Rules:
Breana: Another one of my favorite songs from Brittany Howard's What Now is: Prove It To You.
Andrea: Hi all! This week I'm listening to Dear Sahana by Sid Sriram. Have an amazing week!
What are you listening to this week?
Monday, April 29, 2024
Friday, April 26, 2024
What I've Been Listening To
There has been so much music lately and, between backlist albums and releases from last year I missed, I’m here again with another “What I’ve Been Listening To.” And with that, welcome back to the music minded corner of Our Thoughts Precisely!
If there has been one group that’s come up in my recommendations multiple times in the past, it would be Måneskin, an Italian rock band. Originally released on January 20, 2023, their album Rush! was reissued in a deluxe version in November last year, called Rush! (Are U Coming?), adding five additional songs. I haven’t explored much of their discography yet, but I listened to this one. I love a good rock album and, when it comes to what I was looking for, Rush! (Are U Coming) ticked a lot of boxes. The guitar solos were fun, and there wasn’t a single point where it felt repetitive. Each song had its own thing going for it, and that’s what I loved most about it. I also like the songs added with the deluxe version, so it opens with Honey (Are U Coming?)—one of my favorites—instead of Own My Mind. But it also added Valentine, a soulful rock ballad accompanied by a black and white music video, and Trastevere, an acoustic track that’s in the same vein as the former. All in all, Rush! (Are U Coming?) was an excellent album.
Moving on, I also checked out Qveen Herby’s most recent EP (extended play). To date, Housewife is one of my favorite bodies of work by Herby, on the same level as Halloqveen (2021). It’s still in her usual style of music, a blend of singing and rapping, but I enjoyed the production—how the beats were arranged—as well as the feature by Oli VVV (which added another layer to the track.) Housewife was another strong EP release from Qveen Herby!
Last but not least, is the BB/ANG3L Experience by Tinashe. This one isn’t a new release per say, since, after all, it is a dance performance that goes with BB/ANG3L. It is a nice way to experience the album outside of its music videos, and it does play around with some of the beats, for example the one for Needs.
Some singles that have made it to my playlist include: In Your Hands by Halle, Overcompensate by Twenty One Pilots, Some Type of Skin by Aurora, Made For Me by Muni Long, Next Semester by Twenty One Pilots, and Saturn by SZA.
That’s all from me for today!
Wednesday, April 24, 2024
I Watched Marry My Husband (2024)
Marry My Husband (which is available to stream on Amazon Prime) is a good adaptation that captures the overall vibe of the series as a whole. But, it’s not a one-to-one 100% accurate adaptation that includes every plot point from the comic. Some of the most marked changes came from how little screen time was devoted to the development of the other relationships outside of the main protagonists (Kang Ji-won, Yoo Ji-hyuk) and antagonists (Park Min-hwan, Jeong Su-min). And instead it centers the story on Ji-won and Ji-hyuk, while also making some smart changes that really emphasized the point of it: of the necessity of Ji-won giving her fate to someone else to avoid the misery, betrayal, and tragedy that jumpstarts the story.
Despite all the changes, this was still a great adaptation. One, the majority of the scenes I wanted to see brought to life was there. Two, the series didn’t mince how awful, controlling, and abusive (including domestic violence) Su-min and Min-hwan actually were. I mean, with friends (and a significant other) like those, who needs enemies?
The back and forth of will Ji-won escape her future or won’t she provided the tension and driving force for the story. It was so fun and satisfying seeing her gain confidence and scheme, because—make no mistakes—this is a story that is as much about taking back control of one’s life and finding happiness just as much as it was about getting revenge. Along the way Ji-won also gained a system of support and genuine friends.
I did like the way they used flashbacks, particularly for scenes where there was conflict and turmoil as well as where the future and the past (Ji-won’s present) overlapped. It revealed more of the characters backstory and also imparted information about sticky situations, without slowing down the narrative too much.
At the end of the day, I liked what they did here. One of the main takeaways is how people could change, and it was those who didn’t (who grew more resolute in their toxicity and capacity to do harm to others for the benefit of themselves) who fared the worst—and justifiably so—in Marry My Husband.
Monday, April 22, 2024
Music Monday (282): Brittany Howard, No Doubt
Rules:
Breana: I've been listening to Brittany Howard's latest album, What Now. (She was also part of the Friday lineup for Coachella, and I tuned into her performance during the Youtube livestream.) One of my favorite songs from What Now is: Another Day!
Andrea: Hi all! This week I'm listening to Don't Speak by No Doubt. Have an amazing week!
What are you listening to this week?
Wednesday, April 17, 2024
Cathedral, Forge, and Waterwheel: Technology and Invention in the Middle Ages by Frances & Joseph Gies
Series: n/a
Author: Fances & Joseph Gies
Source/Format: Purchased; Paperback
More Details: Nonfiction; History; Medieval Technology
Publisher/Publication Date: First published January 1, 1994
Synopsis from Goodreads...
In this account of Europe's rise to world leadership in technology, Frances and Joseph Gies make use of recent scholarship to destroy two time-honored myths.
Myth One: that Europe's leap forward occurred suddenly in the Renaissance, following centuries of medieval stagnation. Not so, say the Gieses: Early modern technology and experimental science were direct outgrowths of the decisive innovations of medieval Europe, in the tools and techniques of agriculture, craft industry, metallurgy, building construction, navigation, and war. Myth Two: that Europe achieved its primacy through Western superiority. On the contrary, the authors report, many of Europe's most important inventions--the horse harness, the stirrup, the magnetic compass, cotton and silk cultivation and manufacture, papermaking, firearms, Arabic numerals--had their origins outside Europe, in China, India, and Islam. The Gieses show how Europe synthesized its own innovations--the three-field system, water power in industry, the full-rigged ship, the putting-out system--into a powerful new combination of technology, economics, and politics. From the expansion of medieval man's capabilities, the voyage of Columbus with all its fateful consequences is seen as an inevitable product, while even the genius of Leonardo da Vinci emerges from the context of earlier and lesser-known dreamers and tinkerers.
Every so often I need a break from even my favorite genres of fiction, and, more often than not, I fill the void with nonfiction, as a pallet cleanser. Sometimes it’s true crime (Cult of We), history (Daughters of Chivalry, Meet Me by the fountain: An Inside History of the Mall), or science with a focus on nature (Entangled Life, The Death and Life of the Great Lakes, The Brilliant Abyss). I’ve once again returned to the subject of history with my latest nonfiction read, Frances and Joseph Gies’s Cathedral, Forge, and Waterwheel: Technology and Invention in the Middle Ages.
“A spirit of otherworldliness and a preoccupation with theology were perceived as underlying a vast medieval inertia.” Page 1
The book sets out to disprove that notion, and does so in a very technical manner. The bulk of the chapters break down the Middle Ages into chunks, either by “early Middle Ages” or by dates such as for example “900-1200” or “A.D. 500-900.” And it goes into detail about the notable achievements and the way the technology—such as the waterwheel, armor, weapons, bridges, cathedral building, and advances in textile manufacture, ship building, and navigation—were invented and found their way into different corners of the medieval world through various channels (trade was often mentioned). It often revealed the fascinating processes—and ingenuity—behind actually making these inventions (or improving on earlier discoveries) and how they were applied for practical purposes.
Some of my favorite passages had to do with cathedrals, paper, the printing press, and early clocks. But there was much-much more than that, and all of it was interesting to read about.
And, even though some of the descriptions could be frank and sometimes a little dry, overall I enjoyed this book for the sheer volume of information it had. And I’d recommend it for anyone who is curious about the subject.
Monday, April 15, 2024
Music Monday (281): Jungle, Kelela, Blanco Brown, and Luke Combs
Rules:
Breana: Over the weekend, I watched the Coachella livestream, and one of my favorite performances on Saturday was from Jungle. Check out Palm Trees!
Adri: I'm listening to Holier (JD. REID Remix) by Kelela featuring Shygirl. So, I could only find an official version of the original on Soundcloud. But I love both of them. I also love the visuals she's been realeasing for RAVE:N, The Remixes. For some reason I'm reminded of The Fifth Element.
Andrea: Hi all! This week I'm listening to Take Me Out To The Ballgame by Luke Combs as well as Sunshine Shine and Take Me Home, Country Roads by Blanco Brown. Have an amazing week!
What are you listening to this week?
Friday, April 12, 2024
The Friday 56 (247) & Book Beginnings: Cathedral, Forge, and Waterwheel: Technology and Invention in the Middle Ages by Frances & Joseph Gies
The Friday 56 is a weekly meme hosted by Freda's Voice where every Friday you pick a book and turn to page 56 or 56%, and select a sentence or a few, as long as it's not a spoiler. **Note: Freda @ Freda's Voice is taking a break from The Friday 56; Anne @Head is Full of Books is hosting for now.**
Book Beginnings is a weekly meme hosted by Rose City Reader that asks you to share the first sentence (or so) of the book you're reading.
In this account of Europe's rise to world leadership in technology, Frances and Joseph Gies make use of recent scholarship to destroy two time-honored myths.
Myth One: that Europe's leap forward occurred suddenly in the Renaissance, following centuries of medieval stagnation. Not so, say the Gieses: Early modern technology and experimental science were direct outgrowths of the decisive innovations of medieval Europe, in the tools and techniques of agriculture, craft industry, metallurgy, building construction, navigation, and war. Myth Two: that Europe achieved its primacy through Western superiority. On the contrary, the authors report, many of Europe's most important inventions--the horse harness, the stirrup, the magnetic compass, cotton and silk cultivation and manufacture, papermaking, firearms, Arabic numerals--had their origins outside Europe, in China, India, and Islam. The Gieses show how Europe synthesized its own innovations--the three-field system, water power in industry, the full-rigged ship, the putting-out system--into a powerful new combination of technology, economics, and politics. From the expansion of medieval man's capabilities, the voyage of Columbus with all its fateful consequences is seen as an inevitable product, while even the genius of Leonardo da Vinci emerges from the context of earlier and lesser-known dreamers and tinkerers.
Beginning: "In the centuries following the Middle Ages, thinkers of the European Enlightenment looked back on the previous period as a time "quiet as the dark of the night," when the world slumbered and man's history came to "a full stop.""
56: "When European horsemen finally adopted the stirrup and matched it with the contoured saddle, they gained a dramatic advantage."
Comments: This book has, admittedly, been on my shelf for a while. I was in the mood for nonfiction and finally picked it up. I enjoyed it. What are you reading this weekend?
Wednesday, April 10, 2024
I Listened to World Wide Whack by Tierra Whack
Tierra Whack is one of my favorite artists. She is creative and unafraid to experiment and take risks with her music—i.e. her debut album, Whack World (2018), had fifteen songs and none of them were longer than one minute in length. So, when Tierra Whack is involved, I’ve come to expect the unexpected. And with that, welcome back to the music minded corner of Our Thoughts Precisely!
Don’t let the cheery, quirky, and colorful imagery—or its most lighthearted tracks like Shower Song and Moovies—fool you. Tierra Whack’s new album, World Wide Whack, released on March fifteenth, is a deep, contemplative body of work that often approaches (and examines) darker topics—think depression and so forth. It opens with Mood Swing, setting the tone for what’s next. And then it transitions into tracks like Ms Behave, Difficult, and Numb, before ending with 27 Club—which really drove home the themes and statements present on the album.
Tierra Whack’s production is always quite interesting to take a look at, and it’s a highlight of the album. She can catch a beat when rapping (Ms Behave, Snake Eyes, and X), and the background music perfectly meshed with her vocals and, ultimately, suited the tone of any given track, even if it didn’t seem like it would work.
As far as second albums go, World Wide Whack is an excellent one.
Monday, April 8, 2024
Music Monday (280): Beyoncé, Lion Babe, WILLOW
Rules:
Breana: I'm still listening to Cowboy Carter. Another one of my favorite songs is Beyoncé and Miley Cyrus's duet, II Most Wanted.
Adri: I'm listening to So Pretty by Lion Babe. I absolutely love how cheery it sounds.
Andrea: Hi all! This week I'm listening to Symptom of Life and Wait a Minute by WILLOW. I hope everyone has an amazing week!
What are you listening to this week?
Friday, April 5, 2024
I Listened to Act ii: Cowboy Carter by Beyoncé
I’ve been anticipating the next part of Beyoncé’s trilogy project, which began with Renaissance’s release in 2022. Now, about two years later, she’s returned with Act ii: Cowboy Carter, which was supported by two singles (16 Carriages, Texas Hold ‘Em) released on February 11th, after a commercial that aired during this year’s Super Bowl. And with that, welcome back to the music minded corner of Our Thoughts Precisely!
When Beyoncé said Cowboy Carter was a Beyoncé album, rather than just a country one, she was telling the truth. There are hallmarks of the genre present throughout, but it’s a Beyoncé album: pitch switches, harmonies, and superb production with incredibly smooth transitions. As a follow up to Renaissance—one of my favorite albums—Cowboy Carter, with twenty-seven tracks, exceeded my expectations. From the artists she collaborated with, to covering classics— with Jolene and BlackBiird—with minimal (but meaningful) changes, to a wealth of original material, Cowboy Carter is an experience. It’s one that’s almost cinematic in the way it handles its concept and themes as well as smaller details—like having a full circle moment between the opening (Ameriican Requiem) and the closing track (Amen).Like The Weeknd’s Dawn FM (2022), Cowboy Carter is structured like a radio broadcast complete with DJ interludes featuring artists like Linda Martell, Dolly Parton, and Willie Nelson (for example: Dolly P, Smoke Hour Willie Nelson, and The Linda Martell Show). But those weren’t the only artists featured on Cowboy Carter. There was Beyoncé’s duet with Miley Cyrus (II Most Wanted), her collaborations with Post Malone (Levii’s Jeans), Just For Fun with Willie Jones, and Sweet Honey Buckin’ with Shaboozey.
Cowboy Carter has Beyoncé’s vocal capacity and creativity on full display. As a sequel to Renaissance, it works. As a country album, it experiments, effectively creating a long but memorable listening experience. This is one of my favorite albums to come out in the first half of the year, and it set the bar high.
Wednesday, April 3, 2024
Quarterly Recap: January-March
- On Rereading The Raven Boys by Maggie Stiefvater
- Emily Wilde's Map of the Otherlands by Heather Fawcett
- Bumps in the Night by Amalie Howard
- About The Dream Thieves by Maggie Stiefvater
- The Warm Hands of Ghosts by Katherine Arden
- About Blue Lily, Lily Blue by Maggie Stiefvater
Upcoming posts this month and beyond include more music reviews. The first quarter of the year has been busy with new music from Beyoncé, Brittany Howard, Tierra Whack, and more. And yet, there’s more on the horizon to look forward to.
Book wise, I have a nonfiction review that will be posted to the blog later this month.
Monday, April 1, 2024
Music Monday (279): Beyoncé, SiR, and Chenayder
Rules:
Breana: This week, I'm listening to Beyonce's new album, Cowboy Carter. I love it so much (more on that later, on a different post). One of my top-favorite tracks is Ameriican Requiem.
Adri: I stumbled onto this new artist: Chenayder. I've been listening to her song, One Last Time, on repeat, and I love the music video.
Andrea: Hi all! This week I'm listening to Brighter by SiR. Have an amazing week!
What are you listening to this week?
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