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The Friday 56 is a weekly meme hosted by Freda's Voice where every Friday you pick a book and turn to page 56 or 56%, and select a sentence or a few, as long as it's not a spoiler. For the full rules, visit the the page HERE
Miguela Angeles is tired. Tired of her abuela keeping secrets, especially about her heritage. Tired of her small Vermont town and hanging out at the same places with the same friends she’s known forever. So when another boring Sunday trip to church turns into a run-in with Sam, a mysterious hottie in town on vacation, Mica seizes the opportunity to get closer to him. It’s not long before she is under Sam’s spell and doing things she’s never done before, like winning all her martial arts sparring matches—and lying to her favorite people. The more time Mica spends with Sam, the more weird things start to happen, too. Like terrifying-visions-of-the-world-ending weird. Mica’s gut instincts keep telling her something is off, yet Sam is the most exciting guy she’s ever met. But when Mica discovers his family’s roots, she realizes that instead of being in the typical high school relationship, she’s living in a horror novel. She has to leave Sam, but will ending their relationship also bring an end to everything she knows and everyone she loves? Clever, hilarious, and steeped in supernatural suspense, Breakup From Hell will keep you hooked until the last page.
Ann is a novelist and Director of Recruitment for Vermont College of Fine Arts (VCFA). She has a B.A. in Latino Studies from Norwich University, an M.A. in sociology from UI&U and an MFA in Writing from VCFA. She also helped create VCFA’s winter Writing residency in Puerto Rico. Ann’s first novel, Sister Chicas was released from New American Library in 2006. Her next novel, a horror YA work titled Five Midnights, was released by Tor Teen on June 4, 2019. Her stories have appeared in several anthologies, including A Cup of Comfort for Mothers and Sons (2005) and Women Writing the Weird (2012) and she contributed to the Encyclopedia Latina: History, Culture, And Society in the United States edited by Ilan Stavans. Her essays have appeared in American Scholar, Vermont Woman, AARP, and Latina Magazines. Ann lives in Vermont, needle-felts tiny reading creatures, and cycles four seasons a year.
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Fall Out Boy was one of the bands that got me into rock music—particularly the rock/pop/punk scene—and their albums have been a staple on my playlists since the 2000s. It’s been about five years since the band’s last album. And among the big releases on my radar for March 2023—supported by singles such as Love On The Other Side and Heartbreak Feels So Good—Fall Out Boy’s eighth studio album, So Much (For) Stardust, was very anticipated on my end.
So Much (For) Stardust really felt like a return to some of Fall Out Boy’s earlier music. It had less of the style and sounds that dominated Mania (2018), and it went heavier on the aspects that really made me love the band’s music. It was nostalgic in the right ways but doesn’t lean too much on what they’ve already done. Instead it offered a sort of sequel—especially with the visuals for Hold Me Like a Grudge (a continuation of the music video for This Ain’t a Scene, It’s an Arms Race)—by delivering songs that felt refreshing.
As a longtime fan of Fall Out Boy, I’m so happy with this album!
In the stunning conclusion to the Elements of Cadence duology, A Fire Endless finds the delicate balance between the human and faerie realm threatened by Bane, the spirit of the North Wind, whose defeat can only come through fire, song, and heart-rending sacrifice.
East and West. Humans and Spirits. Breccans and Tamerlaines. The Isle of Cadence has always held itself and its residents in a tenuous balance. But now Bane, the spirit of the North Wind, has pushed everyone and everything in his path off-kilter in a bid to claim dominion over all. In the West, Adaira struggles to adjust to the more brutal, bitter ways of life among the Breccans. Striving to find her place in the clan, she swiftly realizes that it just might be the last role she desires to hold. And while magic blooms effortlessly for the Breccans in the west, the spirits continue to suffer beneath Bane's harsh power, felt in every gust of wind. In the East, Jack is adrift without Adaira until he sings to the ember-weak fire spirits, acquiring a dangerous mission he never expected. One that is destined to lead him westward. Likewise, Torin and Sidra are consumed by a new mystery as sickness spreads first amongst the crops, and then to the people of the Tamerlaine clan. While Sidra desperately searches for a cure, Torin dares to strike a bargain with the spirits--a precarious folly anytime, but especially now as the days grow darker. With the island falling further out of balance, humans and spirits alike will need to join together to face Bane, and Jack's gift with the harp will be called upon once more. Yet no one can challenge the North Wind without paying a terrible price, and the sacrifice required this time may be more than Jack, Adaira, Torin, and Sidra can bear to pay.
Rebecca Ross writes fantasy novels for teens and adults. She lives in the Appalachian foothills of Northeast Georgia with her husband, their lively Australian Shepherd, and an endless pile of books. THE QUEEN'S RISING, THE QUEEN'S RESISTANCE, SISTERS OF SWORD & SONG, and DREAMS LIE BENEATH are her titles for young adult readers. A RIVER ENCHANTED is her adult fantasy debut, publishing February 15, 2022 with a sequel to follow. When not writing, she can be found reading or in her garden, where she grows wildflowers and story ideas. Find her on Instagram @beccajross or online at www.rebeccarossauthor.com.
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Agatha Award-winning author Maria DiRico returns with the fourth book in the Catering Hall Mystery Series, starring Mia Carina who is coming to grips with being back in Astoria, Queens, and running her Italian-American family's catering hall, Belle View Banquet Manor but a TV casting call is about to put murder in the spotlight . . .
The June events schedule at Belle View is busting out all over--proms, graduations, and of course, weddings. There are unexpected bookings too, including a casting call for the pilot of Dons of Ditmars Boulevard. But soon, Mia's fears about the cheesy reality show are confirmed . . .Belle View quickly becomes the site of a sea of wanna-be goombahs and phony girlfriends, and some of Mia's friends insist on getting in on the action. The production company owner and his executive producer ex-wife--who's also very minor British royalty--have assembled a motley crew that does as much infighting and backstabbing as the on-screen "talent." Even so, it's a shock when a dead body is found in the pool house of a local mansion rented by the show . . .Murder might boost the ratings. But Mia intends to make sure the killer gets jail time, not airtime . . .
Maria DiRico (the pen name of award-winning author Ellen Byron) was born in Queens, New York, and raised in Queens and Westchester County. She is first-generation Italian American on her mother’s side. On her father’s side, her grandfather was a low-level Jewish mobster who disappeared in 1933 under mysterious circumstances. While growing up in Queens, Maria/Ellen's cousins ran the Astoria Manor and Grand Bay Marina catering halls.
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So, this year, I’m getting back into using Spotify regularly. After all, all of my current favorite podcasts are there too, and the recommendations are useful for finding more content to enjoy. Under one such recommendation page was I Lost It All by Aberdeen and The NYChillharmic. It was an interesting collaboration and one that I instantly loved. And that’s how I got introduced to what has fast become some of my top favorite music. It’s called 1, and it’s the 2016 album by The NYChillharmonic.
Their music is, in terms of sounds—and as the band’s name suggests—very orchestral in nature, which is something I love about 1. Each track felt like its own lovely little journey, with the epic feel of work you would find from Two Steps From Hell but with a singer who delivered consistent vocals across 1’s seven songs.
Overall, there isn’t much more I can say about this album. In a number of ways, it’s a delightful listening experience that I’ve already revisited more than once since adding it to my Spotify library.
