released on March fifteenth, is a deep, contemplative body of work that often approaches (and examines) darker topics—think depression and so forth. It opens with Mood Swing, setting the tone for what’s next. And then it transitions into tracks like Ms Behave, Difficult, and Numb, before ending with 27 Club—which really drove home the themes and statements present on the album.
Tierra Whack’s production is always quite interesting to take a look at, and it’s a highlight of the album. She can catch a beat when rapping (Ms Behave, Snake Eyes, and X), and the background music perfectly meshed with her vocals and, ultimately, suited the tone of any given track, even if it didn’t seem like it would work.
As far as second albums go, World Wide Whack is an excellent one.
