What I've Been Listening To + Upcoming Albums

So…it’s been a minute since I last did a “What I’m Listening To” blog post. I figured it was time to do another one since some of the albums I was waiting for released in April and May. There were some recent announcements I wanted to cover as well. And with that, welcome back to the music minded corner of Our Thoughts Precisely!

Radical Optimism, Dua Lipa’s third studio album, was one of my most anticipated releases for May, and it was ultimately one of the most mixed for me. While there were parts of it I absolutely adored—like the singles Houdini and Illusion as well as other tracks like End of an Era, French Exit, and Happy For You—there were some songs I felt lukewarm about and could skip entirely, particularly toward the back end of the album. The parts of it I liked most were the songs that were tonally in the same (or similar) vein as the singles. Those tended to bring in more of the retro influences I liked about Dua Lipa’s other album, Future Nostalgia.

The next one I checked out was Billie Eilish’s third studio album, Hit Me Hard and Soft, which released on May 17, 2024. I’m a very casual listener when it comes to Eilish and, over the years, I’ve had more than one favorite song. However, I was a big fan of Hit Me Hard and Soft. There are only ten songs on it, but I loved the moodiness as well as the quality of the production.

Another one of my most anticipated albums of May was Willow’s Empathogen. Released on May 3rd, I have to say that I loved this one. It’s features included Jon Batiste and St. Vincent. Where Empathogen shined was where, like its singles (Symptom of Life and Big Feelings), it delved into the nitty gritty when it came to complicated emotions and experiences. And it did so with a stylish mix of influences, including jazz and rock among others. My only gripe is how I wish some of the songs were longer. For example, one of my favorite songs, I Know That Face, was only a minute and fifty-one seconds long; the same applied to Ancient Girl (only a minute and thirty-one seconds long). Otherwise, I had a great listening experience with Empathogen.

Singles...

Some of the singles that made it to my playlist include: Love Me JeJe by Tems, Bet by Mette, Boy Bye by Chloe, In Your Hands by Halle, Light Again & Right There by Lil Nas X.

Upcoming Music I’m Waiting For...

• Big Ideas by Remi Wolf (July12, 2024)
• Quantum Baby by Tinashe, follow-up to BB/ANG3L
• Trouble In Paradise by Chloe

Releasing This Month...

• Born in the Wild by Tems (June 7, 2024)
• What Happened to the Heart? by Aurora (June 7, 2024)
• Dopamine by Normani (June 14, 2024)

Music Monday (287): Magdalena Bay, Faro

Rules:

• Music Monday is a weekly meme hosted by Lauren Stoolfire at Always Me that asks you to share one or two songs that you've recently enjoyed. For the rules, visit the page HERE 

Breana: My pick this week is Magdalena Bay's new song, Death & Romance.

    

Adri: My pick for today is a song I heard a long time ago and I recently found it again. It's called Lunar Drifts by Faro.

What are you listening to this week?

Short Stories I Read In April

It’s the twenty-ninth of May. So it’s time to write about the short stories, miscellaneous posts, and podcast episodes I read or listened to in April.

The God, Descendant by Amanda Helms (Uncanny Magazine; Issue Fifty-Seven)

The first piece I checked out in April was flash fiction by Amanda Helms called The God, Descendant. It’s a story about two gods, either rising or falling, who were locked in a seemingly never ending cycle inherent to their natures and names—only passing one another occasionally. Most of the story is contemplative, as the narrative is firmly rooted in the perspective of the Falling God. It’s a conversation between the two, as they questioned the state of, well, rising and falling, just as much as it was also about the answers (solution) they eventually arrived at. This was a relatively simple story, but I enjoyed it.

Afflictions of the New Age by Katherine Ewell (Uncanny Magazine; Issue Fifty-Seven)

The next short story I read was Afflictions of the New Age by Katherine Ewell. The story excels at atmosphere and certainly knew how to set up a scene, because it does start with a narrator who may or may not be reliable as well as a series of questions by authorities, which hinted at the overarching mystery of the situation (how the opening scene came to be). It doesn’t take long, however, for the narrative to delve into the context and implications behind the title. The prose and storytelling were simply engrossing, and I enjoyed the melancholic impression left by Afflictions of the New Age. After all, it’s a story of cures and illnesses as well as the unforeseen consequences of finding a way to live forever—but of losing one’s perception of time as well as a linear grasp on the order of memories in the process.

The Oldest Fun by Natalia Theodoridou (Clarkesworld Magazine; Issue 211; April 2024)

Next, I decided to see what Clarkesworld was publishing in April, and I ended up reading Natalia Theodoridou's The Oldest Fun. The quickest way I can sum up this story is: a deadlier form of Jumanji. The narrative implies the game is far older than what one might think, and it pulls in players in a way that can feel reminiscent to the classic movie. The Oldest Fun is, in the end, it's own tale with its own implications and context. I liked this story, particularly for the writing style and the smart twist toward the end—which made it memorable.

From around the web…

• Black Futuras: How Three Pop Divas Adapted the Image of Metropolis’ Maschinenmensch [Kristen Patterson; Tor.com; March 26, 2024]: A really great essay on Metropolis (1925), its iconic robot, and the modern interpretation of the meaning of the character by artists like Beyoncé and Janelle Monáe.
• Print Run Podcast Episode #169: We're Just a Bunch of Guys
• Considering the Perfect Knits of Coraline [Michelle Jaworski; Tor.com; April 11, 2024]: This is a nice article that discusses some of the miniature textile work done for the stop-motion adaptation of Coraline (2009), specifically for the titular character's iconic attire. 

Music Monday (286): Chappell Roan

Rules:

• Music Monday is a weekly meme hosted by Lauren Stoolfire at Always Me that asks you to share one or two songs that you've recently enjoyed. For the rules, visit the page HERE 

Breana: I've been listening to Chappell Roan's album, The Rise and Fall of a Midwestern Princess, and I love it. One of my favorite songs is Super Graphic Ultra Modern Girl.

What are you listening to this week?

I Listened to Found Heaven by Conan Gray

I’ve heard of Conan Gray off and on since his 2020 album Kid Krow. It wasn’t until more recently, when he started releasing singles for his new album—such as Never Ending Song—that I finally decided to pay more attention to this artist. On April fifth, Conan Gray released his third studio album, Found Heaven. It was supported with five singles: Never Ending Song, Winner, Killing Me, Lonely Dances, and Alley Rose. And with that, welcome back to the music minded corner of Our Thoughts Precisely!

Honestly, Found Heaven is a vibe. And I can best describe it as retro with a 80s aesthetic, especially in terms of the background arrangement and the visuals—for the music videos accompanying Never Ending Song and Lonely Dancers as well as the lyric visualizers (invoking the grainy images of old camcorder footage). It doesn’t stick too hard and fast to its influences that it becomes redundant. Instead, Conan Gray’s modern interpretation of these familiar aspects unabashedly invokes a feeling of nostalgia, which was complimented by his dynamic vocal performance across the album’s thirteen tracks.

Found Heaven is a cohesive album and just a lot of fun to listen to. This is easily one of my favorites of the year so far.

Music Monday (285): Conan Gray, Grace Jones

Rules:

• Music Monday is a weekly meme hosted by Lauren Stoolfire at Always Me that asks you to share one or two songs that you've recently enjoyed. For the rules, visit the page HERE 

Breana: Another one of my favorite songs from Conan Gray's Found Heaven is: Eye Of The Night.

Adri: I'm listening to I'll Find My Way To You by Grace Jones.

What are you listening to this week?

Music Monday (284): Conan Gray, Jennifer Hudson, Dolly Parton, and Blessing Offor

Rules:

• Music Monday is a weekly meme hosted by Lauren Stoolfire at Always Me that asks you to share one or two songs that you've recently enjoyed. For the rules, visit the page HERE 

Breana: I've been listening to some of Conan Gray's music lately, specifically his latest release Found Heaven. It's a good album (more on that on a later post). So my pick this week is The Final Fight.

Andrea: Hi all! This week I'm listening to Where You At by Jennifer Hudson and Somebody's Child by Dolly Parton and Blessing Offor. Have an amazing week!

What are you listening to this week?

The Brides of High Hill by Nghi Vo!

Title: The Brides of High Hill

Series: The Singing Hills Cycle #5
Author: Nghi Vo
Source/Format: NetGalley; eARC
More Details: Fantasy; Novella
Publisher/Publication Date: Tordotcom; May 7, 2024

Goodreads     Amazon     Barnes & Noble

Synopsis from Goodreads...

The Hugo Award-Winning Series returns with its newest standalone entry: a gothic mystery involving a crumbling estate, a mysterious bride, and an extremely murderous teapot.

The Cleric Chih accompanies a beautiful young bride to her wedding to an aging lord at a crumbling estate situated at the crossroads of dead empires. But they’re forgetting things they ought to remember, and the lord’s mad young son wanders the grounds at night like a hanged ghost.

One of my most anticipated releases of the year was Nghi Vo’s next novella in The Singing Hills’s Cycle, The Brides of High Hill, which the synopsis described as a gothic mystery. I’ve enjoyed books of that type from time to time, so, going into The Brides of High Hill, I was interested to see what Vo’s interpretation of it would look like.

The latest adventure of Cleric Chih takes a slight detour from the typical structure of the series, and puts them right in the thick of the action. There’s still a story that’s being told, but its clues can be subtle and are deeply embedded in the occurrences of the novella, rather than a story that is being imparted, in pieces, to Cleric Chih by other characters. The switch, however, works well, when the mystery and gothic aspects are taken into account. Atmosphere can be key—sometimes—and getting to see the faded or outright eerie elegance as well as the dilapidation that make up Doi Cao was a crucial part of setting the stage for the story.

And what a story it was. The twist managed to catch me by surprise, because it subverted the way I thought the story was going to go. But hindsight is 20/20. However, the ending is part of what I love most about Vo’s handling of The Brides of High Hill. It could have been straightforward, but it wasn’t. And I enjoyed that direction at lot more than my guesses.

At the end of the day, The Brides of High Hill is another great installment in the series.

About the author....

Nghi Vo is the author of the novels Siren Queen and The Chosen and the Beautiful, as well as the acclaimed novellas of the Singing Hills Cycle, which began withThe Empress of Salt and Fortune. The series entries have been finalists for the Locus Award and the Lambda Literary Award, and have won the Crawford Award, the Ignyte Award, and the Hugo Award. Born in Illinois, she now lives on the shores of Lake Michigan. She believes in the ritual of lipstick, the power of stories, and the right to change your mind.

Goodreads     Website     Instagram

Disclaimer: this copy of the book was provided by the publisher (Tordotcom) via NetGalley in exchange for an honest review, thank you! 

I Listened to What Now by Brittany Howard

Do you ever, on occasion, suddenly think about a band you haven’t listened to in what feels like ages? That’s my story here.

Early in March, I was cleaning up an old playlist, when I revisited my favorite tracks from Alabama Shake’s Sound & Color (2015). There was the vague expectation of more albums, other music, but the band is on indefinite hiatus since 2018. That, however, has spawned projects from its members like the group Sun On Shade and Brittany Howard’s solo career—beginning with Jamie (2019).

What Now, released on February 9, 2024, is Brittany Howard’s sophomore solo album and is also my reintroduction to her music. It was also the release I was least expecting and the one I was most surprised by; I’ve been missing out, because it’s one of the most creative bodies of work I’ve listened to so far this year. There is an infusion of everything from rock, R&B, soul, funk, synth, house, jazz, and electronic. Howard makes it work, and makes it seem effortless while creating a sonically interesting listening experience that showcases her vocals and creativity.

Some of my favorite tracks include Another Day, the titular What Now, Red Flags, and Power To Undo—which instantly made me think of Prince’s music—among others.

What Now is memorable and an absolute delight, and it’s going to stick with me for a while.

Music Monday (283): Brittany Howard, Sid Sriram

Rules:

• Music Monday is a weekly meme hosted by Lauren Stoolfire at Always Me that asks you to share one or two songs that you've recently enjoyed. For the rules, visit the page HERE 

Breana: Another one of my favorite songs from Brittany Howard's What Now is: Prove It To You.

Andrea: Hi all! This week I'm listening to Dear Sahana by Sid Sriram. Have an amazing week!

What are you listening to this week?

What I've Been Listening To

There has been so much music lately and, between backlist albums and releases from last year I missed, I’m here again with another “What I’ve Been Listening To.” And with that, welcome back to the music minded corner of Our Thoughts Precisely!

 

If there has been one group that’s come up in my recommendations multiple times in the past, it would be Måneskin, an Italian rock band. Originally released on January 20, 2023, their album Rush! was reissued in a deluxe version in November last year, called Rush! (Are U Coming?), adding five additional songs. I haven’t explored much of their discography yet, but I listened to this one. I love a good rock album and, when it comes to what I was looking for, Rush! (Are U Coming) ticked a lot of boxes. The guitar solos were fun, and there wasn’t a single point where it felt repetitive. Each song had its own thing going for it, and that’s what I loved most about it. I also like the songs added with the deluxe version, so it opens with Honey (Are U Coming?)—one of my favorites—instead of Own My Mind. But it also added Valentine, a soulful rock ballad accompanied by a black and white music video, and Trastevere, an acoustic track that’s in the same vein as the former. All in all, Rush! (Are U Coming?) was an excellent album.

Moving on, I also checked out Qveen Herby’s most recent EP (extended play). To date, Housewife is one of my favorite bodies of work by Herby, on the same level as Halloqveen (2021). It’s still in her usual style of music, a blend of singing and rapping, but I enjoyed the production—how the beats were arranged—as well as the feature by Oli VVV (which added another layer to the track.) Housewife was another strong EP release from Qveen Herby!

Last but not least, is the BB/ANG3L Experience by Tinashe. This one isn’t a new release per say, since, after all, it is a dance performance that goes with BB/ANG3L. It is a nice way to experience the album outside of its music videos, and it does play around with some of the beats, for example the one for Needs.

Some singles that have made it to my playlist include: In Your Hands by Halle, Overcompensate by Twenty One Pilots, Some Type of Skin by Aurora, Made For Me by Muni Long, Next Semester by Twenty One Pilots, and Saturn by SZA.

That’s all from me for today!

I Watched Marry My Husband (2024)

I watch K-dramas from time to time. It’s been a while since the last one, though, which was Business Proposal on Netflix. I’ve wanted another series that matched the levels of hijinks and drama in that one. And, low and behold, one of the serializations I read from start to finish got an adaptation this year.

Marry My Husband (which is available to stream on Amazon Prime) is a good adaptation that captures the overall vibe of the series as a whole. But, it’s not a one-to-one 100% accurate adaptation that includes every plot point from the comic. Some of the most marked changes came from how little screen time was devoted to the development of the other relationships outside of the main protagonists (Kang Ji-won, Yoo Ji-hyuk) and antagonists (Park Min-hwan, Jeong Su-min). And instead it centers the story on Ji-won and Ji-hyuk, while also making some smart changes that really emphasized the point of it: of the necessity of Ji-won giving her fate to someone else to avoid the misery, betrayal, and tragedy that jumpstarts the story.

Despite all the changes, this was still a great adaptation. One, the majority of the scenes I wanted to see brought to life was there. Two, the series didn’t mince how awful, controlling, and abusive (including domestic violence) Su-min and Min-hwan actually were. I mean, with friends (and a significant other) like those, who needs enemies?

The back and forth of will Ji-won escape her future or won’t she provided the tension and driving force for the story. It was so fun and satisfying seeing her gain confidence and scheme, because—make no mistakes—this is a story that is as much about taking back control of one’s life and finding happiness just as much as it was about getting revenge. Along the way Ji-won also gained a system of support and genuine friends.

I did like the way they used flashbacks, particularly for scenes where there was conflict and turmoil as well as where the future and the past (Ji-won’s present) overlapped. It revealed more of the characters backstory and also imparted information about sticky situations, without slowing down the narrative too much.

At the end of the day, I liked what they did here. One of the main takeaways is how people could change, and it was those who didn’t (who grew more resolute in their toxicity and capacity to do harm to others for the benefit of themselves) who fared the worst—and justifiably so—in Marry My Husband.

Music Monday (282): Brittany Howard, No Doubt

Rules:

• Music Monday is a weekly meme hosted by Lauren Stoolfire at Always Me that asks you to share one or two songs that you've recently enjoyed. For the rules, visit the page HERE 

Breana: I've been listening to Brittany Howard's latest album, What Now. (She was also part of the Friday lineup for Coachella, and I tuned into her performance during the Youtube livestream.) One of my favorite songs from What Now is: Another Day!

Andrea: Hi all! This week I'm listening to Don't Speak by No Doubt. Have an amazing week! 

What are you listening to this week?

Cathedral, Forge, and Waterwheel: Technology and Invention in the Middle Ages by Frances & Joseph Gies

Title: Cathedral, Forge, and Waterwheel: Technology and Invention in the Middle Ages
Series: n/a
Author: Fances & Joseph Gies
Source/Format: Purchased; Paperback
More Details: Nonfiction; History; Medieval Technology
Publisher/Publication Date: First published January 1, 1994

Synopsis from Goodreads...

In this account of Europe's rise to world leadership in technology, Frances and Joseph Gies make use of recent scholarship to destroy two time-honored myths.

Myth One: that Europe's leap forward occurred suddenly in the Renaissance, following centuries of medieval stagnation. Not so, say the Gieses: Early modern technology and experimental science were direct outgrowths of the decisive innovations of medieval Europe, in the tools and techniques of agriculture, craft industry, metallurgy, building construction, navigation, and war. Myth Two: that Europe achieved its primacy through Western superiority. On the contrary, the authors report, many of Europe's most important inventions--the horse harness, the stirrup, the magnetic compass, cotton and silk cultivation and manufacture, papermaking, firearms, Arabic numerals--had their origins outside Europe, in China, India, and Islam. The Gieses show how Europe synthesized its own innovations--the three-field system, water power in industry, the full-rigged ship, the putting-out system--into a powerful new combination of technology, economics, and politics. From the expansion of medieval man's capabilities, the voyage of Columbus with all its fateful consequences is seen as an inevitable product, while even the genius of Leonardo da Vinci emerges from the context of earlier and lesser-known dreamers and tinkerers.

Every so often I need a break from even my favorite genres of fiction, and, more often than not, I fill the void with nonfiction, as a pallet cleanser. Sometimes it’s true crime (Cult of We), history (Daughters of Chivalry, Meet Me by the fountain: An Inside History of the Mall), or science with a focus on nature (Entangled Life, The Death and Life of the Great Lakes, The Brilliant Abyss). I’ve once again returned to the subject of history with my latest nonfiction read, Frances and Joseph Gies’s Cathedral, Forge, and Waterwheel: Technology and Invention in the Middle Ages.

“A spirit of otherworldliness and a preoccupation with theology were perceived as underlying a vast medieval inertia.” Page 1

The book sets out to disprove that notion, and does so in a very technical manner. The bulk of the chapters break down the Middle Ages into chunks, either by “early Middle Ages” or by dates such as for example “900-1200” or “A.D. 500-900.” And it goes into detail about the notable achievements and the way the technology—such as the waterwheel, armor, weapons, bridges, cathedral building, and advances in textile manufacture, ship building, and navigation—were invented and found their way into different corners of the medieval world through various channels (trade was often mentioned). It often revealed the fascinating processes—and ingenuity—behind actually making these inventions (or improving on earlier discoveries) and how they were applied for practical purposes.

Some of my favorite passages had to do with cathedrals, paper, the printing press, and early clocks. But there was much-much more than that, and all of it was interesting to read about.

And, even though some of the descriptions could be frank and sometimes a little dry, overall I enjoyed this book for the sheer volume of information it had. And I’d recommend it for anyone who is curious about the subject.