The Friday 56 is a weekly meme hosted by Freda's Voice where every Friday you pick a book and turn to page 56 or 56%, and select a sentence or a few, as long as it's not a spoiler. For the full rules, visit the the page HERE
Book Beginnings is a weekly meme hosted by Rose City Readerthat asks you to share the first sentence (or so) of the book you're reading.
Being a superheroine is hard. Working for one is even harder.
Evie Tanaka is the put-upon personal assistant to Aveda Jupiter, her childhood best friend and San Francisco's most beloved superheroine. She's great at her job—blending into the background, handling her boss's epic diva tantrums, and getting demon blood out of leather pants. Unfortunately, she's not nearly as together when it comes to running her own life, standing up for herself, or raising her tempestuous teenage sister, Bea. But everything changes when Evie's forced to pose as her glamorous boss for one night, and her darkest secret comes out: she has powers, too. Now it's up to her to contend with murderous cupcakes, nosy gossip bloggers, and supernatural karaoke battles—all while juggling unexpected romance and Aveda's increasingly outrageous demands. And when a larger threat emerges, Evie must finally take charge and become a superheroine in her own right... or see her city fall to a full-on demonic invasion
Beginning: "I peeked over the countertop, tightening my grip on my phone. Its plastic case was slippery with palm sweat. It was a cold sweat, though. No warmth. Never any warmth if I could help it."
56: "Despite the restaurant's name, there didn't seem to be an actual whistle theme to speak of. No collection dotting the walls, no wacky whistle-themed foo items, no "Mr.Whistle" managing the place."
Comments: I recently reread Sarah Kuhn's Heroine Complex. It's such a fun story, and I highly recommend it. What are you reading this week?
Back in 2019, I never did get around to writing about III by Banks. It was one of the albums I was looking forward to that year, and I listened to it off and on through 2020. Recently, I finally sat down and gave it a proper listen. III is the kind of album that grew on me the more I listened to it, and by February 2021 I had a whole new appreciation for it.
III is a good album. Banks’s vocals are always fantastic, and I can say that the same quality can be found here too. Banks delivers a wide range of sound that incorporates all the hallmarks of pop with a somewhat sharper edge, which often treaded into electronic and synth as well. There weren’t dance tracks here, as the album seemed to favor a heavier sound. It worked well, given the emotionally charged and brooding atmosphere that seemed to be a signature of III—even more so than Banks’s previous album, The Altar.
A song like Stroke comes to mind as a good example of what I mean along with: Godless, Sawzall, Look What You’re Doing To Me, and The Fall among others. All you have to do is pay attention to the lyrics.
Music Monday is a weekly meme hosted by Lauren Stoolfire at Always Me that asks you to share one or two songs that you've recently enjoyed. For the rules, visit the page HERE
Breana: Laura Mvula is going to have new music later this year, and I'm excited about it. She also recently released an EP with new version of some of her songs and a cover of I'm Still Waiting by Diana Ross. I like all of the songs on 1/f. Check out the original and the new version of Sing To The Moon.
Andrea: This week I'm listening to Somebody Else's Guy by Jocelyn Brown.
It’s the 26th of February. So it’s time to talk about all of the short stories, miscellaneous posts, and podcast episodes I read or listened to in January.
The first short story I read In January was The Karyōbinga Sings To Jiro by Riyu Ando. This was such a simple and lovely story. The writing flowed. The story was good. It seemed to deal with loss, remembrance, and staying in familiar and comfortable places and spaces. It was done so well and overall it was an excellent read.
#Selfcare is the second short story I tackled in January. It was a lot, and I also loved it. #Selfcare was an easy read with a great message. It’s the kind of story that heavily focuses on social commentary—think gig economy and other topics relevant to today—except there was a slightly paranormal twist and a few hints of horror. This story had a great cast. I really liked Edwina, her friend, and the supporting characters. I also liked the direction Newitz took the plot. Overall, #Selfcare was pretty great.
Your Own Undoing was fantastic. It was an engrossing read, and I found it way too easy to really get into this story. For starters, it was written in first and second person, with a narrator telling the events of the story to another character. It was great. Your Own Undoing essentially tells how a scholar and sorcerer takes in a new pupil, whose penchant for darker magic and thirst for knowledge negatively effects everyone around them—specifically the character the story is being told to.
One artist I’ve had my eye on is Tayla Parx. I knew her first through her work for other artists like Ariana Grande (Thank U, Next) and Khalid (Love Lies, featuring Normani). Her debut studio album was one of my favorites of the year it was released, and since then I’ve been eagerly waiting for the follow-up to We Need to Talk. Well, that second studio album is here. Coping Mechanisms was released on November 20, 2020. I was pretty late getting to the album, but I’m glad I made time to give it a full listen.
We Need To Talk had a very mainstream pop feel and sound to it. While Coping Mechanisms has a somewhat different tone without losing the essence of its pop roots, and there were other sounds mixed in—think R&B. As a consequence, Coping Mechanisms feels like Tayla Parx honed familiar sounds into a style distinctly her own.
Coping Mechanisms opens with a song called Sad. It had a mellow vibe that acts as a perfect way to ease into what’s to come after. It goes right into Dance Alone, which is one of my top favorite tracks from the album and gives a smooth funky vibe with the guitar and synth sounds in the backtrack. While System—another favorite of mine—had a harder tone and electronic vibes. It was as equally good as the rest of the album. Some of my other top favorites included Fixerupper, Bricks, and Residue.
Coping Mechanisms was a fantastic, fun, and memorable foray into Tayla Parx’s work. It was a solid album, with excellent lyrics and catchy beats found on every track on its twelve song list. I was left with an overall positive impression.
Music Monday is a weekly meme hosted by Lauren Stoolfire at Always Me that asks you to share one or two songs that you've recently enjoyed. For the rules, visit the page HERE
Breana: One afternoon, I was surfing through my spotify recommendations, and I eventually landed on a page of new releases from artists I already follow. One of the songs I listened to and instantly added to my playlist was GLAM! by Allie X. I adore this song for its punchy, retro-pop brightness, and I wanted to mention it on the blog.
Adri: Hello, this week I'm listening to two vastly different artist I love. The first is Flowers by Kelly Rowland from her new EP, K. And the second, more on the metal side, is Pisces (Live Sesson) by Jinjer
Andrea: This week, I'm spotlighting music, performed, written, and/or produced by the late Prince Markie Dee (Mark Morales). Prince Markie Dee was a member of the Fat Boys and later released music with his band, Prince Markie Dee and The Soul Convention.
Can You Feel It by Fat Boys
Mark Morales, Darren Robinson & Damon Wimbley
Typical Reasons (Swing My Way) by Prince Markie Dee and The Soul Convention
Songwriters: Mark Morales, Mark Rooney, Raymond James Calhoun & Damon Johnson
Author: Jun Mochizuki Source/Format: Gift; Paperback More Details: Manga; Fantasy; Alternative History Publisher/Publication Date: Yen Press; December 24, 2019 GoodreadsAmazon Barnes & Noble Synopsis from Goodreads...
On the trail of the Beast of Gévaudan, Vanitas and Noé are led to the heart of the incident and the noble house of d'Apchier. There, they discover that a brave, heartrending wish to save a daughter from a vampire's fate became the haunting first cry of the Beast itself...
Note: there may be mild spoilers for volumes 1-5
It has been a couple of months since I last picked up a volume of The Case Study of Vanitas. Last time I checked, volume 5 ended with the main cast stuck in an odd time warp like situation while searching for the truth behind the Beast of Gévaudan's sudden reappearance. There was so much going in this volume, and I almost don’t know where to begin.
It was good.
I still feel excited whenever I step back into this story. Mochizuki’s artwork is, as always, gorgeous and expressive. There’s a perfect balance between visual storytelling and information imparted by dialogue.
From the beginning of the series, there have been a number of mysteries woven into the plot alongside major conflicts, and finally some of those long sought answers are appearing. Volume 6 was no less interesting of course. It was still just as action packed and atmospheric as the previous entries in the series. Plus this one moved the story further into this arc.
The Gévaudan storyline is shaping up to be one of my favorites, second only to the vampire masquerade a few volumes back. One note I forgot to mention when I reviewed volume 5 was that I thought the plot was building toward more backstory. I was right. From the way the world is set up, there has been more than enough evidence shown that there was a major conflict between vampires and other people sometime in the past. Volume 6 dipped its toes into that. There was backstory abound here for some of the key characters in the series—like Jeanne, Ruthven, and Chloe—as well as adding more world building. I’m glad so much of it was delivered with minimal interruption, because it afforded a clearer picture of what happened in the past and what it had to do with the current events. Yet despite the answers provided in volume 6, there are still many outstanding mysteries.
Overall, volume 6 was excellent, and I’m looking forward to the next one.
Music Monday is a weekly meme hosted by Lauren Stoolfire at Always Me that asks you to share one or two songs that you've recently enjoyed. For the rules, visit the page HERE
Breana: Recently, I was listening to Laura Mvula's music again. I came across a more recent release that I missed from February 2020 called Brighter Dawn. I haven't watched the movie, Clemency, so it's no wonder I missed this one. I like Brighter Dawn. It has a nice sound as well as Laura Mvula's amazing vocals. Somehow this song feels way too short.
Adri: This week I am listening to The Sea by Morcheeba. Honestly, it feels like I've heard this song before, like a long time ago. But, I don't recall.
Andrea: Hi all, this music Monday is more of a what am I
listening to and thinking. Last Music Monday, Lauren Stoolfire over at Always
Me shared the song Kings & Queens. The tune sounded all too
familiar to songs by Bon Jovi. Of course, I wanted to know the connection between the song Kings & Queens by Ava Max; and Bon Jovi’s songs You Give Love A
Bad Name and Livin’ On A Prayer. What did I discover??? Well, all of the
songs are co-written by Desmond Child. Child has also written songs for
Aerosmith, Joan Jett and the Blackhearts, Kiss, Ricky Martin, and many other
well-known Artists.
I love the fact that even though the beat sounds
familiar each song is written from a different perspective. And remember
this is only my opinion. Kings & Queens seems to present the
perspective of an independent woman who’s certain that her partner can’t live
without her. Whereas You Give Love A Bad Name by Bon Jovi seems to blame one of
the partners for all of the problems in the relationship—Like how does a
relationship like that work out. Finally, my favorite song by Bon Jovi, Livin’
On A Prayer seems to present a couple who can make it through anything as
long as they have each other and work together.
I have a couple of reasons for having a special
affinity for Livin’ On A Prayer. First, I have gone to several events in
which the crowd warmer had the audience sing this song—I guess you can say it
brings back good memories. Also, I’m hooked on Livin’ On A Prayer’s
message.
I have posted the YouTube videos for Kings &
Queens, You Give Love A Bad Name, and Livin’ On A Prayer
below. I’d love to hear your thoughts.
Have an amazing week & stay safe! -Andrea
What are you listening to this week? Are there any new songs you discovered recently?
The Friday 56 is a weekly meme hosted by Freda's Voice where every Friday you pick a book and turn to page 56 or 56%, and select a sentence or a few, as long as it's not a spoiler. For the full rules, visit the the page HERE
Book Beginnings is a weekly meme hosted by Rose City Readerthat asks you to share the first sentence (or so) of the book you're reading.
On the trail of the Beast of Gévaudan, Vanitas and Noé are led to the heart of the incident and the noble house of d'Apchier. There, they discover that a brave, heartrending wish to save a daughter from a vampire's fate became the haunting first cry of the Beast itself...
Beginning: "It's morning...?"
56: "I became a curse-bearer of my own accord...."
Comments: I finally got around to reading the sixth volume of The Case Study of Vanitas. I enjoyed this entry in the series, and I'm looking forward to volume 7. What are you reading this week?
Author: Hafsah Faizal Source/Format: Purchased; Paperback More Details: Young Adult; Fantasy Publisher/Publication Date: Farrar, Straus and Giroux; May 14, 2019
People lived because she killed. People died because he lived.
Zafira is the Hunter, disguising herself as a man when she braves the cursed forest of the Arz to feed her people. Nasir is the Prince of Death, assassinating those foolish enough to defy his autocratic father, the sultan. If Zafira was exposed as a girl, all of her achievements would be rejected; if Nasir displayed his compassion, his father would punish him in the most brutal of ways. Both Zafira and Nasir are legends in the kingdom of Arawiya--but neither wants to be. War is brewing, and the Arz sweeps closer with each passing day, engulfing the land in shadow. When Zafira embarks on a quest to uncover a lost artifact that can restore magic to her suffering world and stop the Arz, Nasir is sent by the sultan on a similar mission: retrieve the artifact and kill the Hunter. But an ancient evil stirs as their journey unfolds--and the prize they seek may pose a threat greater than either can imagine.
I’ve wanted to read We Hunt The Flame for a while now. It seemed to have all the aspects I look for in a fantasy novel. A story involving the absence of magic and the quest to restore it is one of my favorite types of fantasy tropes, and the story Faizal crafted was just excellent.
We Hunt The Flame is a slow moving fantasy novel that deserves to be savored. The story was engrossing from what was basically the first paragraph. The world is rich with history. The characters are engaging, and they seemed to come alive on the page. The pacing set by the opening chapters really benefited the story later on. There needed to be that time and space to set up the foundation of the world, as well as introduce the characters. So when the characters set off on their adventure, I was already more than invested in them because I knew what their everyday life was like—as well as their connection with the secondary characters. There were many emotional scenes throughout the story, and I felt every one of them because of it.
Zafira was a great, well-rounded protagonist. She lived in a particularly strict part of Arawiya called “the caliphate of Demenhur.” As the Hunter she was skilled, but despite her achievements she was openly plagued by fears. That being said, she was brave, and had a willingness to step into the unknown to go after what she sought—even if her future was uncertain. Another notable aspect was the relationship Zafira had with her sister and best friends, Yasmine and Deen. It was great, and that’s all I can say about it.
On the other hand, there was Nasir. He’s supposed to be this tough guy, but by the end he was coming off as kind of sympathetic. His end of the story surprised me the most. His internal struggle was integral to his perspective, and at every turn there just seemed to be a revelation regarding him.
The other characters in the story came from just as varied backgrounds. They were interesting in their own right.
We Hunt The Flame was fantastic. The ending though, now that was one heck of cliffhanger, and I’m left with way too many questions. Luckily, I already bought a copy of the next book in the duology, and I plan to read it soon.